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  • Asma Mhalla

    Cyberpunk. Das neue totalitäre System

  • Emanuele De Donno, Amadeo Martegani…

    Architecture of Invention. 10 Experimental Bibliographies

  • Robin Jaspert

    Neokolonialer Kapitalismus. Eine Geschichte globaler…

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    The Housing Question is a Feminist Question.

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    Climate Adaptation for Architects A Design Toolkit

  • Carola Ebert (ed.)

    Theorising Interior Architecture and Design: Identity,…

  • Músicas Sospechosas

    N’écoutez pas la musique des noirs. De-Archiving the Sounds…

  • Spike

    Spike Art Magazine Issue 88 Spirituality

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    LUNGS Magazine. Issue 01 Berlin Summer 2026

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    Experimental Jetset

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    Erkin Karamemet, Gregor Maria Sahl

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  • Regine Heß

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    Silicity Protocols Issue #6 404

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    Selen Okumuş, Bilge Emir

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    Interspecies Communication. Sound and Music beyond Humanity

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    Charlotte Kerner

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  • Maren Haffke

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    Federico Campagna

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  • Amy Holmes, Julie Cirelli (Eds)

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    Tony Fry

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    Studio Properties. A field guide to design education

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    Idea 414. The Graphics of Human Intimacy. Designing…

  • Alberica Bazzoni, Federica Buangiorno…

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  • Nora-Swantje Almes (Hg)

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    Hamza Shaikh (ed.)

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    Carl Grodach, Jessica Ferm

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  • Adam Kraft

    Holes, Huts & Hidings

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    Martha Schwendener

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    Diane E. Davis, Markus Miessen (eds.)

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    Dirk Vis

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  • Trevor Paglen

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  • Monique Wittig

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    Adam Kraft

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  • Karin Harrasser

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  • Eyal Weizman

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    Yiorgis Yerolymbos, Platon Issaias

    Athens as a Project. A critical examination of the…

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    Spike

    Spike Art Magazine Issue 87 Everything's Computer

  • Tom Simons, Rainer Knapas (Hg.)

    Aalto and Nature

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    Nitin Bathla, Silvia Cipelletti, Markus…

    Cinema and the City in the Age of Planetary Urbanization

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    Die Schrebergartenlaube. Neue gestalterische Ansätze

Beyond the Image Cover

Beyond the Image. On Visual Culture in the Twenty-First Century

Today, we do not believe in images anymore. This incredulity is, in part, the product of technology. From brainrot to deepfakes, from NFTs to sloppy content, the function of the image is not representation but only the reproduction of capital.

In the twentieth century, the machine automated the hands of workers; in the twenty-first century, it automates the eyes of consumers. The conveyor belt is upgraded by scrolling. In the age of electronic reproduction, the gaze is replaced by the stare of Internet users.

Yet, as the medium is pushed to its limit by capitalism, it reverses its characteristics. Another relationship with the medium–beyond post-truth and deepfake–is designed anew into digital culture. From the Kardashians to Donald Trump, from Pepe the Frog to Paris Hilton, the nihilism of the image is trending right now. Beyond the Image is an attempt at the revaluation of visual culture in the age of video monetization and artificial intelligence. Soon enough, the same eyes that are filled with the glow of the screen are also starting to see beyond it.
 


Alessandro Sbordoni
Beyond the Image. On Visual Culture in the Twenty-First Century
Set Margins', 2025, 978-90-836052-3-4
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