Publishing Manifestos: An International Anthology from Artists and Writers

Manifestos by artists, authors, editors, publishers, designers, zinesters explore independent art publishing.
Independent publishing, art publishing, publishing as artistic practice, publishing counterculture, and the zine, DIY, and POD scenes have proliferated over the last two decades. So too have art book fairs, an increasingly important venue or even medium for art. Art publishing experienced a similar boom in the 1960s and 1970s, in response to the culture's "linguistic turn." Today, art publishing confronts the internet and the avalanche of language and images that it enables. The printed book offers artists both visibility and tangibility. Publishing Manifestos gathers texts by artists, authors, editors, publishers, designers, zinesters, and activists to explore this rapidly expanding terrain for art practice.
The book begins in the last century, with texts by Gertrude Stein, El Lissitsky, Oswald de Andrade, and Jorge-Luis Borges. But the bulk of the contributions are from the twenty-first century, with an emphasis on diversity, including contributions from Tauba Auerbach, Mariana Castillo Deball, Ntone Edjabe, Girls Like Us, Karl Holmqvist, Temporary Services, and zubaan. Some contributors take on new forms of production and distribution; others examine the political potential of publishing and the power of collectivity inherent in bookmaking. They explore among other topics, artists' books, appropriation, conceptual writing, non-Western communities, queer identities, and post-digital publishing. Some contributors take on new forms of production and distribution; others examine the political potential of publishing and the power of collectivity inherent in bookmaking. They explore among other topics, artist's books, appropriation, conceptual writing, non-Western communities, queer identities, and post-digital publishing. Many texts are reproduced in facsimile—including a handwritten "speculative, future-forward newspaper" from South Africa. Some are proclamatory mission statements, others are polemical self-positioning; some are playful, others explicitly push the boundaries. All help lay the conceptual foundations of a growing field of practice and theory.
Contributors
And Publishing, Oswald de Andrade, Art-Rite, Tauba Auerbach, Michael Baers, Ricardo Basbaum, Derek Beaulieu, Anita Di Bianco, Riccardo Boglione, Jorge Luis Borges, bpNichol, Kate Briggs, Broken Dimanche Press, Urvashi Butalia, Ulises Carrión, Cassava Republic, Mariana Castillo Deball, Arpita Das, Constant Dullaart, Craig Dworkin, Ntone Edjabe, Zenon Fajfer, Robert Fitterman, Marina Fokidis, General Idea, Annette Gilbert, Girls Like Us, Gloria Glitzer, Marianne Groulez, Alex Hamburger, Kathleen Hanna, Karl Holmqvist, Lisa Holzer, Tom Jennings, Ray Johnson, David Jourdan, Sharon Kivland, Kwani?, Bruce LaBruce, Tan Lin, El Lissitzky, Alessandro Ludovico, Sara MacKillop, Steve McCaffery, Jonathan Monk, Simon Morris, León Muñoz Santini, bp Nichol, Deke Nihilson, Aurélie Noury, Johnny Noxzema, Clive Phillpot, Michalis Pichler, Vanessa Place, Seth Price, Queeres Verlegen, Allen Ruppersberg, Joachim Schmid, Carlos Soto Román, Paul Soulellis, Matthew Stadler, Gertrude Stein, Paul Stephens, Mladen Stilinovic, Katja Stuke, Temporary Services, Nick Thurston, TIQQUN, Elisabeth Tonnard, Eric Watier, Erik van der Weijde, Lawrence Weiner, Eva Weinmayr, Jan Wenzel, Stephen Willats, zubaan