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    The Subjective Object

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    Encyclopedia of Flowers

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    Autoprogettazione?

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    Sounds Like Silence. John Cage - 4’33” – Silence Today

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    Schriften. Erster Band

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    Rosalind Nashashibi

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    In a Manner of Reading Design (The Blind Spot)

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    Khhhhhhh

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    Institutions by Artists. Volume One

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    Design ist unsichtbar. Entwurf, Gesellschaft und Pädagogik

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    Megastrukturen. Architekturutopien zwischen 1955 und 1975

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    The Ruin of Exchange

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    Architecture Words 9. Tectonic Acts of Desire and Doubt

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    The Culture of Curating and the Curating of Culture(s)

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    - Modernism In-between - The mediatory Architectures of…

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    Unit.Design/Research 01. Ronald Clyne at Folkways

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    IDEA 354. Alternative History of Publishing in Japan 1923 -…

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    Post-Digital Print. The Mutation of Publishing Since 1884

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    Neue Welt

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    Lucius Burckhardt. Design heisst Entwurf

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    Horst Rittel. Die Denkweise von Designern

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    Wim Crouwel

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    Who is John Cage?

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    Work, Work, Work A Reader on Art and Labour

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    Song Book (Die Gedanken sind frei)

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    Albtraum Partizipation

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    Graphic Design: History in the Writing (1983–2011)

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    Unjustified Texts. Perspectives on Typography

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    Hands-On Urbanism 1850 - 2012

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    Performing the Curatorial With and Beyond Art

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    Not Moscow Not Mecca

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    Revolution. A Reader

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    The Theorist's Mother

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    The Number and the Siren

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    Making Paradise. Art, Modernity, and the Myth of the French…

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    Amber. Anrhem Mode Biennale

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    A House Full of Music. Strategien in Musik und Kunst

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    Lilly Reich. Designer and Architect

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    Printing at Home

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    Home-Made Europe. Contemporary Folk Artifacts

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    The Least of All Possible Evils

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    Design Like You Give a Damn, Volume 2

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    Fashion & Sustainability. Design for Change

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    Rumored Animals

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    Drawing A Hypothesis. Figures of Thought

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    Bilder und Texte. Literatur

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    Atelier und Galerie. Studio and Cube

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    Toward a Minor Architecture

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    A world without words

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    Spatzen

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    Introduction to Antiphilosophy

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    Paper Exhibition. Selected Writings by Raimundas Malasauskas

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    Thoughtform-La forma del pensiero

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    Die eigenen vier Wände. Wohnen als Erinnern

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    Our Kind of Movie. The Films of Andy Warhol

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    Kuehn Malvezzi. Index

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    The Last Art College. Nova Scotia College of Art and Design…

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    Architecture School. Three Centuries of Educating…

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    Italian Conversations. Art in the Age of Berlusconi

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    Expothesis No2. Waking Up From The Nightmare Of…

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    Sonic Somatic. Performances of the Unsound Body

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    Kwadraat-Bladen A Series of Graphic Experiments 1955—74

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101 Things to Learn in Art School

What is the first thing to learn in art school? "Art can be anything." The second thing? "Learn to draw." With 101 Things to Learn in Art School, artist and teacher Kit White delivers and develops such lessons, striking an instructive balance between technical advice and sage concepts. These 101 maxims, meditations, and demonstrations offer both a toolkit of ideas for the art student and a set of guiding principles for the artist. Complementing each of the 101 succinct texts is an equally expressive drawing by the artist, often based on a historical or contemporary work of art, offering a visual correlative to the written thought. "Art can be anything" is illustrated by a drawing of Duchamp’s famous urinal; a description of chiaroscuro art is illuminated by an image "after Caravaggio"; a lesson on time and media is accompanied by a view of a Jenny Holzer projection; advice about surviving a critique gains resonance from Piero della Francesca’s arrow-pierced Saint Sebastian.
101 Things to Learn in Art School offers advice about the issues artists confront across all artistic media, but this is no simple handbook to making art. It is a guide to understanding art as a description of the world we live in, and it is a guide to using art as a medium for thought. And so this book belongs on the reading list of art students, art teachers, and artists, but it also belongs in the library of everyone who cares about art as a way of understanding life.
Kit White is an artist and Professor of Painting at Pratt Institute, Brooklyn. His work is in the permanent collections of many museums, including the Guggenheim Museum.
Reviews
“This small book, just 6 inches square, excels in presenting ideas that both artists and designers, at all stages of their careers, cannot be reminded of too often.”
—Interior Design
“Kit White’s 101 Things to Learn in Art School is a delight...Anyone who has ever visited an art museum, made art, or read about it could learn something from this little book.”
—Beth Williamson, Cassone
Endorsements
“Everyone craves useful wisdom, right? Especially when they're young, and even more especially if they want to become one of those modern alchemists known as visual artists. Well, here it is: page for impeccably crafted page, the best, most thoughtful and lucid primer available for any young (or old) would-be maker of art.”
—Kurt Andersen, novelist (Heyday, Turn of the Century) and public radio host (Studio 360)
“There is a great myth that somehow rules constrain creativity. With grace and wit, Kit White’s new book dismantles this received idea, and many others along the way. If the cardinal rule of writing is ‘show, don’t tell,’ Kit White has done exactly that—he shows us what art-making is by example as much as through the rich content of this incisive book.”
—Polly Apfelbaum, artist
“Kit White gives us a ‘manual’ in every sense of the word, a lifetime of art-making condensed into 101 cogent maxims that fit in the hand of the aspiring artist.”
—Wendy Steiner, author of The Real Real Thing: The Model in the Mirror of Art


Kit White
101 Things to Learn in Art School
MIT Press, 2011, 9780262016216