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  • Thomas Crow

    The Long March Of Pop. Art Music and Design 1930-1995

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  • Gerald Raunig

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  • Pedro Gadanho (Ed.)

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  • Seth Price

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    Utopien vermeiden. Avoiding Utopias

  • Metahaven

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  • Amy Brandt

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  • Francesca Hughes

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  • Felix Denk, Sven von Thülen

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  • Joachim Fischer, Dierk Spreen

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  • Tim Stüttgen

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  • Francesco Garutti (Ed.)

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  • Scott McFarland

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  • Jacques Rancière

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  • Thomas Thiel (Ed.)

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  • Catriona Gray

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  • Stefan Gandl

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Sweet Sweat

Erudite, baroque, a dazzling writer and painter but maniacal and all-encompassing in his approach, Roee Rosen keeps erasing the fine line that separates fiction and truth, imagination and reality, just as Sade and Lautréamont have done before him. But this division doesn't exist anymore. What makes his summa erotica erotic is that, for him as for Georges Bataille, pornography is philosophy.
“What are you doing after the orgy?” Jean Baudrillard once perversely asked. I would answer: just read Roee Rosen. Rosen came after the orgy, and he knows it. With Sweet Sweat, he is bringing in for a last call all the erotic avant-gardes of the West. But he can only do it with a vengeance - by writing himself into the picture. (Sylvère Lotringer)
Sweet Sweat, the only novel by Belgian artist Justine Frank, is unusual, to say the least - a blend of feminism, pornography, Judaism, and art, written in French in 1931. Its heroine is a Jewish girl named Rachel, born in the South of France, who has an outstanding talent for debauchery and crime. She takes up with the sybaritic Count Urdukas and sets out with him on an odyssey of pleasure and corruption marked by bizarre events in which horror and humor mingle. This comprehensive new edition of Frank's novel includes an essay and an extensive biography by Roee Rosen and a timeline tracing key moments in Frank's life, providing a definitive analysis of this once-scandalous novel and its historical and cultural contexts.
Justine Frank is a fictive surrealist artist and writer, having purportedly been born in Antwerp in 1900 and died in Tel Aviv in 1943, invented by Israeli artist Roee Rosen (born 1963 in Rehovot, Israel). Rosen's paintings, films, and writings have become known for their historical and theological consciousness, novelistic imagination, and psychological ambition. His work addresses the representation of history, the political economy of memory, and the politics of identity, often exploring the tension between trauma, horror, humor, and truth.
Rosen received degrees in visual art from the School of Visual Arts and Hunter College, both in New York. He now lives in Israel, where he teaches art and art history at Bezalel Academy of Art and at Beit Berl College. In 1997 Rosen's controversial exhibition “Live and Die as Eva Braun” at The Israel Museum, Jerusalem, was aggressively attacked by Israeli politicians. It won critical praise, however, for its new approach to the representation of the memory of the Holocaust. Rosen's projects include the exhibition “Justine Frank (1900–1943): A Retrospective” (2009) and the films Two Women and a Man (2005) and The Confessions of Roee Rosen (2008). He has authored the books A Different Face (Shva, 2000), Lucy (Shadurian, 2000), Sweet Sweat (Babel, 2001), and Ziona™ (Keter, 2007).


Justine Frank, Roee Rosen
Sweet Sweat
Sternberg Press, 2009, 978-1-933128-66-5