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  • Irene Kurtishvili (Hg)

    Hotel Orient / Haus der Künstler

  • Jörg H. Gleiter, Ludger Schwarte (Hg.)

    Architektur und Philosophie. Grundlagen. Standpunkte.…

  • IGBK (Hg.)

    Dreams of Art Spaces Collected

  • Frances Holliss

    Beyond Live/Work. The Architecture of Home-Based Work

  • Marc Angélil & Sarah Nichols (Ed.)

    Reform! Essays on the Political Economy of Urban Form – Vol…

  • Tilman Baumgärtel

    Schleifen. Zur Geschichte und Ästhetik des Loops

  • Maurizio Lazzarato

    Governing by Debt

  • Slavs and Tatars

    Mirrors for Princes

  • Benjamin H. D. Buchloh

    Formalism and Historicity. Models and Methods in Twentieth-…

  • Blaine Brownell, Marc Swackhamer

    Hypernatural. Architecture's New Relationship with…

  • David Maroto, Joanna Zielińska (Ed.)

    Artist Novels. The Book Lovers Publication

  • Franco »Bifo« Berardi

    Der Aufstand. Über Poesie und Finanzwirtschaft

  • Claire Doherty (Ed.)

    Out of Time, Out of Place. Public Art (Now)

  • Anthony Gardner

    Politically Unbecoming. Postsocialist Art against Democracy

  • Monika Rinck

    Risiko und Idiotie. Streitschriften

  • Kristien Ring, AA Projects, SenStadtUm…

    Urban Living. Strategien für das zukünftige Wohnen

  • Annette Kelm

    Subjects and Objects

  • Lou Cantor, Clemens Jahn (Eds.)

    Turning Inward

  • Ina Conzen (Hg.)

    Oskar Schlemmer. Visionen einer neuen Welt

  • Shumon Basar, Douglas Coupland, Hans…

    The Age of Earthquakes. A Guide to the Extreme Present

  • Hilde van Gelder (Ed.)

    Allan Sekula. Ship of Fools/The Dockers' Museum

  • Lisa Lee (Ed.)

    Isa Genzken (October Files)

  • John Miller

    Mike Kelley. Educational Complex

  • David Adjaye

    Form, Heft, Material

  • Shumon Basar, Douglas Coupland, Hans…

    Erschütterung der Welt. Leitfaden für die extreme Gegenwart

  • Bill Dietz

    Bill Dietz. 8 Tutorial Diversions, 2009 - 2014

  • Sigrid Weigel

    Grammatologie der Bilder

  • Joseph Vogl

    Der Souveränitätseffekt

  • Marco Ornella

    9999. An Alternative to One-Way Architecture

  • Manuel Herz (Ed.)

    African Modernism

  • Elisa van Joolen

    Elisa van Joolen. 11"x17" Reader

  • Gregoire Chamayou

    Drone Theory

  • Lisa Smirl

    Spaces of Aid. How Cars, Compounds and Hotels shape…

  • Louise Bourgeois

    I Have Been to Hell and Back

  • Marc-Camille Chaimowicz

    Madame Bovary

  • Philipp Felsch

    Der lange Sommer der Theorie. Geschichte einer Revolte 1960…

  • Luis Carranza, Fernando Lara

    Modern Architecture in Latin America. Art, Technology, and…

  • Adrian George

    The Curator's Handbook. Museums, Commercial Galleries…

  • Renate Lorenz (Ed.)

    Not Now! Now! Chronopolitics, Art & Research

  • Anne Waak

    Hartz IV und wir

  • Anna-Sophie Springer & Etienne…

    Fantasies of the Library

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    Land & Animal & Nonanimal

  • Raumlaborberlin (Ed.)

    Art City Lab. Neue Räume für die Kunst

  • Jean-Paul Martinon (Ed.)

    The Curatorial. A Philosophy of Curating

  • Ulrike Gerhardt, Susanne Husse (Hg.)

    The Forgotten Pioneer Movement: Guidebook

  • SCALE

    Einrichten und Zonieren. Raumkonzepte, Ausbau, Materialität

  • Susanne Hauser, Claus Dreyer (Hg.)

    Das Konkrete und die Architektur

  • Harald Bodenschatz, Piero Sassi, Max…

    Urbanism and Dictatorship. A European Perspective

  • Chris Tedjasukmana

    Mechanische Verlebendigung. Ästhetische Erfahrung im Kino

  • Isabell Lorey

    State of Insecurity. Government of the Precarious

  • Paolo Virno

    Deja Vu and the End of History

  • Robert Delaunay

    Sonia Delaunay. Fashion and Fabrics

  • Maria Zinfert (Hg.)

    Siegfried Kracauer. Fotoarchiv

  • Christian Thun-Hohenstein (Ed.)

    Wege der Moderne. Josef Hoffmann, Adolf Loos und die Folgen…

  • Olivia de Oliveira

    Lina Bo Bardi. Built Work. Obra construida

  • Eduard Sancho Pou

    Function Follows Strategy. Architects' Strategies from…

  • Orit Halpern

    Beautiful Data

  • Manfred Mohr, Margit Rosen

    Der Algorithmus des Manfred Mohr

  • Stephanie Kloss

    Weltausstellung

  • Robin Mackay (Ed.)

    Collapse: Philosophical Research and Development: Casino…

  • Gregory J. Markopoulos

    Film as Film. The Collected Writings of Gregory J.…

  • Andrea Büttner

    Immanuel Kant. Kritik der Urteilskraft

  • Andri Gerber

    Metageschichte der Architektur. Ein Lehrbuch für angehende…

  • Hans Ulrich Obrist

    Kuratieren!

  • Steven Shaviro

    The Universe of Things. On Speculative Realism

  • Florian Böhm, Annahita Kamali

    Everything is Connected. Home Collection (Vitra)

  • Eva Diaz

    The Experimenters. Chance and Design at Black Mountain…

  • Berlin Projects

    Startup Berlin Guide

  • David Ostrowski

    How to do things left

  • Honore De Balzac

    The Physiology of the Employee

  • Francesco Spampinato

    Come Together. The Rise of Cooperative Art and Design

  • Marc Fischer

    Public Collectors

  • Joël Tettamanti

    Works 2001–2019

  • S AM 12

    Translations

  • Wilfried Dickhoff, Marcus Steinweg (Hg.)

    INAESTHETICS #4 Philosophy!

  • Marc Bedarida (Ed.)

    Le Corbusier. Aventures Photographiques

  • Markus Weisbeck, Mathias Schmitt,…

    Space for Visual Research

  • Gina Glover, Geof Rayner, Jessica Rayner

    The Metabolic Landscape. Perception, Practice and the…

  • Ricardo Flores & Eva Prats

    Thought by Hand. The Architecture of Flores & Prats

  • Sylvain Margaine

    Forbidden Places, Volume 2: Exploring Our Abandoned Heritage

  • Mark Leckey

    On Pleasure Bent

  • Axel Wieder, Florian Zeyfang (Eds.)

    Open Form. Space, Interaction, and the Tradition of Oskar…

  • Maria Zinfert (Hg.)

    Sigfried Kracauer. Photographic Archive

  • Clog

    World Trade Center

  • Marta Herford (Ed.)

    Der entfesselte Blick. The Unfettered Gaze: Die Brüder…

  • Hubertus Butin (Hg.)

    Begriffslexikon zur zeitgenössischen Kunst (Ausgabe 2014)

  • Peter Blegvad

    Kew. Rhone

  • Michiel van Raaij

    Building as Ornament

  • Reinhard Seiss

    Harry Glück: Wohnbauten

  • Cristina Bechtler (Ed.)

    Museum of the Future

  • Felix Ensslin, Charlotte Klink (Eds.)

    Aesthetics of the Flesh

  • Matthew Gandy

    The Fabric of Space. Water, Modernity, and the Urban…

  • Catherine De Zegher

    Women's Work. Is Never Done

  • Sophie Berrebi

    The Shape of Evidence. Contemporary Art and the Document (…

  • Simon Denny

    New Management

  • Henning Schmidgen

    Hirn und Zeit. Die Geschichte eines Experiments 1800 - 1950

  • Paul O'Neill & Mick Wilson (Ed…

    Curating Research

  • Hans-Jürgen Hafner, Gunter Reski (Hg.)

    The Happy Fainting of Painting. Ein Reader zur…

Never Use White Type on a Black Background

Never Use White Type… n a Black Background and 50 other Ridiculous Design Rules.
The world of fashion and design is inundated with a seemingly endless list of rules. Think of “Less is More,” “Form Follows Function,” “Keep it Simple,” “Dress Your Age,” and the list goes on and on. They’re familiar sayings that some designers consider to be valuable words of wisdom, which serve as a guiding line and source of inspiration. To others, these rules are mere restrictions: design dogmas and fashion formulae that need to be bended, twisted or broken altogether.
Rules tend to have a life of their own: over time their meaning changes or the rule is adopted by a whole new group of followers. Take, for instance, the classic “Form Follows Function.” It started out life as an architecture guideline but has crept its way into other creative fields. This evolution is reflected in this book by the chronologically placed quotes that accompany each rule and that are courtesy of designers, architects, fashion designers, typographers and other creatives. All rules are also accompanied by an image that either negates or supports the rule. Our aim is not to list all the rules that you need to adhere to. Nor do we take sides in the whole rules debate. Granted, creativity knows no bounds and therefore it seems rather ridiculous to restrict that creativity by sticking to a couple of age-old rules. However, in some cases the rules seems more like the basic principles that every designer should love, honor and obey.
Whichever side of the fence you yourself are sitting on in the rules debate, you’re bound to find this book a source of inspiration, comfort, joy or just good old fun. Enjoy.
http://www.bispublishers.nl/bookpage.php?id=128


Anneloes van Gaalen
Never Use White Type on a Black Background
Bis Publishers, 2009, 978-90-6369-207-0