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    Was passiert? Stellungnahmen zur Lage der Universität

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    Sun Ra. Interviews & Essays

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    Interviews Volume 2

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    Adolf Loos. Gesammelte Schriften

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    Al Manakh 2. Gulf Continued

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    Soziologie und Sozialkritik

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    Die Stadt ist unsere Fabrik. The City is Our Factory.

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    Sauerbruch Hutton

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    A Companion to Marx's Capital

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    Dado: Gebaut und bewohnt von Rudolf Olgiati und Valerio…

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    A Brief History of Curating New Media Art

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    Recession Recessione - A Nonexistent Exhibition

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    You Are Not a Gadget. A Manifesto

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    Heavy Metal (News) Around the World

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    Cedric Price - Hans-Ulrich Obrist (The Conversation Series)

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    The Master II

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    Net Pioneers 1.0. Contextualizing Early Net-Based Art

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    -arium. Weather and Architecture

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    Never Use White Type on a Black Background

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    Echo of Space / Space of Echo

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    Studies in Organic

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    85 Zeichnungen

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    Stagings. Kabul, Film & Production of Representation

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    The Tao of Wu

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    Supercritical. Peter Eisenman & Rem Koolhaas

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    Made by the Office for Metropolitan Architecture

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    Harun Farocki. Against What? Against Whom?

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    Modern Architecture and the Mediterranean

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    Lecture Performance

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    Sonic Warfare. Sound, Affect, and the Ecology of Fear

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    Bernhard Willhelm & Jutta Kraus

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    Iaspis Forum on Design and Critical Practice

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    For the Love of Vinyl. The Album Art of Hipgnosis

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    The Rest is Noise. Das 20. Jahrhundert hören

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    I was (t)here.

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    Metasprache des Raums / Metalanguage of Space

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    Red Water

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    Weiss

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    Graphic Europe. An Alternative Guide to 31 European Cities

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    First Works. Emerging Architectural Experimentation of the…

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    Now is the Time. Art and Theory in the 21st Century

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    Urbane Visionen am Arabischen Golf. Die "Post-Oil-…

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    The Emancipated Spectator

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    Yes is More. An Archicomic on Architectural Evolution

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    Institutional Critique. An Anthology of Artists'…

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    Zone des Übergangs. Vom Ende des Postkommunismus

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    Souto de Moura 2005-2009. Theatres of the World.

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    Architecture's Desire. Reading the Late Avant-Garde

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    The Fall of the Studio. Artists at Work

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    Class Works. Weitere Beiträge zu vermittelnder,…

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    Colour in Contemporary Architecture

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    Blue Peter. Sixth Book

Anfang Gut, Alles Gut. Actualizations of the Futurist Opera Victory Over the Sun 1913

KUB Arena Band 2: Anfang Gut. Alles Gut: Aktualisierungen der futuristischen Oper Sieg über die Sonne (1913) / Actualizations of the futurist opera Victory Over the Sun (1913)
Edited by Eva Birkenstock, Nina Köller, Kerstin Stakemeier. Introduction by Eva Birkenstock, Nina Köller, Kerstin Stakemeier. Text by Roger Behrens, Devin Fore, Anke Hennig, Oliver Jelinski, Christiane Ketteler, Avigail Moss, Nikolai Punin, Marina Vishmidt.
Premiered in St. Petersburg in 1913, and written in “zaum”--a Russian Futurist nonsense language--Victory over the Sun was a vastly ambitious opera, a collaboration between the poets Velimir Khlebnikov and Aleksei Kruchenykh, the composer and painter Mikhail Matyushin and the painter Kazimir Malevich (who made his legendary “Black Square” painting for the work). Anfang Gut. Alles Gut. documents a longterm project by an ever-expanding group of artists, musicians, architects and writers who, since 2008, have worked with the opera’s historical documentation and reception history to translate this mythic gesamtkunstwerk into the present. Katrin Bahrs, Thomas Baldischwyler, Tschilp, Nine Budde, Natalie Czech, Jean-Pascal Flavien, Kirsten Forkert, Emma Hedditch and Elizabeth Orr, Fox Hysen and Susanne M. Winterling, Heiko Karn and Katrin Mayer, Nicholas Matranga, Ruth May and Michaela Melián are among the many artists contributing to the book.
Die futuristische Oper Sieg über die Sonne wurde 1913 in St. Petersburg uraufgeführt und suchte »auf Grundlagen von Wort, Malerei und Musik ein Kollektivwerk zu schaffen«. Anfang gut. Alles gut. ist das Langzeitprojekt einer stetig wachsenden Gruppe von internationalen Künstlern, Musikern, Architekten und Autoren, die diese Fäden der Vergangenheit aufgreift und aktualisiert. Die Präsentation aller bislang produzierten Arbeiten - unter ihnen Texte, Installationen, Fotografien, Zeichnungen und Kompositionen - bietet die Möglichkeit, eine aktuelle Relevanz des russischen Futurismus in seinen Chancen und Gefahren zu erschließen.


Kunsthaus Bregenz (Hg.)
Anfang Gut, Alles Gut. Actualizations of the Futurist Opera Victory Over the Sun 1913
KUB, 2013, 978-3863351441