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  • Alice Foxley

    Distance and Engagement

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    Fashion Illustration, 1930 to 1970. From Harper's…

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    The Nightmare of Participation

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    Atlas of Transformation

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    High Society. Mind Altering Drugs in History and Culture

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    Not in Fashion. Photography and Fashion in the 90s

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    A Story of Deception

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    Baumschule. Kultivierung des Stadtdschungels

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    The Just City

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    Fanzines

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    Tell Me What You Want, What You Really, Really Want

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    History Becomes Form. Moscow Conceptualism

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    Selected Maria Lind Writing

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    From Hieroglyphics to Isotype. A Visual Autobiography

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    Understanding Stadtforschung

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    Shadowplayers. The Rise and Fall of Factory Records

  • Giorgio Agamben

    Nacktheiten

  • Florian A. Schmidt, Peter Lasch,…

    Kritische Masse. Von Profis und Amateuren im Design

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    Left, Right, Up, Down. Neue Ansätze für die Gestaltung von…

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    XXX Macarena LP

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    Socialism or Barbarism? The Selected Writings of Rosa…

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    The Boom Box Project. The Machines, the Music...

  • Enn Ots

    Decoding Theoryspeak. An Illustrated Guide to Architectural…

  • Veit Erlmann

    Reason and Resonance. A History of Modern Aurality

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    Turning Pages. Editorial Design for Print Media

  • Jens Müller, Karen Weiland (Hg.)

    Kieler Woche. Geschichte eines Designwettbewerbs

  • Martino Stierli

    Las Vegas im Rückspiegel. Die Stadt in Theorie, Fotografie…

  • Andres Lepik

    Small Scale, Big Change

  • Benedict Boucsein

    Graue Architektur. Nachkriegsarchitektur

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    Berlin plant. Plädoyer für ein Planwerk Innenstadt Berlin 2…

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    Dara Birnbaum. Technology/Transformation: Wonder Woman

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    Assume Vivid Astro Focus

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    Louis Kahn. On the Thoughtful Making of Spaces

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    Abstract City #04. Urbanes Hausen

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    Elfter September. 2010

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    Dance with Camera

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    Joan Jett

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    The Rejected, the Recycled, the Regenerated

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    Moiré Index

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    Gestaltung denken. Ein Reader für Designer und Architekten

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    Candide. Journal for Architectural Knowledge Heft 2

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    Dialogue between Fashion and Death

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    Solution 186–195. Dubai Democracy

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    Städtebau in Berlin. Schreckbild und Vorbild für Europa

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    Dead on Arrival

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    Berlin Sampler. Le son de Berlin de 1904 à 2009

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    Every Day is a Good Day. The Visual Art of John Cage

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    Restless Cities

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    Rethinking the Power of Maps

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    The Clandestine in the Work of Jef Cornelis

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    Retroperspective Home N° 30 – N° 41

  • Reinhold Martin

    Utopia's Ghost. Architecture and Postmodernism, Again

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    Max Bill: Form, Function, Beauty = Gestalt.

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    Utopia of Sound. Immediacy and Non-Simultaneity

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    89/90

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    Living in the End Times

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    The Studio Reader. On the Space of Artists

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    IDEA 341. Dialogues with Tatsuya Ariyama

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    Design/Research 02

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    Chain Ring

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    Show and Tell. A Chronicle of Group Material

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    Über Origami

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    The Politics of Recorded Sound (Social Text)

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    49 Cities

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    Introduction to Civil War (Semiotexte)

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    Solution 168-185. America

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    The Architectures of Atelier Bow-Wow. Behaviorology

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    Pink Noises. Women on Electronic Music and Sound

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    (Mis)reading Masquerades

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    Cities under Siege. The New Military Urbanism

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    Acoustic Territories. Sound Culture and Everyday Life.…

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    Pollerforschung

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    The Form of the Book Book

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    Modern Architecture in Africa

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    Curating and the Educational Turn

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    Garden Wisdom and Know-How

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    Die Alarmbereiten

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    Was passiert? Stellungnahmen zur Lage der Universität

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    Dubai Düsseldorf

The Letter E is Everywhere. La Letra E esta por Doquier.

The Letter E is Everywhere works as a book that contains different stories, letters, texts and images unfolding into space. Instead of pages, the display structures and furniture pieces allow books, prints, objects and textiles designed by Studio Manuel Raeder, to be juxtaposed with other objects found during an exploration of local handcraft production in Oaxaca. The exhibition also features three furniture pieces developed as a result from this research, in collaboration with Oaxacan artisans.
The Letter E is Everywhere is shaped by the objects mentioned earlier, and by the display structures developed especially for the exhibition. The exhibition presented in Archivo adopts pieces from its collection, focusing on objects whose production converses between craft and design practice: industrial, mass-produced popular objects, handicrafts, and furniture pieces whose form-function relation appears as rustic, but nevertheless shows much attention to detail and technique.
The exhibition proposes an open narrative through the objects on display and questions the position contemporary design plays in the dialogue between people and every day objects. At the same time, it reflects the approach that Manuel Raeder and his studio have about their practice, where design is used as a tool that is constantly reconsidered and customized


Studio Manuel Raeder
The Letter E is Everywhere. La Letra E esta por Doquier.
Bom Dia Boa Tarde Boa Noite, 2013, 978-3-943514-16-2