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    Interviews Volume 2

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    Al Manakh 2. Gulf Continued

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    Handmade Houses & Other Buildings

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    Urbane Klänge. Popmusik und Imagination der Stadt

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    Porn.com. Making Sense of Online Pornography

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    Top Girls. Feminismus und der Aufstieg des neoliberalen…

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    An invention of Allan Kaprow for the moment

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    Perpetual Inventory

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    Total Design - Die Inflation moderner Gestaltung

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    Die Stadt ist unsere Fabrik. The City is Our Factory.

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    Film-Montagen DVD

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    Sauerbruch Hutton

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    A Companion to Marx's Capital

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    Dado: Gebaut und bewohnt von Rudolf Olgiati und Valerio…

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    A Brief History of Curating New Media Art

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    The Gentrification Reader

  • Julia Bryan-Wilson

    Art Workers. Radical Practice in the Vietnam War Era

  • Falke Pisano

    Figures of Speech

  • Kirsi Peltomäki

    Situation Aesthetics. The Work of Michael Asher

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    Mort Aux Vaches Ekstra Extra

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    For the blind man in the dark room

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    Recession Recessione - A Nonexistent Exhibition

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    You Are Not a Gadget. A Manifesto

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    Heavy Metal (News) Around the World

  • Cedric Price, Hans-Ulrich Obrist

    Cedric Price - Hans-Ulrich Obrist (The Conversation Series)

  • Juergen Teller

    The Master II

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    Net Pioneers 1.0. Contextualizing Early Net-Based Art

  • D.N. Rodowick

    Afterimages of Gilles Deleuze's Film Philosophy

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    Rote Berta Geht Ohne Liebe Wandern

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    Span. Span the Boundary between Space and Graphics

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    Deep Search. Politik des Suchens jenseits von Google

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    Hold On to Your Dreams. Arthur Russell and the Downtown…

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    On Kindness

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    Total Trattoria

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    The Wire. Urban Decay and American Television

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    Insurgencies. Constituent Power and the Modern State

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    Rock/Music Writings

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    Ursula Bogner. Pluto hat einen Mond

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    The Urban Connection. An Actor-Relational Approach to Urban…

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    -arium. Weather and Architecture

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    Never Use White Type on a Black Background

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    The Situationists and the City

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    Echo of Space / Space of Echo

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    Studies in Organic

  • Stefan Marx

    85 Zeichnungen

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    Stagings. Kabul, Film & Production of Representation

  • The RZA

    The Tao of Wu

  • Architecture Words

    Supercritical. Peter Eisenman & Rem Koolhaas

  • Albena Yaneva

    Made by the Office for Metropolitan Architecture

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    Harun Farocki. Against What? Against Whom?

  • J.-F. Lejeune, M. Sabatino

    Modern Architecture and the Mediterranean

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    Lecture Performance

  • Steve Goodman

    Sonic Warfare. Sound, Affect, and the Ecology of Fear

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    Bernhard Willhelm & Jutta Kraus

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    Iaspis Forum on Design and Critical Practice

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    For the Love of Vinyl. The Album Art of Hipgnosis

  • Alex Ross

    The Rest is Noise. Das 20. Jahrhundert hören

  • Helene Sommer

    I was (t)here.

  • Eckhard Schulze-Fielitz

    Metasprache des Raums / Metalanguage of Space

  • Keiko Nomura

    Red Water

  • Kenya Hara

    Weiss

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    Colour Mania

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    Graphic Europe. An Alternative Guide to 31 European Cities

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    Krautrock. Cosmic Rock and its Legacy

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    Self-Fab House. 2nd Advanced Architecture Contest

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    Tacit Urbanism

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    First Works. Emerging Architectural Experimentation of the…

  • Franco "Bifo" Berardi

    The Soul At Work. From Alienation to Autonomy

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    New Topographics

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    Now is the Time. Art and Theory in the 21st Century

  • Dexter Sinister

    Portable Document Format

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    Urbane Visionen am Arabischen Golf. Die "Post-Oil-…

  • Jacques Rancière

    The Emancipated Spectator

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    Yes is More. An Archicomic on Architectural Evolution

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    Institutional Critique. An Anthology of Artists'…

  • Valerie Viscardi

    Louis Vuitton. Art, Fashion and Architecture

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    Zone des Übergangs. Vom Ende des Postkommunismus

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    Souto de Moura 2005-2009. Theatres of the World.

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    Architecture's Desire. Reading the Late Avant-Garde

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    The Fall of the Studio. Artists at Work

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    Colour in Contemporary Architecture

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    Wahrheit der Demokratie

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    Everywhere and All at Once. Performa 07

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    Being an Artist in Post-Fordist Times. Arts in Society

Eva Hesse. One More Than One

Eva Hesses Spätwerk fasziniert nicht zuletzt durch ungewöhnliche Materialien. Eva Hesse (1936 1970) ist eine der herausragenden Künstlerinnen des 20. Jahrhunderts. In Hamburg geboren, emigrierte sie 1938 über Holland nach New York. Als Eva Hesse im Alter von nur 34 Jahren an einem Gehirntumor verstarb, hinterließ sie ein faszinierendes und höchst eigenständiges Werk. In der zweiten Hälfte der 1960er-Jahre experimentierte sie mit neuen Materialien, die in der Objektkunst bis dahin noch keine Verwendung gefunden hatten, wie Polyester, Glasfaser und Latex. Hesses Skulpturen, die sich heute in den großen Museen der Welt befinden, verbinden auf einzigartige Weise komplexe und zum Teil konträre Aspekte: hart und weich, fragil und präsent, abstrakt und assoziationsreich. Diese reich bebilderte Publikation konzentriert sich mit Skulpturen und Zeichnungen aus den Jahren von 1966 bis 1970 auf die späte Werkphase der amerikanischen Künstlerin. Ausstellung: Hamburger Kunsthalle 29.11.2013 2.3.2014
Eva Hesse (1936–1970) was one of the foremost women artists of the twentieth century. Her artistic practice combined the seriality and reduction of 1960s Minimalism with emotion, sensuousness and physicality, while the transparency and transience of her unconventional materials also contributed greatly to her unique position in the art world of her day. From November 2013 onward, the Hamburger Kunsthalle is presenting the first solo exhibition of Hesse’s work in her native city. Hesse emigrated with her family via the Netherlands and England to the United States in 1938. They settled in New York City, where she later studied painting at the Cooper Union School of Art from 1954 to 1957, and then continued her studies in the master class of Josef Albers at the Yale School of Art and Architecture from 1957 to 1959. At the invitation of Friedrich Arnhard Scheidt, a German industrialist and art collector, and his wife Isabel, Hesse and her husband Tom Doyle spent a year in Kettwig an der Ruhr during 1964–1965. This period is regarded as a turning point in Hesse’s artistic practice. Drawing inspiration from the materials she found in an abandoned textile factory in Kettwig, she made her first three-dimensional artworks, and when she returned to New York she devoted herself exclusively to sculpture, creating fragile works in unconventional materials such as polyester, fiberglass and latex. Hesse died of a brain tumor in 1970, aged just 34. The exhibition at the Hamburger Kunsthalle focuses on the latter part of the artist’s career, a highly productive period in which she created a substantial number of sculptures and drawings.
Edited by Hubertus Gassner, Brigitte Kölle, Petra Roettig. Text by Renate Petzinger, Tom Doyle, Doug Johns, Brigitte Kölle, Lucy Lippard, Robert Mangold, Sylvia Mangold, Cindy Nemser, Petra Roettig, Franz Erhard Walther.


Gaßner, Kölle, Roettig (Ed.)
Eva Hesse. One More Than One
Hatje Cantz, 2013, 9783775737548