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  • El Croquis 155

    Sanaa 2008-2011

  • Laurie Anderson, Trisha Brown, Gordon…

    Pioneers of the Downtown Scene

  • Curtis, Rees, White, Ball (Hg.)

    Expanded Cinema. Art, Performance, Film

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    Urban Asymmetries

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    Open Design Now. (why design cannot remain exclusive)

  • AA Bronson, Peter Hobbs

    Queer Spirits

  • A. Avanessian, L. Skrebowski (Hg.)

    Contemporary Art and Aesthetics

  • 2G N. 57

    Njiric+ Architekti

  • Lucia Nagib

    World Cinema and the Ethics of Realism

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    Typographic Matchmaking in the City

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    An Introduction to Architectural Theory. 1968 to the Present

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    Alexander McQueen. Savage Beauty

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    Architecture in the Age of Empire / Architektur der neuen…

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    African Cities. Alternative Visions of Urban Theory and…

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    Architecture in Uniform. Designing and Building for the 2nd…

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    Replaycity. Improvisation als urbane Praxis

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    Shanzhai. Dekonstruktion auf Chinesisch

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    Hello! UK Graphics. Graphic Design in the UK since the 1980s

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    After Crisis. Contemporary Architectural Conditions

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    On the Self-reflexive Page

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    Morphologie City Metaphors

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    Your Farm in the City

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    Reading the City. Stadt lesen

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    The Power of Religion in the Public Sphere

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    The Modern Utopian. Alternative Communities of the 60s and…

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    Reporting. Unternehmenskommunikation als Imageträger

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    Inventionen 1. Gemeinsam. Prekär. Potentia. Dis-/Konjunktion

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    The Detroit Diary

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    Behind the Zines. Self-Publishing Culture

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    Civic City Cahier 3. Distributed Agency, Design’s…

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    Landscapology. Learning to Landscape the City

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    Frühschicht. Linke Fabrikintervention in den 70er Jahren

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    Captain Pamphile. Ein Bildroman

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    Democracy in What State?

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    Cognitive Architecture. From Biopolitics to NooPolitics

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    Sagmeister: Another Book about Promotion and Sales Material

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    The Intellectual Work. Sixty Paperweights

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    Catwalk to History - A Sourcebook

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    Schatten konstruieren. Pergolen, Zelte, Pavillons, Seile,…

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    Poor Man’s Expression

  • El Croquis 151

    Sou Fujimoto 2003-2010

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    Sound (Documents of Contemporary Art)

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    Inaesthetics 2

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    Lovely Language. Words Divide Images Unite

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    Artists' Magazines. An Alternative Space for Art [pb]

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    Preis dem Todesüberwinder

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    Kreation und Depression. Freiheit im gegenwärtigen…

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    Dark Matter. Art and Politics in the Age of Enterprise…

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    Iannis Xenakis. Architect, Composer, Visionary (Drawing…

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    A Little-Known Story about a Movement

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    Tomás Maldonado in Conversation with María Amalia García

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    Where Art Belongs

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    Clip, Stamp, Fold. The Radical Architecture of Little…

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    Journeys. How Travelling Fruit, Ideas and Buildings…

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    Socialism or Barbarism? The Selected Writings of Rosa…

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    Kieler Woche. Geschichte eines Designwettbewerbs

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    Graue Architektur. Nachkriegsarchitektur

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    Berlin plant. Plädoyer für ein Planwerk Innenstadt Berlin 2…

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    Dara Birnbaum. Technology/Transformation: Wonder Woman

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    Assume Vivid Astro Focus

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    Louis Kahn. On the Thoughtful Making of Spaces

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    Abstract City #04. Urbanes Hausen

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    Elfter September. 2010

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    Dance with Camera

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    Contemporary Painting in Context

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    The Biennial Reader

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    Los Logos. Compass

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    Moiré Index

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    Coma

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    The Master Builder. Talking with Ken Briggs

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    Gestaltung denken. Ein Reader für Designer und Architekten

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    Candide. Journal for Architectural Knowledge Heft 2

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    Dialogue between Fashion and Death

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    Trends and Fads

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    Marina City. Bertrand Goldberg's Urban Vision

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    Solution 186–195. Dubai Democracy

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    Städtebau in Berlin. Schreckbild und Vorbild für Europa

  • An Architektur

    An Architektur 23: On the Commons

  • IDEA Magazine

    IDEA 341. Dialogues with Tatsuya Ariyama

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    Pink Noises. Women on Electronic Music and Sound

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    Acoustic Territories. Sound Culture and Everyday Life.…

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    The Form of the Book Book

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    Adolf Loos. Gesammelte Schriften

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    Die Stadt ist unsere Fabrik. The City is Our Factory.

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    The Situationists and the City

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    85 Zeichnungen

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    Stagings. Kabul, Film & Production of Representation

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    Sonic Warfare. Sound, Affect, and the Ecology of Fear

  • Alex Ross

    The Rest is Noise. Das 20. Jahrhundert hören

  • Kenya Hara

    Weiss

  • Jacques Rancière

    The Emancipated Spectator

  • Bjarke Ingels Group

    Yes is More. An Archicomic on Architectural Evolution

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    Institutional Critique. An Anthology of Artists'…

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    Archivologie. Exterioritäten des Wissens in Philosophie,…

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    Entwurfskultur und Gesellschaft. Gestaltung zwischen…

Crossbenching: Toward a Proactive Mode of Participation, Critical Spatial Practice

With a preface by Armen Avanessian, an introduction by Hannes Grassegger and Markus Miessen, and a postscript by Patricia Reed
''At the heart of this book is a simple and profound proposition: to 'do' architecture is to immerse oneself in a conflictual process of material production--participation is not a productive encounter of multiple practitioners and stakeholders, but a set of conflicts, negotiations, maneuvers, and swindles between and within a multiplicity of agents, human and nonhuman alike--equally including architects, clients, financiers, and builders, say, but also silicon, plastic, concrete, each with its conflicting aims and different material means to achieve them. Every building is thus the materialization of such encounter. So, despite the hubris of the field, none of the parties to such an encounter can ultimately control that the result architecture (unlike real estate), according to Miessen, belongs to no one but affects and is affected by everyone--and this proposition asks that we reframe questions of ethics and politics. They can no longer be the property of an individual but a collective set of interrelations--it is through such profound departure from the terms of architecture that Miessen's new book demands nothing less than to reimagine how we might finally become citizens.''--Eyal Weizman, Professor of Spatial and Visual Cultures, Director of the Centre for Research Architecture, Goldsmiths, University of London
''Miessen's new book depicts in a challenging and projective manner the problem of politics in times of conceptual indeterminacy, where 'participation' of the civil society seems to become the salvation for the political mess we are in, especially in Europe. Well, it is not! 'Participation' will not eradicate the Front National, and more transparency will not deprive Orbán of his power. Civil society will not gain power by criticizing or demonstrating loudly against the European system or chatting on the Internet. The populists have understood that if you want power, you need parties. What we risk to lose in that participatory game is representative democracy in its current shape and for no good: the majority of the street is no democracy. The post-structuralist hype for participation fuels into the mills of those who want to play la volonté de tous against la volonté generale, to go back to Rousseau: yet, the plebs killed Socrates in Athens.'' --Ulrike Guerot, political scientist, founder and director, European Democracy Lab, Berlin


Markus Miessen
Crossbenching: Toward a Proactive Mode of Participation, Critical Spatial Practice
Sternberg, 2016, 978-3-95679-220-5