Direkt zum Inhalt

Warenkorb

  • Walter Grasskamp

    Das Kunstmuseum. Eine erfolgreiche Fehlkonstruktion

  • Kathrin Peters, Andrea Seier (Hg.)

    Gender & Medien-Reader

  • Nadir Z. Lahiji

    Can Architecture Be An Emancipatory Project? Dialogues on…

  • Siegfried Ebeling

    Der Raum als Membran

  • Patrick Joseph

    Poet Fool

  • M. Böttger, S. Carsten, L. Engel (Hg)

    Spekulationen Transformationen. Überlegungen zur Zukunft…

  • Charlotte Klonk (Ed.)

    New Laboratories. Historical and Critical Perspectives on…

  • Gwen Allen

    The Magazine (Documents of Contemporary Art)

  • Steven Shaviro

    Discognition

  • Helen Armstrong

    Digital Design Theory

  • Gerald Raunig

    Dividuum. Machinic Capitalism and Molecular Revolution

  • Mario Gooden

    Dark Space. Architecture, Representation, Black Identity

  • Mike Watson

    Towards a Conceptual Militancy

  • Guttmann, Kaiser, Mazanek, diachron (…

    Jan Turnovsky: The Weltanschauung as an Ersatz Gestalt.…

  • Rebecca Roke

    Nanotecture: Tiny Built Things

  • M. del Junco, M. Toledo (Eds.)

    Max Bill

  • Peter Pál Pelbart

    Cartography of Exhaustion. Nihilism Inside Out

  • Salomon Frausto

    Scenes from the Good Life. Nine investigations into the…

  • Annette Gilbert (Ed.)

    Publishing as Artistic Practice

  • Daniel M. Abramson

    Obsolescence. An Architectural History

  • Isabelle Graw, Ewa Lajer-Burcharth (Eds…

    Painting beyond Itself. The Medium in the Post-medium…

  • Liam Gillick

    Industry and Intelligence

  • Robert Stalla (Hg.)

    Bauen mit Künstlern: Architekt Peter Ottmann

  • Georg Diez/Christopher Roth

    80*81: What Happened?

  • Keith Evan Green

    Architectural Robotics. Ecosystems of Bits, Bytes, and…

  • S. De Bondt, F. Muggeridge

    The Form of the Book Book

  • K. Busch, B. Meltzer, T. von Oppeln (Hg)

    Ausstellen: Zur Kritik der Wirksamkeit in den Künsten

  • Fiona McGovern

    Die Kunst zu zeigen: Künstlerische Ausstellungsdisplays bei…

  • Hu Fang

    Sou Fujimoto. Towards a Non-Intentional Space. About Sou…

  • Nicholas Felton, Sven Ehmann, Robert…

    Photoviz. Visuailzing Information Through Photography

  • Rudolf Fischer, Wolf Tegethoff (Hg.)

    Modern wohnen. Möbeldesign und Wohnkultur der Moderne

  • W. Cobbing, R. Cooper (Eds.)

    Boooook: The Life and Work of Bob Cobbing

  • Robert Klanten, Sofia Borges (Eds.)

    The Tale Of Tomorrow. Utopian Architecture in the Modernist…

  • Ray Lucas

    Research Methods for Architecture

  • Giorgio Agamben

    The Use of Bodies

  • Mathilde Villeneuve, Virginie Bobin (…

    Republications

  • Andreas Seltzer

    Der Sendermann / The Transmitter Man

  • Lada Umstätter (Hg)

    Le Corbusier und die Macht der Fotografie

  • Tilman Baumgärtel (Hg)

    Pirate Essays. A Reader on International Media Piracy

  • Paul B. Preciado

    TESTO JUNKIE: Sex, Drogen und Biopolitik in der Ära der…

  • Guendalina Salimei

    Luigi Moretti. Terme Bonifacio VIII Fiuggi 1963 - 1969

  • Henri Lefebvre

    Das Recht auf Stadt

  • Gijs Wallis de Vries

    Archescape. On the tracks of Piranesi

  • Christopher Beanland

    Concrete Concept. Brutalist Buildings Around the World

  • Stephen Willats

    Vision and Reality

  • Anja Schwanhäußer (ed)

    Sensing the City. A Companion to Urban Anthropology

  • Jeannette Kuo, Frank Barkow (Eds.)

    Space of Production. Projects and Essays on Rationality,…

  • Claudia Molitor

    Sonorama: Listening to the view from the train

  • David Keenan

    England's Hidden Reverse. Coil, Current 93, Nurse with…

  • Nils Aschenbeck

    Reformarchitektur. Die Konstituierung der Ästhetik der…

  • Christian Schittich (Hg.)

    Best of Detail: Beton / Concrete

  • August Sarnitz, Inge Scholz-Strasser (…

    Private Utopia: Cultural Setting of the Interior in the…

  • René Zechlin (Hg.)

    Wie leben? Zukunftsbilder von Malewitch bis Fujimoto

  • Loretta Lees, Hyun Bang Shin, Ernesto…

    Planetary Gentrification

  • Srećko Horvat

    The Radicality of Love

  • Busch, Klanten, Hellige (Hg.)

    The Age of Collage Vol. 2: Contemporary Collage in Modern…

  • André Tavares

    The Anatomy of the Architectural Book

  • Susanne Leeb

    Die Kunst der Anderen. "Weltkunst" und die…

  • Heike Jenss (Ed.)

    Fashion Studies. Research Methods, Sites and Practices

  • Maud Meyzaud (Hg.)

    Arme Gemeinschaft. Die Moderne Rousseaus

  • Félix Guattari

    Schriften zur Kunst

  • Jesko Fezer & Studio…

    Öffentliche Gestaltungsberatung. Public Design Support 2011…

  • Gerald Raunig, Ulf Wuggenig

    Kritik der Kreativität

  • Walter Scheiffele

    Das leichte Haus. Utopie und Realität der Membranarchitektur

  • Nora Amin

    Migrating the Feminine

  • An Architektur

    An Architektur 11-13: Theorie und Praxis der Kartografie

  • An Architektur

    An Architektur 10

  • An Architektur

    An Architektur 01-03

  • An Architektur

    An Architektur 04-09: Krieg und die Produktion von Raum

  • Shinkenchiku 2014:11

    Japan Architects 1945 - 2010. Extra Edition

  • Stuart Walton

    In The Realm of the Senses. A Materialist Theory of Seeing…

  • Felicity D. Scott (Autor), Nikolaus…

    Disorientation: Bernard Rudofsky in the Empire of Signs.…

  • Markus Krajewski, Christian Werner

    Bauformen des Gewissens. Über Fassaden deutscher…

  • Stefano Harney, Fred Moten

    Die Undercommons. Flüchtige Planung und schwarzes Studium

  • Cord Riechelmann, Brigitte Oetker (Eds.)

    Toward an Aesthetics of Living Beings / Zu einer Ästhetik…

  • Badura, Dubach, Haarmann, Mersch et al.

    Künstlerische Forschung. Ein Handbuch

  • Marc Kushner

    Die Zukunft der Architektur in 100 Bauwerken

  • Siegfried Zielinski (Hg.)

    Flusseriana: An Intellectual Toolbox

  • Owen Hatherley

    The Ministry of Nostalgia. Consuming Austerity

  • A. Baur, M. Weber (Hg.)

    Better than de Kooning

  • Jörg Heiser

    Doppelleben. Kunst und Popmusik

  • John Roberts

    Die Notwendigkeit von Irrtümern

  • C. Thun-Hohenstein (Ed.)

    Josef Frank. Against Design

  • Friedrich Kittler (Autor), Tania Hron,…

    Baggersee. Frühe Schriften aus dem Nachlass

  • Liz Farrelly, Joanna Weddell

    Design Objects and the Museum

  • Leigh Phillips

    Austerity Ecology & the Collapse-porn Addicts. A…

  • IDEA Magazine

    IDEA 373. Post Independent Magazine

  • Armen Avanessian, Suhail Malik

    Genealogies of Speculation. Materialism and Subjectivity…

  • Duncan McLaren, Julian Agyeman

    Sharing Cities. A Case for Truly Smart and Sustainable…

  • Danny Aldred, Emmanuelle Waeckerle (Eds…

    Code-X. Paper, Ink, Pixel and Screen

  • Alexandra Manske

    Kapitalistische Geister in der Kultur- und…

  • Wolfgang, Zerwas, Ansheim (Hg.)

    Transformation Design. Perspectives on a New Design Attitude

  • Karl Riha, Jörgen Schäfer (Hg.)

    DADA total. Manifeste, Aktionen, Texte, Bilder

  • Luca Molinari (Ed.)

    Architecture. Movements and Trends from the 19th Century to…

  • Franco "Bifo" Berardi

    And. Phenomenology of the End

  • Lauren Cornell, Ed Halter (Eds.)

    Mass Effect. Art and the Internet in the Twenty-First…

  • Helmut Schmid, Seibundo Shinkosha

    Typography Today. Revised Edition

  • Hartmut Geerken, Chris Trent

    Omniverse – Sun Ra

Shadowplayers. The Rise and Fall of Factory Records

In 1978, a Factory for Sale' sign gave Alan Erasmus and Tony Wilson a name for their fledgling Manchester club night. Though they couldn't have known it at the time, this was the launch of one of the most significant musical and cultural legacies of the late twentieth century. The club's electrifying live scene soon translated to vinyl, and Factory Records went on to become the most innovative and celebrated record label of the next thirty years. Always breaking new musical ground, Factory introduced the listening public to bands such as Joy Division, whose Unknown Pleasures was the label's first album release, New Order, Durutti Column and Happy Mondays. Propelled onwards by the inspirational cultural entrepreneur, Tony Wilson, Factory always sought new ways to energise the popular consciousness, such as the infamous Hacienda nightclub, which enjoyed a chequered 15-year history after opening in 1982. Factory's reputation as a cultural hub was also bolstered by its fierce commitment to its own visual identity, achieved through the iconic sleeve designs and campaigning artwork of Peter Saville. However, the lofty reputation of Factory's musical and artistic ventures were only sporadically converted into commercial success, and when London Records pulled out of a takeover bid in 1992 because of the absence of contracts, the fate of Factory Communications Ltd was sealed. But the label's downfall has done nothing to quell interest in the Factory legend, as films such as 24-Hour Party People and Control attest. Yet despite this perennial interest, the definitive, authentic story of Factory Records has never been told until now. Shadowplayers is the most complete, authoritative and thoroughly researched account of how a group of provincial anarchists and entrepreneurs saw off bankers, journalists and gun-toting gangsters to create the most influential record label of modern times. Based on both archive and contemporary sources, the book tells the full story of Factory's heroic struggles, its complex web of inventive, idiosyncratic and tragic personalities, and ultimately, the acclaimed and much-loved music it produced. James Nice is an author, journalist and record-label owner. He once worked for Factory Benelux and now administers much of the former Factory catalogue.
vergriffen


James Nice
Shadowplayers. The Rise and Fall of Factory Records
Aurum, 2010, 978-1845135409