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  • Matt Ratto, Megan Boler (Eds.)

    DIY Citizenship. Critical Making and Social Media

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    Lina Bo Bardi

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    Le Corbusier et la question du brutalisme. LC au J1

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    A School for Design Fiction

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    Wissenschaftssprache digital. Die Zukunft von gestern

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    B is for Bauhaus. An A-Z of the Modern World

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    The New Urban Question

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    Ways of Curating

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    Anke Westermann. Atlas

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    Fundamentals

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    The Architecture of the Screen

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    Kill Your Darlings

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    Records By Artists. 1958-1990

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    Ed Atkins

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    Der Schatten des Fotografen

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    Big Sign - Little Building

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    The Uncertainty Principle

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    Reclaim Berlin. Soziale Kämpfe in der neoliberalen Stadt

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    In the Field. The Art of Field Recording

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    Über Pop-Musik

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    Ein kritischer Modus? Die Form der Theorie und der Inhalt…

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    Entfesselung der Architektur. Der Architekt: Baumeister…

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    Arts-Based Research

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    Lacan. In Spite Of Everything

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    Neue Baukunst. Architektur der Moderne in Bild und Buch

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    Architektur - Form und Emotion. Architecture - Form and…

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    Letters from Utopia

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    Das Versprechen der Kunst

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    Damage Control. Art and Destruction Since 1950

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    Minha Casa-nossa Cidade. Innovating Mass Housing In Brazil

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    Eine Feier, elf Räume und ein gelber Korridor

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    The Global Art Compass

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    COOKIE!

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    War postdigital besser?

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    The Mysticism of Money

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    Socialism and Modernity. Art, Culture, Politics 1950 – 1974

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    Materialrevolution 2. Neue nachhaltige und multifunktionale…

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    Make Shift City. Renegotiating the Urban Commons

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    Dis Continuity

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    Mapping Everything

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    Artists’ Cocktails

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    Flying Furniture

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    ReNew Marxist Art History

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    Kunst und Ideologiekritik nach 1989 / Art and the Critique…

  • Yilmaz Dziewior (Ed.)

    Liebe ist kälter als das Kapital. Love is colder than…

  • Anna Kostreva

    Berlin. Eine Morphologie der Mauern. A Morphology of Walls

  • Emmett Williams

    An Anthology of Concrete Poetry

  • Michaela Melián / Thomas Meinecke

    IEMANJÁ

  • Junya Ishigami

    How Small? How Vast? How architecture grows

  • Pieterjan Grandry

    The Future of Architecture. What is the future of…

  • Beatriz Colomina

    Manifesto Architecture. The Ghost of Mies

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    Rolf Müller

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    Playing at Home. The House in Contemporary Art

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    Collage and Architecture

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    Eva Hesse. One More Than One

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    Wozu Bilder? Gebrauchsweisen der Fotografie

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    Is It My Body? Selected Texts

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    A5/06. HfG Ulm

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    Begriffe des Ausstellens (von A bis Z). Terms of Exhibiting…

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    Mensch - Raum – Maschine. Bühnenexperimente am Bauhaus

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    Ware und Wissen: or the stories you wouldn’t tell a stranger

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    and Materials and Money and Crisis

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    Bathroom (Objekt series)

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    Situational Urbanism. Directing Postwar Urbanity

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    Visualising Information for Advocacy

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    Pierre Huyghe

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    Architecture after Revolution

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    Domes, Arches and Minarets. A History of Islamic-Inspired…

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    Contestations. Learning from Critical Experiments in…

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    IDEA 362. Poetics of Graphic Language. Contemporary…

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    Sharp Tongues, Loose Lips, Open Eyes, Ears to the Ground

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    A-Typical Plan

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    Tyo-WTC

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    Protest Camps

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    Isotype. Design and Contexts, 1925–1971

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    Seeing from Above. The Aerial View in Visual Culture

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    The Ritual of the Snake

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    Wunderland

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    The Mysticism of Money. Precisionist Painting and Machine…

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    Implosions / Explosions. Towards a Study of Planetary…

Judgment and Contemporary Art Criticism

Over the course of the past decade, we have seen unrelenting levels of market speculation in contemporary and historical art at the same moment that global conflict and war has escalated and world economies have begun to crumble. Concurrent to these developments, there has been a new wave of interest directed toward the efficacy and function of art criticism. Judgment and Contemporary Art Criticism will engage with many of the key issues coming out of these conversations, specifically returning to the role of judgment and valuation in contemporary art writing.
Described by Joseph Koerner and Lisbet Rausing as the “troubled objects of criticism,” value and judgment are—and have always been—at the forefront of debates about the social function of the art critic. For many, the end of the twentieth century saw the mitigation of the importance of critical valuation established within high modernist discourses. Instead, many critics argued for a more open dialogue between texts and objects, pursuing modes of critique that allowed for the exploration of ambiguity and interpretation, thus detaching art writing from questions of quality.
With the start of the new millennium, a growing chorus of critics began to suggest that a return to judgment was a remedy to the cauterized state of contemporary art criticism. Yet can judgment operate within new modalities of writing that hold open a reflexive space for ambiguity and dialogue? How would these new forms read? If, as Boris Groys has claimed, critical discourse today is an attempt to “bridge the divide” between the “inherited older public office” of the critic who judged art “in the name of the public” and the “avant-garde’s betrayal of this office,” can new forms of criticism remake judgment anew, without explicit determinations of quality?
Participants
* Jo-Anne Birnie Danzker, Vancouver
* Jeff Derksen, Vancouver
* Diedrich Diederichsen, Berlin
* Maria Fusco, London
* Markus Miessen, Berlin
* Tom Morton, London
* John O’Brian, Vancouver
* Kristina Lee Podesva, Vancouver
* Jordan Strom, Vancouver
* William Wood, Vancouver
* Tirdad Zolghadr, Berlin


Artspeak / Fillip Editions
Judgment and Contemporary Art Criticism
Folio Series, 2010, 978-0-9738133-6-4