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  • Silke Langenberg (Hrsg.)

    Das Marburger Bausystem. Offenheit als Prinzip

  • Langley, Pearce, Worth (Ed.)

    After Butler's Wharf. Essays on a Working Building

  • Vibeke Gieskes (Ed.)

    The Future of Architecture

  • Mark Sinclair, Tony Brook

    Type Only

  • Sven Völker (Ed.)

    Some Book. Graphic Expressions between Design and Art

  • Dan Graham

    Nuggets – New and Old Writing on Art, Architecture, and…

  • Ellen Blumenstein, Katharina Fichtner (…

    The World According to Patricia Esquivias. Fernando Garrido…

  • Ilka & Andreas Ruby, Nathalie…

    The Economy of Sustainable Construction

  • Joshua Decter

    Art Is a Problem. Selected Criticism, Essays, Interviews…

  • James Guerin

    Berlin Quarterly. European review of Culture. Issue 1

  • Blexbolex

    Ein Märchen

  • Museum of Modern Art (Ed.)

    Isa Genzken. Retrospective

  • Juergen Teller

    Common Ground. In Photographs

  • Jochen Eisenbrand

    George Nelson. Ein Designer im Kalten Krieg

  • Maik Schierloh (Hg.)

    Kosmetiksalon Bar Babette

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    Transcultural Modernisms

  • Museo Berardo (Ed.)

    Pancho Guedes. Vitruvius Mozambicanus

  • Clog

    Unpublished

  • Joanne Finkelstein

    Fashioning Appetite. Restaurants and the Making of Modern…

  • Gunnar Hindrichs

    Die Autonomie des Klangs - Eine Philosophie der Musik

  • Irénée Scalbert

    A Right to Difference. The Architecture of Jean Renaudie

  • Juliane Rebentisch

    Theorien der Gegenwartskunst

  • Darran Anderson

    Serge Gainsbourg's Histoire de Melody Nelson (33 1/3)

  • Daniel Irrgang, Clemens Jahn (Hg.)

    Forum zur Genealogie des MedienDenkens 1. Siegfried…

  • Pascal Gielen (Ed.)

    Institutional Attitudes. Instituting Art in a Flat World

  • Texte zur Kunst Heft 92

    Architecture / Architektur

  • Kultur & Gespenster 14

    Radio

  • Philipp Misselwitz, Eui Young Chun,…

    Gwangju Folly II

  • Katrin Grögel

    Andrea Zittel. Institute of Investigative Living. Leben und…

  • Marcel Duchamp, Henri-Pierre Roche,…

    3 New York Dadas and the Blindman

  • Nadin Heinich, Plan A (Ed.)

    Digital Utopia. Über dynamische Architekturen, digitale…

  • Catherine Zuromskis

    Snapshot Photography. The Lives of Images

  • E. Bippus, J. Huber, R. Nigro

    Ästhetik der Existenz. Lebensformen im Widerstreit T:G/10

  • Chantal Pontbriand

    The Contemporary, the Common: Art in a Globalizing World

  • Aleksandra Mir

    The Space Age. Poster Book

  • Fabrico Próprio

    The Design of Portuguese Semi-Industrial Confectionery

  • Viola Vahrson, Susanne Märtens, Beate…

    Gehen

  • Matthias Messmer, Hsin-Mei Chuang

    China's Vanishing Worlds. Countryside, Traditions, and…

  • Pier Vittorio Aureli, Martino Tattara

    Dogma. 11 Projects

  • Laura Pavia, Mario Ferrari

    Mies Van Der Rohe. Neue Nationalgalerie in Berlin 1962-1968

  • Sergio B. Martins

    Constructing an Avant-Garde. Art in Brazil 1949-1979

  • Ali Nemerov, Emily Wei Rales (Eds.)

    Peter Fischli, David Weiss

  • Centrum Architektury (Ed.)

    For Example. New Polish House. A Book

  • Alain de Botton, John Armstrong

    Art as Therapy

  • Brian Dillon, Marina Warner

    Curiosity. Art and the Pleasures of Knowing

  • Tod Williams, Billie Tsien

    Wunderkammer

  • John Grindrod

    Concretopia. A Journey Around the Rebuilding of Postwar…

  • Angus Carlyle, Cathy Lane (Eds.)

    On Listening

  • Arindam Dutta (Ed.)

    A Second Modernism. MIT, Architecture, and the 'Techno…

  • Grzegorz Piątek

    AR/PS. The Architecture of Arseniusz Romanowicz and Piotr…

  • Daniel Lopez-Perez

    R. Buckminster Fuller. World Man

  • Michael Asgaard Andersen

    Jorn Utzon. Drawings and Buildings

  • Shaun McNiff (Ed.)

    Art as Research

  • Melissa Gordon, Marina Vishmidt (Eds.)

    Persona Issue 2

  • Jürgen Teipel

    Mehr als laut - DJs erzählen

  • Kenny Cupers (Ed.)

    Use Matters. An Alternative History of Architecture

  • Collection du Frac Centre

    Architectures Experimentales 1950-2012

  • Archilab

    Naturaliser l'architecture. Naturalizing architecture

  • metroZones 13

    Global Prayers. Contemporary Manifestations of the…

  • Beatriz Preciado

    Testo Junkie. Sex, Drugs, and Biopolitics in the…

  • Rajan V. Ritoe (Ed.)

    Future Times Square. Compression vs. Distribution

  • Elmar Kossel

    Hermann Henselmann und die Moderne

  • Rogério Duarte

    Marginália 1

  • Luis Burriel Bielza

    Le Corbusier. La passion des cartes

  • Deorte Kuhlmann, Dorte Kuhlmann

    Gender Studies in Architecture. Space, Power and Difference

  • Cerith Wyn Evans

    The What If?... Scenario (after LG)

  • Wouter Davidts, Guy Châtel, Stefaan…

    Luc Deleu. Orban Space

  • Tiqqun

    Alles ist gescheitert, es lebe der Kommunismus

  • Annie Pedret

    Team 10. An Archival History

  • Ana Jeinić, Anselm Wagner (Eds.)

    Is There (Anti-)Neoliberal Architecture?

  • Studio Manuel Raeder

    The Letter E is Everywhere. La Letra E esta por Doquier.

  • Oliver Marchart

    Das unmögliche Objekt. Eine postfundamentalistische Theorie…

  • Max Hollein, Martina Weinhart (Hg.)

    Brasiliana. Installationen 1960 bis heute. Installations…

  • Bradley L. Garrett

    Explore Everything. Place-Hacking the City

  • Sylvia Lavin, Kimberli Meyer (Eds.)

    Everything Loose Will Land. 1970s Art and Architecture in…

  • Claire Bishop

    Radical Museology or, What's Contemporary in Museums…

  • Douglas Kahn

    Earth Sound Earth Signal

  • Dietmar Offenhuber, Carlo Ratti (Hg.)

    Die Stadt entschlüsseln. Wie Echtzeitdaten den Urbanismus…

  • Robert Kronenburg

    Architecture in Motion. The History and Development of…

  • Kirsty Bell

    The Artist's House. From Workplace to Artwork

  • Charlotte Bundgaard

    Montage Revisited. Rethinking Industrialised Architecture

  • Ralph Rugoff (Ed.)

    The Alternative Guide to the Universe

  • Dietmar Dath, Swantje Karich

    Lichtmächte. Kino – Museum – Galerie – Öffentlichkeit

  • Eve Meltzer

    Systems We Have Loved. Conceptual Art, Affect, and the…

  • Nicholas Alfrey

    Uncommon Ground. Land Art in Britain 1966-1979

  • Margitta Buchert, Laura Kienbaum (Eds.)

    Einfach entwerfen. Simply Design

  • Jeffrey Kipnis

    A Question of Qualities. Essays in Architecture

  • Susanne Lehmann-Reupert

    Von New York lernen. Mit Stuhl, Tisch und Sonnenschirm

  • Petrit Halilaj

    Poisoned by men in need of some love

  • ARGE Schnittpunkt (Hg.)

    Handbuch Ausstellungstheorie und -praxis

  • Riki Kalbe, Wolfgang Kil

    Gelände. Terrain.

  • Jörn Schafaff (Hg.)

    Kunst - Begriffe der Gegenwart. Von Allegorie bis Zip

  • AV 157-158

    Herzog & De Meuron 2005-2013

  • Freek Lomme (Ed.)

    Who Told You so? The Collective Story vs. The Individual…

  • Uta Meta Bauer, Thomas D. Trummer (Eds.)

    AR - Artistic Research

  • Yvonne P. Doderer

    Räume des Politischen. Dimensionen des Städtischen

  • PIN-UP

    PIN-UP Interviews

  • Mark Ledbury (Ed.)

    Fictions of Art History

The Nightmare of Participation

The Nightmare of Participation
(Crossbench Praxis as a Mode of Criticality)
Including an introduction by Eyal Weizman, a conversation with Chantal Mouffe, an interview by Hans Ulrich Obrist, and post-scripts by Bassam El Baroni, Jeremy Beaudry, and Carson Chan.
Welcome to Harmonistan! Over the last decade, the term “participation” has become increasingly overused. When everyone has been turned into a participant, the often uncritical, innocent, and romantic use of the term has become frightening. Supported by a repeatedly nostalgic veneer of worthiness, phony solidarity, and political correctness, participation has become the default of politicians withdrawing from responsibility. Similar to the notion of an independent politician dissociated from a specific party, this third part of Miessen’s “Participation” trilogy encourages the role of what he calls the “crossbench practitioner,” an “uninterested outsider” and “uncalled participator” who is not limited by existing protocols, and who enters the arena with nothing but creative intellect and the will to generate change.
Miessen argues for an urgent inversion of participation, a model beyond modes of consensus. Instead of reading participation as the charitable savior of political struggle, Miessen candidly reflects on the limits and traps of its real motivations. Rather than breading the next generation of consensual facilitators and mediators, he argues for conflict as an enabling, instead of disabling, force. The book calls for a format of conflictual participation—no longer a process by which others are invited “in,” but a means of acting without mandate, as uninvited irritant: a forced entry into fields of knowledge that arguably benefit from exterior thinking. Sometimes, democracy has to be avoided at all costs.
Markus Miessen (*1978) is an architect, consultant, and writer based in Berlin. He runs the collaborative agency for spatial practice Studio Miessen, is co-founder of the architectural practice nOffice, and director of the Winter School Middle East (Kuwait). Miessen has taught at institutions such as the Architectural Association (London), Columbia, and MIT. He is currently a Professor for Architecture and Curatorial Practice at the Hochschule für Gestaltung in Karlsruhe, Germany, a Harvard Fellow, and completing his PhD at the Centre for Research Architecture (Goldsmiths, London).
www.studiomiessen.com
www.nOffice.eu
www.winterschoolmiddleeast.org
Design by Z.A.K.
http://www.sternberg-press.com/index.php?pageId=1270&l=en&bookId=165&sor...


Markus Miessen
The Nightmare of Participation
Sternberg Press, 2010, 978-1-934105-07-8