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  • Christopher Dell

    Replaycity. Improvisation als urbane Praxis

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    Hello! UK Graphics. Graphic Design in the UK since the 1980s

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    After Crisis. Contemporary Architectural Conditions

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    On the Self-reflexive Page

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    Spomenik

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    Morphologie City Metaphors

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    The Power of Religion in the Public Sphere

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    The Modern Utopian. Alternative Communities of the 60s and…

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    Reporting. Unternehmenskommunikation als Imageträger

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    Civic City Cahier 3. Distributed Agency, Design’s…

  • El Croquis 154

    Aires Mateus 2002-2011

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    Landscapology. Learning to Landscape the City

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    Frühschicht. Linke Fabrikintervention in den 70er Jahren

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    Modernity Unbound

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    Captain Pamphile. Ein Bildroman

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    Democracy in What State?

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    Cognitive Architecture. From Biopolitics to NooPolitics

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    Sagmeister: Another Book about Promotion and Sales Material

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    The Intellectual Work. Sixty Paperweights

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    Catwalk to History - A Sourcebook

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    Poor Man’s Expression

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    Sou Fujimoto 2003-2010

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    Inaesthetics 2

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    Big Bad City

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    Lovely Language. Words Divide Images Unite

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    Artists' Magazines. An Alternative Space for Art [pb]

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    Preis dem Todesüberwinder

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    A Little-Known Story about a Movement

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    Tomás Maldonado in Conversation with María Amalia García

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    Junya Ishigami

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    The Spontaneous City

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    Naked City. The Death and Life of Authentic Urban Places

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    Herzog & de Meuron 2005-2010

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    TSNX C24VA7ME A play by Dr Hun

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    My Green City

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    Cyberwelt, die wissentlich schlimmste Politik

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  • Ingmar Bergman

    Laterna Magica. Mein Leben. Autobiographie

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    Where Art Belongs

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    The Sound Of Downloading Makes Me Want To Upload

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    Gerd Arntz. Graphic Designer

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    Something Fantastic. A Manifesto by Three Young Architects…

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    Photography After Conceptual Art

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    Umbau 25. Architektur im Ausverkauf. Architecture for Sale

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    Graphic. Inside the Sketchbooks of the World's Great G…

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    Magnetismus. Eine Geschichte der Orientierung

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    What was the Hipster? A Sociological Investigation

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    The Hacienda. How Not to Run a Club

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    The Designed World. Images, Objects, Environments

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    Design as Politics

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    Game Urbanism. Manual for Cultural Spatial Planning

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    Last Seen Entering the Biltmore. Plays, Short Fiction,…

  • Amos Vogel

    Film as a Subversive Art

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    Closing Down — All Stock Reduced — The Role of Design in…

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    Das Erziehungsbild. Die visuelle Kultur des Pädagogischen

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    Small Scale. Creative Solutions for Better City Living

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    The Idea of Communism

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    The Art Of Rebellion 3. The Book about Streetart

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    AA Book. Projects Review 2010

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    Designing Media

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    Architecture on Display. On the History of the Venice…

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    Civic City Cahier 2. Design and Democracy

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    Rich Texts. Selected Writing for Art

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    Tokyo Metabolizing

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    Art Society Feedback

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    Colonial Modern. Aesthetics of the Past, Rebellions for the…

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    Fontology. Free Fonts Source Book

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    Katalog. Desire in Represention

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    Das Potosí-Prinzip

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    A Conversation with Frei Otto

Democracy in What State?

"Is it meaningful to call oneself a democrat? And if so, how do you interpret the word?"In responding to this question, eight iconoclastic thinkers prove the rich potential of democracy, along with its critical weaknesses, and reconceive the practice to accommodate new political and cultural realities. Giorgio Agamben traces the tense history of constitutions and their coexistence with various governments. Alain Badiou contrasts current democratic practice with democratic communism. Daniel Bensaid ponders the institutionalization of democracy, while Wendy Brown discusses the democratization of society under neoliberalism. Jean-Luc Nancy measures the difference between democracy as a form of rule and as a human end, and Jacques Ranciere highlights its egalitarian nature. Kristin Ross identifies hierarchical relationships within democratic practice, and Slavoj Zizek complicates the distinction between those who desire to own the state and those who wish to do without it.Concentrating on the classical roots of democracy and its changing meaning over time and within different contexts, these essays uniquely defend what is left of the left-wing tradition after the fall of Soviet communism. They confront disincentives to active democratic participation that have caused voter turnout to decline in western countries, and they address electoral indifference by invoking and reviving the tradition of citizen involvement. Passionately written and theoretically rich, this collection speaks to all facets of modern political and democratic debate.
About the Author
Alain Badiou is the René Descartes Chair at the European Graduate School and teaches at the Ecole Normale Superieure and the College International de Philosophie.
Daniel Bensaid is a philosopher and leader of the Trotskyist movement in France. He is the author of Marx for Our Times.
Wendy Brown is the Heller Professor of Political Science at the University of California, Berkeley. Her most recent books are Regulating Aversion: Tolerance in an Age of Identity and Empire and Edgework: Critical Essays in Knowledge and Politics.
Jean-Luc Nancy is professor of philosophy emeritus at the University of Strasbourg and a student of Lyotard and Derrida.
Jacques Rancière is professor of philosophy emeritus at the University of Paris. A collaborator of Althusser, his major works include The Future of the Image and The Politics of Aesthetics.
Kristin Ross is professor of comparative literature at New York University and the author of the award-winning Fast Cars, Clean Bodies: Decolonization and the Reordering of French Culture.
Slavoj Zizek is a professor at the Institute for Sociology, Univeristy of Ljubljana, Slovenia, and at the European Graduate School. His books include Living in the End Times, What Does a Jew Want? Arguing for an End to an Artificial Conflict, and The Fragile Absolute: Or, Why is the Christian Legacy Worth Fighting For?.
http://cup.columbia.edu/book/978-0-231-15298-3/democracy-in-what-state/r...


Amy Allen (Hg.)
Democracy in What State?
Columbia Press, 2011, 978-0231152983