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  • Richard Dyer

    In The Space Of A Song. The Uses of Song in Film

  • Rosalind E. Krauss

    Under Blue Cup

  • Andres Lepik (Hg.)

    Moderators of Change. Architektur, die hilft

  • Bechir Kenzari (Hg.)

    Architecture and Violence

  • Roger Thiel

    Anarchitektur

  • Charles Jencks

    The Story of Post-Modernism

  • Toru Hachiga (Hg.)

    Creatives in Japan. Keywords to Know

  • Paul Hegarty, Martin Halliwell

    Beyond and Before. Progressive Rock since the 1960s

  • Susanne Neubauer

    Paul Thek Reproduced, 1969 - 1977

  • Yvonne Rainer

    Poems

  • Alan Pipes

    How to Design Websites

  • Nick Land

    Fanged Noumena. Collected Writings 1987-2007

  • Raúl Zibechi

    Territorien des Widerstands. Eine politische Kartografie…

  • Paul De Bruyne, Pascal Gielen

    Community Art: The Politics of Trespassing

  • Rem Koolhaas, Hans Ulrich Obrist (Hg.)

    Project Japan. An Oral History of Metabolism

  • Florian Urban

    Tower and Slab. Histories of Global Mass Housing

  • Roman Ondák

    Loop

  • Marit Paasche, Judy Radul (Hg.)

    A Thousand Eyes. Media Technology, Law, and Aesthetics

  • Wolfgang Sonne (Hg.)

    Die Medien der Architektur

  • Museum für Gestaltung Zürich (Hg.)

    Poster Collection 23. In Series

  • Barry Kernfeld

    Pop Song Piracy. Disobedient Music Distribution Since 1929

  • Andrea Cornwall (Hg.)

    The Participation Reader

  • Franco "Bifo" Berardi

    After the Future

  • 51N4E

    Double or Nothing

  • Molly Jane Quinn, Jenna Talbott

    It's Lonely in the Modern World

  • Thomas Meinecke

    Lookalikes

  • Moritz Baßler, Robin Curtis, et al. (Hg…

    Kultur und Kritik (Heft 1, Herbst 2012) POP

  • M. Berner, A. Hoffmann, B. Lange

    Sensible Sammlungen. Aus dem anthropologischen Depot

  • Simon Rothöhler

    Amateur der Weltgeschichte. Historiographische Praktiken im…

  • Gregor Eichinger, Eberhard Tröger

    Touch Me! Das Geheimnis der Oberfläche

  • Gestalten (Hg.)

    Visual Storytelling. Inspiring a New Visual Language

  • Christian Marazzi

    Capital and Affects. The Politics of the Language Economy

  • Shannon Jackson

    Social Works. Performing Art, Supporting Publics

  • Hal Foster

    The Art-Architecture Complex

  • Thomas Hirschhorn

    Establishing a Critical Corpus

  • Andrej Holm, Klaus Lederer, Matthias…

    Linke Metropolenpolitik. Erfahrungen und Perspektiven am…

  • Lars Spuybroek

    The Sympathy of Things

  • Jarett Kobek

    Atta (Semiotext(e) / Intervention)

  • Stan VanDerBeek

    The Culture Intercom

  • A. Moravánszky, J. Hopfengärtner (Hg.)

    Aldo Rossi und die Schweiz. Architektonische…

  • metroZones (Hg.)

    Urban Prayers – Neue religiöse Bewegungen in der globalen…

  • Marta Herford, Markus Richter (Hg.)

    Wir sind alle Astronauten. Richard Buckminster Fuller

  • Jürgen Teller

    Touch Me

  • Huber, Meltzer, Munder, von Oppeln (Hg.)

    Kunst und Design im erweiterten Feld. It's Not a…

  • Lukas Feireiss,Ole Bouman

    Testify! The Consequences of Architecture

  • Marie J. Aquilino

    Beyond Shelter. Architecture for Crisis

  • El Croquis 156

    Valerio Olgiati 1996-2011

  • Pier Vittorio Aureli

    The Possibility of an Absolute Architecture

  • Anne Mikoleit, Moritz Pürckhauer

    Urban Code. 100 Lessons for Understanding the City

  • Mieke Gerritzen, Geert Lovink, Minke…

    I Read Where I Am. Exploring New Information Cultures

  • Matt Mullican

    Notating the Cosmology 1973-2008

  • A. Fernández Per, J. Mozas, J. Arpa

    This is Hybrid. An analysis of mixed-use buildings by a+t

  • Arno Brandlhuber, Silvan Linden (Hg.)

    Disko 20-25 Architektur ohne Architektur

  • Craig Buckley, Jean-Louis Violeau (Hg.)

    Utopie. Texts and Projects, 1967–1978

  • Anne König, Paul Feigelfeld (Hg.)

    LIGNA. An Alle! Radio Theater Stadt

  • Jürgen Krusche, Günther Vogt

    Strassenräume in Berlin, Shanghai, Tokyo, Zürich. Eine foto…

  • Wim Crouwel

    A Graphic Odyssey - Catalogue

  • David Ake

    Source. Music of the Avant-garde, 1966 - 1973

  • Murray Grigor

    Infinite Space. Der Architekt John Launter. DVD

  • Yona Friedman

    Architecture with the People, by the People

  • Erik Swyngedouw

    Civic City Cahier 5. Designing the Post-Political City and…

  • Lars Lerup

    One Million Acres & No Zoning

  • Toyo Ito

    Tarzans in the Media Forest

  • M, Kelley, J. Shaw, Niagara, C, Loren

    Destroy All Monsters Magazine 1976-1979

  • Ntone Edjabe, Edgar Pieterse (Hg.)

    African Cities Reader II. Mobilities & Fixtures

  • M. Hlavajova, S. Sheikh, J. Winder (Hg.)

    On Horizons. A Critical Reader in Contemporary Art

  • Michael Sorkin

    All Over the Map. Writing on Buildings and Cities

  • Nadine Barth (Hg.)

    German Fashion Design 1946-2012

  • Simon Reynolds

    Retromania. Pop Culture's Addiction to its Own Past

  • Stan Allen, Marc McQuade (Hg.)

    Landform Building

  • Fredric Jameson

    Representing Capital. A Reading of Volume One

  • Magdalena Taube, Krystian Woznicki (Hg.)

    Modell Autodidakt

  • e-flux journal

    Are You Working Too Much? Post-Fordism, Precarity, and the…

  • PIE Books (Hg.)

    Paper & Cloth. Ready-to-Use Background Patterns(+DVD)

  • McKenzie Wark

    The Beach Beneath the Street. The Everyday Life and…

  • Pedro Barateiro, Ricardo Valentim (Hg.)

    Activity (is to a group what content is to platform)

  • El Croquis 155

    Sanaa 2008-2011

  • Laurie Anderson, Trisha Brown, Gordon…

    Pioneers of the Downtown Scene

  • Curtis, Rees, White, Ball (Hg.)

    Expanded Cinema. Art, Performance, Film

  • Kaminer, Robles-Dúran, Sohn (Hg.)

    Urban Asymmetries

  • Nico Stehr, Reiner Grundmann

    Die Macht der Erkenntnis

  • Hans Ulrich Obrist

    Ai Weiwei Speaks

  • Abel, Evers, Klaasen, Troxler (Hg.)

    Open Design Now. (why design cannot remain exclusive)

  • AA Bronson, Peter Hobbs

    Queer Spirits

  • Momus

    Solution 214-238. The Book of Japans

  • A. Avanessian, L. Skrebowski (Hg.)

    Contemporary Art and Aesthetics

  • 2G N. 57

    Njiric+ Architekti

  • Lucia Nagib

    World Cinema and the Ethics of Realism

  • Huda Smitshuijzen, Abi Fares (Hg.)

    Typographic Matchmaking in the City

  • H. F. Mallgrave, D. Goodman

    An Introduction to Architectural Theory. 1968 to the Present

  • D. Mertins, M. W. Jennings (Hg.)

    G: An Avant-Garde Journal of Art, Architecture, Design and…

  • Alexander Bolton

    Alexander McQueen. Savage Beauty

  • Marc Barbey (Hg.)

    Hommage à Berlin. Photographien

  • Jianping He (Hg.)

    Book Worm

  • Claire Doherty, Paul O'Neill (Hg.)

    Locating the Producers. Durational Approaches to Public Art

  • Professur Theorie und Geschichte der…

    Architecture in the Age of Empire / Architektur der neuen…

  • Garth A. Myers

    African Cities. Alternative Visions of Urban Theory and…

  • Jean-Louis Cohen

    Architecture in Uniform. Designing and Building for the 2nd…

The Sympathy of Things

The Sympathy of Things. Ruskin and the Ecology of Design
‘We have to find our way back to beauty,’ writes Lars Spuybroek in the introduction to The Sympathy of Things. In this book Spuybroek argues that we must ‘undo’ the twentieth century – the age of minimalism, abstraction and genocides. This leads him to the aesthetical insight of the nineteenth-century English art critic John Ruskin, from which he distils pointers for our time.
In Ruskin’s work, Lars Spuybroek has discovered a treasure trove of concepts in which the beauty of things is determined by a combination of variation, imperfection and fragility. Through these qualities, things once again earn our sympathy and friendship. A sympathy, Spuybroek argues, that not only occurs between human beings and things but also between things themselves: “Sympathy is what things feel when they shape each other.” Like Ruskin, Spuybroek seeks a world that is dedicated to composition and beauty, where things are governed by what Ruskin called the “law of help.”
Step by step, Spuybroek addresses Ruskin’s five central dual themes: the Gothic and work, ornament and matter, sympathy and abstraction, the picturesque and time, and ecology and design. He wrests these concepts from the Victorian context and compares them with ideas of later aestheticians and philosophers. The Sympathy of Things is the log of an exploratory journey into beauty. Spuybroek writes in a clear, accessible language that is by turns precise, elegant and moving, zooming in on the fascinating details of Gothic architecture, complex African textile patterns and the wallpaper designs of William Morris. The Sympathy of Things will leave no one unaffected. The book is not a mere critique but rather the first fully thought-out, positive aesthetics of a new generation who face the task of sustainably designing the 21st century.
Lars Spuybroek is Professor of Architectural Design and holder of the Thomas Ventulett Distinguished Chair of Architecture at the Georgia Institute of Technology in Atlanta. He is the author of The Architecture of Continuity (2008) and Research & Design: Textile Tectonics (2011).
"We are living through a change in paradigm, in the age of the flexible machine, where the concepts of matter, spirituality and design are under re-negotiation and we need such fearless thought to jolt complacency. If Spuybroek, like Ruskin, does not shake your design and aesthetic concepts, you haven’t understood him.” - Charles Jencks, author of The Language of Post-Modern Architecture
“The Sympathy of Things is a stirring call to action; an amazing reconstruction of the ideas of the Victorian sage John Ruskin; and, above all, a visionary look at the inner life of things. Lars Spuybroek makes the case that aesthetics is first philosophy, and proposes a radical new aesthetics for the digital age .” - Steven Shaviro, DeRoy Professor of English, Wayne State University, Detroit and author of Without Criteria


Lars Spuybroek
The Sympathy of Things
NAi, 2011, 978-90-5662-827-7