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  • Unbedingte Universitäten (Hg.)

    Was passiert? Stellungnahmen zur Lage der Universität

  • Kunstverein für die Rheinlande und…

    Dubai Düsseldorf

  • John Sinclair (Hg.)

    Sun Ra. Interviews & Essays

  • Hans Ulrich Obrist

    Interviews Volume 2

  • Adolf Opel (Hg.)

    Adolf Loos. Gesammelte Schriften

  • Volume #23

    Al Manakh 2. Gulf Continued

  • Luc Boltanski

    Soziologie und Sozialkritik

  • Schlammpeitziger

    Exotic Visuals and Tropical Videoworks. DVD

  • Juergen Teller

    Zimmermann

  • John May

    Handmade Houses & Other Buildings

  • Malte Friedrich

    Urbane Klänge. Popmusik und Imagination der Stadt

  • Feona Attwood (Hg.)

    Porn.com. Making Sense of Online Pornography

  • Mark Garcia

    Diagrams of Architecture (AD Reader)

  • Blexbolex

    Jahreszeiten

  • Angela McRobbie

    Top Girls. Feminismus und der Aufstieg des neoliberalen…

  • Metahaven (Daniel van der Velden, Vinca…

    Uncorporate Identity

  • Philippe Pirotte (Hg.)

    An invention of Allan Kaprow for the moment

  • Rosalind E. Krauss

    Perpetual Inventory

  • Mateo Kries

    Total Design - Die Inflation moderner Gestaltung

  • Christoph Schäfer

    Die Stadt ist unsere Fabrik. The City is Our Factory.

  • Peter Roehr

    Film-Montagen DVD

  • 2G No. 52

    Sauerbruch Hutton

  • David Harvey

    A Companion to Marx's Capital

  • Selina Walder (Hg.)

    Dado: Gebaut und bewohnt von Rudolf Olgiati und Valerio…

  • Cook, Graham, Gfader, Lapp (Hg.)

    A Brief History of Curating New Media Art

  • L. Lees, T. Slater, E. Wyly (Hg.)

    The Gentrification Reader

  • Julia Bryan-Wilson

    Art Workers. Radical Practice in the Vietnam War Era

  • Falke Pisano

    Figures of Speech

  • Kirsi Peltomäki

    Situation Aesthetics. The Work of Michael Asher

  • Gæoudjiparl Van Den Dobbelsteen

    Mort Aux Vaches Ekstra Extra

  • Anthony Huberman (Hg.)

    For the blind man in the dark room

  • Studio Blanco

    Recession Recessione - A Nonexistent Exhibition

  • Jaron Lanier

    You Are Not a Gadget. A Manifesto

  • Sasa 44 (Hg.)

    Heavy Metal (News) Around the World

  • Cedric Price, Hans-Ulrich Obrist

    Cedric Price - Hans-Ulrich Obrist (The Conversation Series)

  • Juergen Teller

    The Master II

  • Dieter Daniels, Gunther Reisinger (Hg.)

    Net Pioneers 1.0. Contextualizing Early Net-Based Art

  • D.N. Rodowick

    Afterimages of Gilles Deleuze's Film Philosophy

  • Harun Farocki

    Rote Berta Geht Ohne Liebe Wandern

  • Wang Shaoqiang

    Span. Span the Boundary between Space and Graphics

  • Estel Vilaseca, M. San Martin (Hg.)

    Blogs. Mad about Design

  • Konrad Becker, Felix Stalder (Hg.)

    Deep Search. Politik des Suchens jenseits von Google

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    Veranstaltungen. Kreativität und Gestaltung

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    Joseph Grigely. Exhibition Prosthetics

  • Tim Lawrence

    Hold On to Your Dreams. Arthur Russell and the Downtown…

  • Adam Phillips, Barbara Taylor

    On Kindness

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    The Faber Book of Utopias

  • Martino Gamper/Trattoria Team

    Total Trattoria

  • Cranfield and Slade

    12 Sun Songs

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    The Wire. Urban Decay and American Television

  • Antonio Negri

    Insurgencies. Constituent Power and the Modern State

  • Dan Graham

    Rock/Music Writings

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    Ursula Bogner. Pluto hat einen Mond

  • Luuk Boelens

    The Urban Connection. An Actor-Relational Approach to Urban…

  • Jürgen Mayer H., Neeraj Bathia (Hg.)

    -arium. Weather and Architecture

  • Anneloes van Gaalen

    Never Use White Type on a Black Background

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    The Situationists and the City

  • Atelier Bow-Wow

    Echo of Space / Space of Echo

  • Kengo Kuma & Associates

    Studies in Organic

  • Stefan Marx

    85 Zeichnungen

  • Sandra Schaefer

    Stagings. Kabul, Film & Production of Representation

  • The RZA

    The Tao of Wu

  • Architecture Words

    Supercritical. Peter Eisenman & Rem Koolhaas

  • Albena Yaneva

    Made by the Office for Metropolitan Architecture

  • Antje Ehmann, Kodwo Eshun (Hg)

    Harun Farocki. Against What? Against Whom?

  • J.-F. Lejeune, M. Sabatino

    Modern Architecture and the Mediterranean

  • Kölnischer Kunstverein, Museum of…

    Lecture Performance

  • Steve Goodman

    Sonic Warfare. Sound, Affect, and the Ecology of Fear

  • Van der Zijpp, Harms, Granata (Hg.)

    Bernhard Willhelm & Jutta Kraus

  • Ericson, Frostner, Kyes, Teleman,…

    Iaspis Forum on Design and Critical Practice

  • Storm Thorgerson, Aubrey Powell

    For the Love of Vinyl. The Album Art of Hipgnosis

  • Alex Ross

    The Rest is Noise. Das 20. Jahrhundert hören

  • Helene Sommer

    I was (t)here.

  • Eckhard Schulze-Fielitz

    Metasprache des Raums / Metalanguage of Space

  • Keiko Nomura

    Red Water

  • Kenya Hara

    Weiss

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    Colour Mania

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    Graphic Europe. An Alternative Guide to 31 European Cities

  • Nikolaos Kotsopoulos (Hg.)

    Krautrock. Cosmic Rock and its Legacy

  • Lucas Cappelli (Hg.)

    Self-Fab House. 2nd Advanced Architecture Contest

  • Christopher Dell

    Tacit Urbanism

  • B. Steele, F. G. de Canales (Hg.)

    First Works. Emerging Architectural Experimentation of the…

  • Franco "Bifo" Berardi

    The Soul At Work. From Alienation to Autonomy

  • Britt Salvesen

    New Topographics

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    Now is the Time. Art and Theory in the 21st Century

  • Dexter Sinister

    Portable Document Format

  • Nadine Scharfenort

    Urbane Visionen am Arabischen Golf. Die "Post-Oil-…

  • Jacques Rancière

    The Emancipated Spectator

  • Bjarke Ingels Group

    Yes is More. An Archicomic on Architectural Evolution

  • Alexander Alberro, Blake Stimson (Hg.)

    Institutional Critique. An Anthology of Artists'…

  • Valerie Viscardi

    Louis Vuitton. Art, Fashion and Architecture

  • Boris Buden

    Zone des Übergangs. Vom Ende des Postkommunismus

  • El Croquis 146

    Souto de Moura 2005-2009. Theatres of the World.

  • K. Michael Hays

    Architecture's Desire. Reading the Late Avant-Garde

  • Wouter Davidts, Kim Paice (Hg.)

    The Fall of the Studio. Artists at Work

  • Eva Egerman, Anna Pritz (Hg.)

    Class Works. Weitere Beiträge zu vermittelnder,…

  • S. Komossa, K. Rouw, J. Hillen (Hg.)

    Colour in Contemporary Architecture

  • Jonathan Monk

    Blue Peter. Sixth Book

Sensible Politics. The Visual Culture of Nongovernmental Activism

Political acts are encoded in medial forms—feet marching on a street, punch holes on a card, images on live stream, tweets—that have force, shaping people as subjects and constituting the contours of what is sensible, legible, visible. Thus, these events define the terms of political possibility and create terrain for political actions.
Sensible Politics: The Visual Culture of Nongovernmental Activism considers the constitutive role played by aesthetic and performative techniques in the staging of claims by nongovernmental activists. Attending to political aesthetics means focusing not on a disembodied image that travels under the concept of art or visual culture, nor on a preformed domain of the political that seeks subsequent expression in media form. Instead, it requires bringing the two realms together into the same analytic frame. Drawing on the work of a diverse group of contributors, from art historians, anthropologists, and political theorists to artists, filmmakers, and architects, Sensible Politics situates aesthetic forms within broader activist contexts and networks of circulation and in so doing offers critical insight into the practices of mediation whereby the political becomes manifest.
Contributors include: Barbara Abrash, Negar Azimi, Ariella Azoulay, Amahl Bishara, Judith Butler, Eduardo Cadava, Jonathan Crary, Ann Cvetkovich, Faye Ginsburg, Sam Gregory, Zeynep Devrim Gürsel, Roger Hallas, Andrew Herscher, Sandi Hilal, Kirsten Johnson, Liza Johnson, Thomas Keenan, Carrie Lambert-Beatty, Jaleh Mansoor, Yates McKee, Meg McLagan, Alessandro Petti, Hugh Raffles, Felicity D. Scott, Kendall Thomas, Leshu Torchin, Eyal Weizman, Benjamin J. Young, Huma Yusuf, and Charles Zerner.
“Photographs, maps, videos, reports, charts, spaces, and bodies—these and many other material things assemble into what the editors of this remarkable volume call an ‘image-complex’ that conditions how we know what we know, and what we do with that knowledge. Sensible Politics is a practical, theoretical guide for thinking and acting in the aesthetico-political register that puts art and politics together with rigor, imagination, and urgency. For anyone concerned with these matters, this is not just an interesting book, or a useful book. It is a necessary book.”
—Reinhold Martin, Associate Professor at the Graduate School of Architecture, Planning, and Preservation, Columbia University
“Sensible Politics seeks to attend to the dispersion of aesthetics across the multiple institutional and discursive networks and platforms that constitute political action in the present. And so it does! Sensible Politics confounds our current divisions of the aesthetic and the political and challenges scholars and activists —scholaractivists and activistscholars—to rethink the political potential of images as they are absorbed by the concrete apparatuses of contemporary regimes of governmentality.”
—Elizabeth A. Povinelli, author of Economies of Abandonment: Social Belonging and Endurance in Late Liberalism


Meg McLagan, Yates McKee (Hg.)
Sensible Politics. The Visual Culture of Nongovernmental Activism
Zone Books, 2012, 978-1-935-40824-6