Direkt zum Inhalt

Warenkorb

  • Kunstverein für die Rheinlande und…

    Dubai Düsseldorf

  • John Sinclair (Hg.)

    Sun Ra. Interviews & Essays

  • Hans Ulrich Obrist

    Interviews Volume 2

  • Adolf Opel (Hg.)

    Adolf Loos. Gesammelte Schriften

  • Volume #23

    Al Manakh 2. Gulf Continued

  • Luc Boltanski

    Soziologie und Sozialkritik

  • Schlammpeitziger

    Exotic Visuals and Tropical Videoworks. DVD

  • Juergen Teller

    Zimmermann

  • John May

    Handmade Houses & Other Buildings

  • Malte Friedrich

    Urbane Klänge. Popmusik und Imagination der Stadt

  • Feona Attwood (Hg.)

    Porn.com. Making Sense of Online Pornography

  • Mark Garcia

    Diagrams of Architecture (AD Reader)

  • Blexbolex

    Jahreszeiten

  • Angela McRobbie

    Top Girls. Feminismus und der Aufstieg des neoliberalen…

  • Metahaven (Daniel van der Velden, Vinca…

    Uncorporate Identity

  • Philippe Pirotte (Hg.)

    An invention of Allan Kaprow for the moment

  • Rosalind E. Krauss

    Perpetual Inventory

  • Mateo Kries

    Total Design - Die Inflation moderner Gestaltung

  • Christoph Schäfer

    Die Stadt ist unsere Fabrik. The City is Our Factory.

  • Peter Roehr

    Film-Montagen DVD

  • 2G No. 52

    Sauerbruch Hutton

  • David Harvey

    A Companion to Marx's Capital

  • Selina Walder (Hg.)

    Dado: Gebaut und bewohnt von Rudolf Olgiati und Valerio…

  • Cook, Graham, Gfader, Lapp (Hg.)

    A Brief History of Curating New Media Art

  • L. Lees, T. Slater, E. Wyly (Hg.)

    The Gentrification Reader

  • Julia Bryan-Wilson

    Art Workers. Radical Practice in the Vietnam War Era

  • Falke Pisano

    Figures of Speech

  • Kirsi Peltomäki

    Situation Aesthetics. The Work of Michael Asher

  • Gæoudjiparl Van Den Dobbelsteen

    Mort Aux Vaches Ekstra Extra

  • Anthony Huberman (Hg.)

    For the blind man in the dark room

  • Studio Blanco

    Recession Recessione - A Nonexistent Exhibition

  • Jaron Lanier

    You Are Not a Gadget. A Manifesto

  • Sasa 44 (Hg.)

    Heavy Metal (News) Around the World

  • Cedric Price, Hans-Ulrich Obrist

    Cedric Price - Hans-Ulrich Obrist (The Conversation Series)

  • Juergen Teller

    The Master II

  • Dieter Daniels, Gunther Reisinger (Hg.)

    Net Pioneers 1.0. Contextualizing Early Net-Based Art

  • D.N. Rodowick

    Afterimages of Gilles Deleuze's Film Philosophy

  • Harun Farocki

    Rote Berta Geht Ohne Liebe Wandern

  • Wang Shaoqiang

    Span. Span the Boundary between Space and Graphics

  • Estel Vilaseca, M. San Martin (Hg.)

    Blogs. Mad about Design

  • Konrad Becker, Felix Stalder (Hg.)

    Deep Search. Politik des Suchens jenseits von Google

  • Jacobo Krauel (Hg.)

    Veranstaltungen. Kreativität und Gestaltung

  • Zak Kyes (Hg.)

    Joseph Grigely. Exhibition Prosthetics

  • Tim Lawrence

    Hold On to Your Dreams. Arthur Russell and the Downtown…

  • Adam Phillips, Barbara Taylor

    On Kindness

  • John Carey (Hg.)

    The Faber Book of Utopias

  • Martino Gamper/Trattoria Team

    Total Trattoria

  • Cranfield and Slade

    12 Sun Songs

  • Tiffany Potter, C.W. Marshall (Hg.)

    The Wire. Urban Decay and American Television

  • Antonio Negri

    Insurgencies. Constituent Power and the Modern State

  • Dan Graham

    Rock/Music Writings

  • Jan Jelinek & Laura Mars Grp. (Hg.)

    Ursula Bogner. Pluto hat einen Mond

  • Luuk Boelens

    The Urban Connection. An Actor-Relational Approach to Urban…

  • Jürgen Mayer H., Neeraj Bathia (Hg.)

    -arium. Weather and Architecture

  • Anneloes van Gaalen

    Never Use White Type on a Black Background

  • Tom McDonough (Hg.)

    The Situationists and the City

  • Atelier Bow-Wow

    Echo of Space / Space of Echo

  • Kengo Kuma & Associates

    Studies in Organic

  • Stefan Marx

    85 Zeichnungen

  • Sandra Schaefer

    Stagings. Kabul, Film & Production of Representation

  • The RZA

    The Tao of Wu

  • Architecture Words

    Supercritical. Peter Eisenman & Rem Koolhaas

  • Albena Yaneva

    Made by the Office for Metropolitan Architecture

  • Antje Ehmann, Kodwo Eshun (Hg)

    Harun Farocki. Against What? Against Whom?

  • J.-F. Lejeune, M. Sabatino

    Modern Architecture and the Mediterranean

  • Kölnischer Kunstverein, Museum of…

    Lecture Performance

  • Steve Goodman

    Sonic Warfare. Sound, Affect, and the Ecology of Fear

  • Van der Zijpp, Harms, Granata (Hg.)

    Bernhard Willhelm & Jutta Kraus

  • Ericson, Frostner, Kyes, Teleman,…

    Iaspis Forum on Design and Critical Practice

  • Storm Thorgerson, Aubrey Powell

    For the Love of Vinyl. The Album Art of Hipgnosis

  • Alex Ross

    The Rest is Noise. Das 20. Jahrhundert hören

  • Helene Sommer

    I was (t)here.

  • Eckhard Schulze-Fielitz

    Metasprache des Raums / Metalanguage of Space

  • Keiko Nomura

    Red Water

  • Kenya Hara

    Weiss

  • Viction:ary (Hg.)

    Colour Mania

  • Ziggy Hanaor

    Graphic Europe. An Alternative Guide to 31 European Cities

  • Nikolaos Kotsopoulos (Hg.)

    Krautrock. Cosmic Rock and its Legacy

  • Lucas Cappelli (Hg.)

    Self-Fab House. 2nd Advanced Architecture Contest

  • Christopher Dell

    Tacit Urbanism

  • B. Steele, F. G. de Canales (Hg.)

    First Works. Emerging Architectural Experimentation of the…

  • Franco "Bifo" Berardi

    The Soul At Work. From Alienation to Autonomy

  • Britt Salvesen

    New Topographics

  • Christel Vesters (Hg.)

    Now is the Time. Art and Theory in the 21st Century

  • Dexter Sinister

    Portable Document Format

  • Nadine Scharfenort

    Urbane Visionen am Arabischen Golf. Die "Post-Oil-…

  • Jacques Rancière

    The Emancipated Spectator

  • Bjarke Ingels Group

    Yes is More. An Archicomic on Architectural Evolution

  • Alexander Alberro, Blake Stimson (Hg.)

    Institutional Critique. An Anthology of Artists'…

  • Valerie Viscardi

    Louis Vuitton. Art, Fashion and Architecture

  • Boris Buden

    Zone des Übergangs. Vom Ende des Postkommunismus

  • El Croquis 146

    Souto de Moura 2005-2009. Theatres of the World.

  • K. Michael Hays

    Architecture's Desire. Reading the Late Avant-Garde

  • Wouter Davidts, Kim Paice (Hg.)

    The Fall of the Studio. Artists at Work

  • Eva Egerman, Anna Pritz (Hg.)

    Class Works. Weitere Beiträge zu vermittelnder,…

  • S. Komossa, K. Rouw, J. Hillen (Hg.)

    Colour in Contemporary Architecture

  • Jonathan Monk

    Blue Peter. Sixth Book

  • Jean-Luc Nancy

    Wahrheit der Demokratie

Systems We Have Loved. Conceptual Art, Affect, and the Antihumanist Turn

By the early 1960s, theorists like Levi-Strauss, Lacan, Foucault, and Barthes had created a world ruled by signifying structures and pictured through the grids of language, information, and systems. Artists soon followed, turning to language and its related forms to devise a new, conceptual approach to art making. Examining the ways in which artists shared the structuralist devotion to systems of many sorts, "Systems We Have Loved" shows that even as structuralism encouraged the advent of conceptual art, it also raised intractable problems that artists were forced to confront. Considering such notable art figures as Mary Kelly, Robert Morris, Robert Smithson, and Rosalind Krauss, Eve Meltzer argues that during this period the visual arts depicted and tested the far-reaching claims about subjectivity espoused by theorists. She offers a new way of framing two of the twentieth century's most transformative movements - one artistic, one expansively theoretical - and she reveals their shared dream - or nightmare - of the world as a system of signs. By endorsing this view, Meltzer proposes, these artists drew attention to the fictions and limitations of this dream, even as they risked getting caught in the very systems they had adopted. The first book to describe art's embrace of the world as an information system, "Systems We Have Loved" breathes new life into the study of conceptual art.
"Simply put, Systems We Have Loved is a gorgeous discussion of art, ideas, and their intercourse. But it is the tangible patience, care, and aptness of Eve Meltzer's own language that bring about the book's specific and considerable accomplishment: here is a successful and nuanced reawakening of the fervent optimism that, surprisingly, engendered some of the 'coolest' art produced under the rubric of conceptualism." (Darby English, University of Chicago)"


Eve Meltzer
Systems We Have Loved. Conceptual Art, Affect, and the Antihumanist Turn
Chicago Press, 2013, 9780226007885