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  • Kaoru Takahashi (Hg.)

    Hello! UK Graphics. Graphic Design in the UK since the 1980s

  • Bruce Jenkins

    Gordon Matta-Clark. Conical Intersect

  • Andreas Gelhard

    Kritik der Kompetenz

  • Klanten, Hellige (Hg.)

    The Modernist

  • Lars Spuybroek

    Textile Tectonics. Research and Design

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    After Crisis. Contemporary Architectural Conditions

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    On the Self-reflexive Page

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    Spomenik

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    Dinge und Undinge. Phänomenologische Skizzen

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    Morphologie City Metaphors

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    Your Farm in the City

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    Reading the City. Stadt lesen

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    The Power of Religion in the Public Sphere

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    The Modern Utopian. Alternative Communities of the 60s and…

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    Reporting. Unternehmenskommunikation als Imageträger

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    Inventionen 1. Gemeinsam. Prekär. Potentia. Dis-/Konjunktion

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    Civic City Cahier 3. Distributed Agency, Design’s…

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    Aires Mateus 2002-2011

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    Landscapology. Learning to Landscape the City

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    Frühschicht. Linke Fabrikintervention in den 70er Jahren

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    Modernity Unbound

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    Captain Pamphile. Ein Bildroman

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    Democracy in What State?

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    Cognitive Architecture. From Biopolitics to NooPolitics

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    Sagmeister: Another Book about Promotion and Sales Material

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    The Intellectual Work. Sixty Paperweights

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    Catwalk to History - A Sourcebook

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    Disko 16-19. u.a. The New Deathstrip, Townhouse

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    Poor Man’s Expression

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    Sou Fujimoto 2003-2010

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    Time Outs

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    Big Bad City

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    Lovely Language. Words Divide Images Unite

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    Artists' Magazines. An Alternative Space for Art [pb]

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    Kreation und Depression. Freiheit im gegenwärtigen…

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    Dark Matter. Art and Politics in the Age of Enterprise…

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    Iannis Xenakis. Architect, Composer, Visionary (Drawing…

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    A Little-Known Story about a Movement

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    Tomás Maldonado in Conversation with María Amalia García

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    Junya Ishigami

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    The Spontaneous City

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    Naked City. The Death and Life of Authentic Urban Places

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    Herzog & de Meuron 2005-2010

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    Laterna Magica. Mein Leben. Autobiographie

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    Where Art Belongs

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    The Sound Of Downloading Makes Me Want To Upload

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    Photography After Conceptual Art

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    Umbau 25. Architektur im Ausverkauf. Architecture for Sale

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    Graphic. Inside the Sketchbooks of the World's Great G…

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    Game Urbanism. Manual for Cultural Spatial Planning

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    Last Seen Entering the Biltmore. Plays, Short Fiction,…

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    Film as a Subversive Art

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    Small Scale. Creative Solutions for Better City Living

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    The Art Of Rebellion 3. The Book about Streetart

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    AA Book. Projects Review 2010

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    Designing Media

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    Architecture on Display. On the History of the Venice…

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    Civic City Cahier 2. Design and Democracy

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    Web Design Index by Content 5

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    Rich Texts. Selected Writing for Art

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    Tokyo Metabolizing

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    Art Society Feedback

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    Fontology. Free Fonts Source Book

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    Katalog. Desire in Represention

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    A Conversation with Frei Otto

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Edgewise. A Picture of Cookie Mueller

Edgewise: A Picture of Cookie Mueller: Contributions by John Waters, Mink Stole, Gary Indiana, et al.
Cookie Mueller (1949–1989) was a firecracker, a cult figure, a wild child, a writer, a go-go dancer, a mother and a queer icon. A child of suburban 1950s Maryland, she made her name first as an actress in the films of John Waters, and then as an art critic and columnist, a writer of hilarious stories and a maven of New York’s downtown art world. Edgewise tells the story of Cookie’s life through an oral history composed of more than 80 interviews with the people who knew her, including John Waters, Mink Stole, Gary Indiana, Sharon Niesp, Max Mueller, Linda Yablonsky, Richard Hell, Amos Poe and Raymond Foye. The contributors take us from the late-1960s artist communes of Baltimore to 1970s Provincetown and New York, through 1980s Berlin and Positano. Along with the text, Edgewise includes artwork, unpublished photographs and archival material and photography by Philip-Lorca diCorcia, David Armstrong, Robert Mapplethorpe, Peter Hujar and others. Since her death from AIDS in 1989, Cookie’s work and life have made her an underground icon. Her original texts, first published by Hanuman Books and Semiotext(e), have been reprinted by Serpent’s Tail, and she is remembered for her appearances in the No Wave films and theater of Amos Poe, Michel Auder, Gary Indiana and others. Along with the text, Edgewise consists of original artwork, unpublished photographs and archival material, and photo contributions by Philip-Lorca DiCorcia, David Armstrong, Robert Mapplethorpe, Peter Hujar and others. Edgewise is a meditation on memory and story-telling.


Chloé Griffin (Ed.)
Edgewise. A Picture of Cookie Mueller
b_books, 2014, 978-3942214209