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  • Johann Braun

    Stadt von Rechts. Über Brennpunkte und Ordnungsversuche

  • Domitilla Dardi

    Playgrounding. The playground as a symbolic form of society…

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  • Kim Förster

    Building Institution. The Institute for Architecture and…

  • Michael Marder

    The Phoenix Complex. A Philosophy of Nature

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  • Paul Wood (ed.)

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    Free Jazz Communism.

  • Slavoj Žižek, Rastko Močnik, Zoja Skušek

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    René Pollesch – Arbeit. Brecht. Cinema. Interviews und…

  • Işil Eğrikavuk

    Global Protests Through Art. collaboration, co-creation,…

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    Beton & Nicht Beton

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    The Complete Guide to Combat City

  • Dorothee Albrecht

    Assemblages of the Future

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  • Judith Hopf

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  • Marcus Steinweg, Sonja Dierks

    Kafka

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    Schule des Südens. Die kolonialen Wurzeln der französischen…

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    Contemporanea. A Glossary for the Twenty-First Century

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  • Vladimir Guculak, Paul Bourel

    Sh*tscapes. 100 Mistakes in Landscape Architecture

  • Fulya İLBEY

    CONSTRUCTIVE MANIPULATIONS™ FOR STRATEGIC RESILIENCE

  • Alan Smart, Jack Henrie Fisher (ed.)

    Counter-Signals 5. Systems and their Discontents

  • Silke Kapp, Mariana Moura (ed.)

    Sérgio Ferro. Architecture from Below. An Anthology

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    Die Überlegenheit der Unterlegenen. Eine Theorie der…

  • Víctor Aguado, Ramón del Buey, Brandon…

    Party Studies Vol. 2. Underground Clubs, Parallel…

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    Auditory Poverty and its Discontents – An Essay

  • Iracema Dulley, Özgün Eylül İşcen (eds)

    Displacing Theory through the Global South

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    Über Tourismus

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    Hollow. A Map of Tbilisi

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    Bildpolitiken der Identität. Von Porträtfotografie bis zu…

  • Chris Kraus

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    Studies on Assemblies: Mass Made Units.

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    Judy Blame's Obituary. Writings on Fashion and Death

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    Eaten by the Internet

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    After All, there is No Finish Line

  • ECCHR

    Beyond Limitations. Wolfgang Kaleck, Tomas Saraceno

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  • Jeanne Gang

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  • Jochen Eisenbrand

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  • Adam Gibbons, Eva Wilson

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  • Kevin Yuen Kit Lo

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    Streaming Music, Streaming Capital

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  • Joshua Comaroff, Ong Ker-Shing

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  • Achim Szepanski

    Die Ekstase der Spekulation. Kapitalismus im Zeitalter der…

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  • Tim Carpenter

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  • Andreas Weber

    Indigenialität

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    Das 21. Jahrhundert. Essays

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    Protocol 14. Nonkonforme Architekturpraxis

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  • Hella Gerlach

    Gelenkstellen - Loose Joints

  • Grant H. Kester

    Beyond the Sovereign Self. Aesthetic Autonomy from the…

  • Jana Müller

    Jana Müller. Falscher Hase / Mock Rabbit

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    Anarcho-Indigenism. Conversations on Land and Freedom

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    Starship 20

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    Brutalism

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    Material Trajectories. Designing With Care?

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    The Complex Answer. On Art as a Nonbinary Intelligence

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  • Joanna Zylinska

    The Perception Machine

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    Tactical Publishing

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    The Monster Leviathan. Anarchitecture

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    Eat Your Mind. The Radical Life and Work of Kathy Acker

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Edgewise. A Picture of Cookie Mueller

Edgewise: A Picture of Cookie Mueller: Contributions by John Waters, Mink Stole, Gary Indiana, et al.
Cookie Mueller (1949–1989) was a firecracker, a cult figure, a wild child, a writer, a go-go dancer, a mother and a queer icon. A child of suburban 1950s Maryland, she made her name first as an actress in the films of John Waters, and then as an art critic and columnist, a writer of hilarious stories and a maven of New York’s downtown art world. Edgewise tells the story of Cookie’s life through an oral history composed of more than 80 interviews with the people who knew her, including John Waters, Mink Stole, Gary Indiana, Sharon Niesp, Max Mueller, Linda Yablonsky, Richard Hell, Amos Poe and Raymond Foye. The contributors take us from the late-1960s artist communes of Baltimore to 1970s Provincetown and New York, through 1980s Berlin and Positano. Along with the text, Edgewise includes artwork, unpublished photographs and archival material and photography by Philip-Lorca diCorcia, David Armstrong, Robert Mapplethorpe, Peter Hujar and others. Since her death from AIDS in 1989, Cookie’s work and life have made her an underground icon. Her original texts, first published by Hanuman Books and Semiotext(e), have been reprinted by Serpent’s Tail, and she is remembered for her appearances in the No Wave films and theater of Amos Poe, Michel Auder, Gary Indiana and others. Along with the text, Edgewise consists of original artwork, unpublished photographs and archival material, and photo contributions by Philip-Lorca DiCorcia, David Armstrong, Robert Mapplethorpe, Peter Hujar and others. Edgewise is a meditation on memory and story-telling.


Chloé Griffin (Ed.)
Edgewise. A Picture of Cookie Mueller
b_books, 2014, 978-3942214209