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  • Anne Massey

    Interior Design Since 1900 (World of Art)

  • Finn Brunton

    Digital Cash: The Unknown History of the Anarchists,…

  • Andrea Bajani

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  • Joost Meuwissen

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  • S. Gau, K. Schlieben (Hg)

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  • Mark Fisher

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  • Goshka Macuga, Simon Moretti

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  • Owen Hopkins

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  • Ray Lucas

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  • Michael Bull

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  • Dominik Bartmanski, Ian Woodward

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  • Jens Hoffmann

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  • Laure Prouvost

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  • John Cage

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  • Claude Lefort

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  • Andreas Nentwich, Christine Schnapp

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  • David Reinfurt

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  • Sophie J. Williamson (Ed.)

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  • Zamp Kelp

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  • M. Seidel, G. Steixner (Hg)

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  • Ocean Vuong

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  • Karl Gerstner

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  • Maarten Van Den Driessche (Ed.)

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  • C. Blanchfield, F. Lotfi-Jam

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  • Shirin Sabahi

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  • Alona Rodeh, Kunstpalais

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  • Laura Sobral

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  • M. Hieslmair, M. Zinganel (Hg)

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  • Sara Ahmed

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  • Benjamin Bratton

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  • Ana Vujanovic, Livia Piazza (Ed.)

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  • Hilma Af Klint

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  • Philipp Oswalt

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  • Marie-Pier Boucher, Stefan Helmreich,…

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  • Tom Rice

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  • Jürgen Habermas

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  • Silvio Lorusso

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  • Maria Lind

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  • Benjamin H.Bratton

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  • G. Raunig

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  • Lukas Feireiss (Ed.)

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  • Juliane Streich (Hg.)

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  • Chris O'Leary

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  • Edit DeAk, Walter Robinson (eds.)

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  • Alice Gorman

    Dr Space Junk vs The Universe. Archaeology and the Future

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  • Rene Boer, Marina Otero Verzier, Katia…

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  • Susan Ferguson

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  • John Cage (Laura Kuhn, Ed.)

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  • Julia Eckhardt

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  • Christian Maurel / Peter Rehberg

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  • Ursula Prokop

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  • Christoph Liepach

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  • Agnès Gayraud

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  • Alina Popa

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  • Timothy Morton

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  • Alexander Wilson

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  • Momus

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  • Robert Conrad

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  • 2G / # 79

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  • Daniel López-Pérez

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  • Annette Weisser

    Mycelium

Wege der Moderne. Josef Hoffmann, Adolf Loos und die Folgen. Ways to Modernism. And Their Impact

Das Katalogbuch zur Ausstellung beleuchtet zwei zentrale Denkweisen der Moderne in einer antithetischen Gegenüberstellung - samt Vorgeschichte und Nachwirkungen bis heute. Josef Hoffmann (1870-1956) und Adolf Loos (1870-1933) repräsentieren konträre Reaktionen auf die Grundprobleme der modernen Zivilisation, die vom Industrialisierungs- und Demokratisierungsprozess ausgelöst wurden. So entstanden zwei Entwürfe für moderne Lebensweisen: Hoffmann wollte eine umfassende Ästhetisierung aller Lebensbereiche, während Loos Architektur und Design nicht als Gestaltungsaufgabe, sondern als funktionalen Hintergrund für die Entfaltung individueller Persönlichkeiten interpretierte.
The catalogue for the exhibition at the MAK (Austrian Museum for Applied Art/Contemporary Art in Vienna) focuses on two fundamental approaches of the Moderne movement in an antithetic comparison, including the preceding history and after-effects to this day: Josef Hoffmann (1870-1956) and Adolf Loos (1870-1933) represent opposing reactions to the basic problems of modern civilization, which were triggered by the process of industrialization and democratization. Two different concepts for a modern way of life were created: Hoffmann promoted a comprehensive aestheticization of all spheres of life, while Loos interpreted architecture and design as the functional background for the development of individual personalities. In 16 essays, well-known European and American experts investigate a wide range of contributing conditions and the highlights and consequences of these two traditions of the Moderne movement, from the 19th century to the present. The key works of Hoffmann and Loos - as well as those of their predecessors such as Otto Wagner, and successors such as Josef Frank - are richly illustrated.


Christian Thun-Hohenstein (Ed.)
Wege der Moderne. Josef Hoffmann, Adolf Loos und die Folgen. Ways to Modernism. And Their Impact
Birkhäuser/MAK, 2015, 9783035603774
38,50 €