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  • Mark Fisher

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  • Goshka Macuga, Simon Moretti

    The Enigma of Hour. 100 Years of Psychoanalytic Thought

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  • Claude Lefort

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  • Andreas Nentwich, Christine Schnapp

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  • David Reinfurt

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    Luftschlosser: Ein Blick auf Haus-Rucker-Co / Post-Haus-…

  • M. Seidel, G. Steixner (Hg)

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  • Moisés Puente (Hg)

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  • Viction Workshop (Ed.)

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  • Karl Gerstner

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  • Maarten Van Den Driessche (Ed.)

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  • Alona Rodeh, Kunstpalais

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  • Alonso, Palmarola (eds.)

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  • Laura Sobral

    Doing it Together. Cooperation Tools for the City Co-…

  • M. Hieslmair, M. Zinganel (Hg)

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  • Rike Frank, Beatrice von Bismarck

    Of(f) Our Times: Curatorial Anachronics

  • Sara Ahmed

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  • Graham Harman

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  • Ana Vujanovic, Livia Piazza (Ed.)

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    Artists Photographs

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    How To Make A Happening CD

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    Polyphone Ästhetik: Eine kritische Situierung

  • Philipp Oswalt

    Marke Bauhaus 1919-2019: Der Sieg der ikonischen Form über…

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  • Jürgen Habermas

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    ENTREPRECARIAT. everyone is an entrepreneur nobody is safe

  • Maria Lind

    Seven Years. The Rematerialisation of Art from 2011 to 2017

  • Benjamin H.Bratton

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  • Lukas Feireiss (Ed.)

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  • Chris O'Leary

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  • John Cage (Laura Kuhn, Ed.)

    Love, Icebox. Letters from John Cage to Merce Cunningham

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  • Agnès Gayraud

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  • Alina Popa

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  • Timothy Morton

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    Urbaner Protest. Revolte in der neoliberalen Stadt

  • Georges Bataille

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  • Alfia Nakipbekova (Ed.)

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  • Alexander Wilson

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  • Seraji, Devabhaktuni, Lu (Eds.)

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  • Momus

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  • Robert Conrad

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  • 2G / # 79

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  • Ingeborg Bloem & Klaus Kempenaars

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  • Wiel Arets

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  • K. Jacobson, A. Ray (eds)

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Art in the Periphery of the Center

Peripheries are profoundly ambiguous regions. While trying to build a relationship with the center, the periphery often finds itself excluded both on a structural and actor-related level, no matter if the center-periphery model is defined in terms of space or along relations of power. However, beyond static perspectives of such struggles, in a dynamic and globalized artistic field increasingly transformed by the digital revolution, temporary mobility attractors deserve our attention.
This publication attempts to shift practices of thought toward both critical realism and new materialism. It is neither committed to today’s wishful thinking regarding horizontalized networks and deterritorialized structures, nor does it fix itself to determinist approaches. In contrast to twentieth-century constructivist approaches and their epistemic fallacies, materialized verticalities and matter-based, infrastructural spaces are brought to the fore.
This book is the result of four years of collaborative work that focused on topics of affect, the return of history, ecology, and art and its markets in today’s power law–based economies. These themes triggered not only the development of new artworks but also gave rise to reflexive discourses and discussions surrounding art theory, philosophy, sociology, and economics. The book contains a visual documentation of a number of group shows—which also included the works of winners of the Daniel Frese Prize—at Agathenburg Castle, Halle für Kunst Lüneburg, Kunstraum of Leuphana University of Lüneburg, and Kunstverein Springhornhof. The contributions by critics, curators, theoreticians, and scientists include essays and in-depth conversations.
Works by Art Club 2000, Patterson Beckwith, J. St. Bernard, Angela Bulloch, Daniel Buren, Merlin Carpenter, Gordon Castellane, Diego Castro, Nicolas Ceccaldi, Jeremiah Day, Stephan Dillemuth, John Dogg, Maria Eichhorn, Jana Euler, Loretta Fahrenholz, Renée Green, Karl Holmqvist, Gilta Jansen, Monika Jarecka, Tobias Kaspar, Carola Keitel, Jackie McAllister, Josephine Meckseper, Dirk Meinzer, James Meyer, Shana Moulton, nOffice, Christodoulos Panayiotou, Fabian Reimann, Carissa Rodriguez, Megan Francis Sullivan, Katja Staats, Simon Starling, Buffy Summers, Jan Timme, Daniela Töbelmann, Niko Wolf, Amelie von Wulffen, Phillip Zach
Copublished with Leuphana University of Lüneburg
Design and infographics by Sina Hurnik and Kerstin Warncke
Contributions by Marie-Luise Angerer, Christoph Behnke, Ana Bogdanović, Larissa Buchholz, Sabeth Buchmann, Kathrin Busch, Bettina von Dziembowski, Daniel Falb, Paul Feigelfeld, Ulrike Gerhardt, Monica Greco, Erich Hörl, Cornelia Kastelan, Stefanie Kleefeld, Valérie Knoll, Roman Kräussl, Susanne Leeb, Hannes Loichinger, Sven Lütticken, Julia Moritz, Volker Pekron, Pierre Pénet, Dieter Roelstraete, Bettina Roggmann, Stefan Römer, Steffen Rudolph, Michael Sanchez, Magnus Schaefer, Stefanie Sembill, Christophe Spaenjers, Paul Stenner, Jeannine Tang, Olav Velthuis, Ulf Wuggenig


Behnke, Kastelan, Knoll, Wuggenig (Eds.)
Art in the Periphery of the Center
Sternberg Press, 2015, 978-3-95679-077-5