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  • Chris Kraus

    Torpor (Roman)

  • Gerald Raunig

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  • Marc James Léger (Ed.)

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  • Pedro Gadanho (Ed.)

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  • Manfred Hermes

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  • Peter von Bagh (Hg.)

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  • Werkleitz Gesellschaft e.V. (Ed.)

    Utopien vermeiden. Avoiding Utopias

  • Metahaven

    Can Jokes Bring Down Governments? Memes, Design and…

  • Amy Brandt

    Interplay. Neoconceptual Art of the 1980s

  • Francesca Hughes

    The Architecture of Error. Matter, Measure, and the…

  • Spyros Papapetros, Julian Rose (Eds.)

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  • Felix Denk, Sven von Thülen

    Der Klang der Familie: Berlin, Techno and the Fall of the…

  • Joachim Fischer, Dierk Spreen

    Soziologie der Weltraumfahrt

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    Labor der Moderne. Nachkriegsarchitektur in Europa.…

  • Tim Stüttgen

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  • Byung-Chul Han

    Psychopolitik. Neoliberalismus und die neuen Machttechniken

  • Francesco Garutti (Ed.)

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  • Scott McFarland

    Shacks, Snow, Streets, Shrubs

  • Dante Bini

    Building with Air

  • Birgit Mennel, Stefan Nowotny (Hg.)

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  • Nora Schultz

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  • Boris Kralj

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  • Frances Stracey

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  • Thomas Thiel (Ed.)

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  • Catriona Gray

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  • Jenn Joy

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  • Robert Hamelijnck, Nienke Terpsma (Eds.)

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  • Mark Leckey

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  • Stiftung Buchkunst

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  • Jörg H. Gleiter

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  • Julia Robinson, Christian Xatrec (Ed.)

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Art in the Periphery of the Center

Peripheries are profoundly ambiguous regions. While trying to build a relationship with the center, the periphery often finds itself excluded both on a structural and actor-related level, no matter if the center-periphery model is defined in terms of space or along relations of power. However, beyond static perspectives of such struggles, in a dynamic and globalized artistic field increasingly transformed by the digital revolution, temporary mobility attractors deserve our attention.
This publication attempts to shift practices of thought toward both critical realism and new materialism. It is neither committed to today’s wishful thinking regarding horizontalized networks and deterritorialized structures, nor does it fix itself to determinist approaches. In contrast to twentieth-century constructivist approaches and their epistemic fallacies, materialized verticalities and matter-based, infrastructural spaces are brought to the fore.
This book is the result of four years of collaborative work that focused on topics of affect, the return of history, ecology, and art and its markets in today’s power law–based economies. These themes triggered not only the development of new artworks but also gave rise to reflexive discourses and discussions surrounding art theory, philosophy, sociology, and economics. The book contains a visual documentation of a number of group shows—which also included the works of winners of the Daniel Frese Prize—at Agathenburg Castle, Halle für Kunst Lüneburg, Kunstraum of Leuphana University of Lüneburg, and Kunstverein Springhornhof. The contributions by critics, curators, theoreticians, and scientists include essays and in-depth conversations.
Works by Art Club 2000, Patterson Beckwith, J. St. Bernard, Angela Bulloch, Daniel Buren, Merlin Carpenter, Gordon Castellane, Diego Castro, Nicolas Ceccaldi, Jeremiah Day, Stephan Dillemuth, John Dogg, Maria Eichhorn, Jana Euler, Loretta Fahrenholz, Renée Green, Karl Holmqvist, Gilta Jansen, Monika Jarecka, Tobias Kaspar, Carola Keitel, Jackie McAllister, Josephine Meckseper, Dirk Meinzer, James Meyer, Shana Moulton, nOffice, Christodoulos Panayiotou, Fabian Reimann, Carissa Rodriguez, Megan Francis Sullivan, Katja Staats, Simon Starling, Buffy Summers, Jan Timme, Daniela Töbelmann, Niko Wolf, Amelie von Wulffen, Phillip Zach
Copublished with Leuphana University of Lüneburg
Design and infographics by Sina Hurnik and Kerstin Warncke
Contributions by Marie-Luise Angerer, Christoph Behnke, Ana Bogdanović, Larissa Buchholz, Sabeth Buchmann, Kathrin Busch, Bettina von Dziembowski, Daniel Falb, Paul Feigelfeld, Ulrike Gerhardt, Monica Greco, Erich Hörl, Cornelia Kastelan, Stefanie Kleefeld, Valérie Knoll, Roman Kräussl, Susanne Leeb, Hannes Loichinger, Sven Lütticken, Julia Moritz, Volker Pekron, Pierre Pénet, Dieter Roelstraete, Bettina Roggmann, Stefan Römer, Steffen Rudolph, Michael Sanchez, Magnus Schaefer, Stefanie Sembill, Christophe Spaenjers, Paul Stenner, Jeannine Tang, Olav Velthuis, Ulf Wuggenig


Behnke, Kastelan, Knoll, Wuggenig (Eds.)
Art in the Periphery of the Center
Sternberg Press, 2015, 978-3-95679-077-5