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  • Sylvia Leydecker

    Nanomaterialien

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    Stoffe. Zur Geschichte der Materialität in Künsten und…

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    Wer sagt denn, dass Beton nicht brennt, hast Du’s probiert?

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    Die Revolution ist auch nicht mehr, was sie mal war

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    Folk Archive. Contemporary Popular Art from the UK

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    Revolution als Prozess. Selbstorganisierung und…

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  • John F. C. Turner

    Housing by People. Towards Autonomy in Building…

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    Utopia Deferred. Writings from Utopie (1967-1978)

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    Dreamworld and Catastrophe. The Passing of Mass Utopia in…

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    Visionen und Utopien. Architekturzeichnungen aus dem Museum…

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    The Age of Turbulence. Adventures in a New World

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    Alternative Ökonomien. Alternative Gesellschaften

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    Der urbane Code Chinas

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    Farewell Aldebaran (1969)

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    Entwurfsmuster: Raster, Typus, Pattern, Script, Algorithmus…

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    Die Ordnung des Diskurses

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    Pro Domo

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    Archaeologies of the Future. The Desire Called Utopia and…

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    Ant Farm 1968-1978

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    From Agit-Prop to Free Space. The Architecture of Cedric…

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    Cedric Price. Potteries Thinkbelt (SuperCrit)

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    Team 10. In Search of a Utopia of the Present 1953-1981

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    Archigram. Architecture without Architecture

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    Archizoom/Superstudio. Figurationen des Utopischen

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    Architecture and Utopia. Design and Capitalist Development

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    Picnic Magazine 3

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    Limits to Capital

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    Kapitalismus, Regulation, Staat. Ausgewählte Schriften

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    Rogue Economics. Capitalism's New Reality

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Fluency Fabrics

'Fluency Fabrics' by Drei Farben House combines Disco-infused House music with an interest in architectural cover artworks. The album's sleeve shows the 'Doris and Norman Fisher House' in Hatboro (a suburb of Philadelphia) designed by Louis I. Kahn from 1960-1967. Kahn, based in Philadelphia and one of the most influential architects of the twentieth century, was already in his sixties and progressively getting famous around this time for his sensitive combination of concrete and brick in larger scales. The almost spiritual sensibility of his buildings and his poetry of light created deep, fundamental connections between the spaces and their inhabitants.
“Every building must have . . . its own soul”, this famous quote of Kahn can easily be seen in the modest and wonderfully warm Fisher house which consits of two intersecting cubic volumes created from cedar wood – finished at the same time when only twenty miles away the newly founded Sigma Sound Studio recorded the Delfonics first record, installing the basements of Philadelphia Soul which was later leading to Phillysound, Disco and House.
Concept, art direction and graphic design of 'Fluency Fabrics' have been created by Till Sperrle of ITF Grafikdesign, one the most sought after conceptual designers in the field of electronic & independent music. The cover photograph has been photographed by the leading architectural photographer Tom Crane.


Drei Farben House
Fluency Fabrics
Tender Park, 2017