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  • Moritz Baßler, Robin Curtis, et al. (Hg…

    Kultur und Kritik (Heft 1, Herbst 2012) POP

  • Simon Rothöhler

    Amateur der Weltgeschichte. Historiographische Praktiken im…

  • Gregor Eichinger, Eberhard Tröger

    Touch Me! Das Geheimnis der Oberfläche

  • Gestalten (Hg.)

    Visual Storytelling. Inspiring a New Visual Language

  • Christian Marazzi

    Capital and Affects. The Politics of the Language Economy

  • Hal Foster

    The Art-Architecture Complex

  • Thomas Hirschhorn

    Establishing a Critical Corpus

  • Andrej Holm, Klaus Lederer, Matthias…

    Linke Metropolenpolitik. Erfahrungen und Perspektiven am…

  • Lars Spuybroek

    The Sympathy of Things

  • Jarett Kobek

    Atta (Semiotext(e) / Intervention)

  • A. Moravánszky, J. Hopfengärtner (Hg.)

    Aldo Rossi und die Schweiz. Architektonische…

  • metroZones (Hg.)

    Urban Prayers – Neue religiöse Bewegungen in der globalen…

  • Marta Herford, Markus Richter (Hg.)

    Wir sind alle Astronauten. Richard Buckminster Fuller

  • Jürgen Teller

    Touch Me

  • Lukas Feireiss,Ole Bouman

    Testify! The Consequences of Architecture

  • Marie J. Aquilino

    Beyond Shelter. Architecture for Crisis

  • El Croquis 156

    Valerio Olgiati 1996-2011

  • Pier Vittorio Aureli

    The Possibility of an Absolute Architecture

  • Mieke Gerritzen, Geert Lovink, Minke…

    I Read Where I Am. Exploring New Information Cultures

  • Matt Mullican

    Notating the Cosmology 1973-2008

  • Arno Brandlhuber, Silvan Linden (Hg.)

    Disko 20-25 Architektur ohne Architektur

  • Craig Buckley, Jean-Louis Violeau (Hg.)

    Utopie. Texts and Projects, 1967–1978

  • Jürgen Krusche, Günther Vogt

    Strassenräume in Berlin, Shanghai, Tokyo, Zürich. Eine foto…

  • David Ake

    Source. Music of the Avant-garde, 1966 - 1973

  • Murray Grigor

    Infinite Space. Der Architekt John Launter. DVD

  • Yona Friedman

    Architecture with the People, by the People

  • Lars Lerup

    One Million Acres & No Zoning

  • M, Kelley, J. Shaw, Niagara, C, Loren

    Destroy All Monsters Magazine 1976-1979

  • M. Hlavajova, S. Sheikh, J. Winder (Hg.)

    On Horizons. A Critical Reader in Contemporary Art

  • Michael Sorkin

    All Over the Map. Writing on Buildings and Cities

  • Nadine Barth (Hg.)

    German Fashion Design 1946-2012

  • Simon Reynolds

    Retromania. Pop Culture's Addiction to its Own Past

  • Stan Allen, Marc McQuade (Hg.)

    Landform Building

  • Fredric Jameson

    Representing Capital. A Reading of Volume One

  • Magdalena Taube, Krystian Woznicki (Hg.)

    Modell Autodidakt

  • McKenzie Wark

    The Beach Beneath the Street. The Everyday Life and…

  • Pedro Barateiro, Ricardo Valentim (Hg.)

    Activity (is to a group what content is to platform)

  • El Croquis 155

    Sanaa 2008-2011

  • Laurie Anderson, Trisha Brown, Gordon…

    Pioneers of the Downtown Scene

  • Curtis, Rees, White, Ball (Hg.)

    Expanded Cinema. Art, Performance, Film

  • Kaminer, Robles-Dúran, Sohn (Hg.)

    Urban Asymmetries

  • Abel, Evers, Klaasen, Troxler (Hg.)

    Open Design Now. (why design cannot remain exclusive)

  • AA Bronson, Peter Hobbs

    Queer Spirits

  • A. Avanessian, L. Skrebowski (Hg.)

    Contemporary Art and Aesthetics

  • 2G N. 57

    Njiric+ Architekti

  • Lucia Nagib

    World Cinema and the Ethics of Realism

  • Huda Smitshuijzen, Abi Fares (Hg.)

    Typographic Matchmaking in the City

  • H. F. Mallgrave, D. Goodman

    An Introduction to Architectural Theory. 1968 to the Present

  • Alexander Bolton

    Alexander McQueen. Savage Beauty

  • Professur Theorie und Geschichte der…

    Architecture in the Age of Empire / Architektur der neuen…

  • Garth A. Myers

    African Cities. Alternative Visions of Urban Theory and…

  • Jean-Louis Cohen

    Architecture in Uniform. Designing and Building for the 2nd…

  • Christopher Dell

    Replaycity. Improvisation als urbane Praxis

  • Byung-Chul Han

    Shanzhai. Dekonstruktion auf Chinesisch

  • Kaoru Takahashi (Hg.)

    Hello! UK Graphics. Graphic Design in the UK since the 1980s

  • Josep Lluís Mateo

    After Crisis. Contemporary Architectural Conditions

  • Louis Luthi

    On the Self-reflexive Page

  • O.M. Ungers

    Morphologie City Metaphors

  • Lisa Taylor & Gardeners of Seattle…

    Your Farm in the City

  • Hassenpflug, Giersig, Stratmann

    Reading the City. Stadt lesen

  • Butler, Habermas, Taylor, West

    The Power of Religion in the Public Sphere

  • Richard Fairfield

    The Modern Utopian. Alternative Communities of the 60s and…

  • Jochen Rädeker, Kirsten Dietz

    Reporting. Unternehmenskommunikation als Imageträger

  • Lorey, Nigro, Raunig (Hg.)

    Inventionen 1. Gemeinsam. Prekär. Potentia. Dis-/Konjunktion

  • Jimini Hignett

    The Detroit Diary

  • Klanten, Mollard, Hübner (Hg.)

    Behind the Zines. Self-Publishing Culture

  • Tom Holert

    Civic City Cahier 3. Distributed Agency, Design’s…

  • Paul Van Beek, Charles Vermaas

    Landscapology. Learning to Landscape the City

  • Jan Ole Arps

    Frühschicht. Linke Fabrikintervention in den 70er Jahren

  • Gunter Reski, Marcus Weber (Hg.)

    Captain Pamphile. Ein Bildroman

  • Amy Allen (Hg.)

    Democracy in What State?

  • D. Hauptmann, W. Neidich (Hg.)

    Cognitive Architecture. From Biopolitics to NooPolitics

  • Stefan Sagmeister

    Sagmeister: Another Book about Promotion and Sales Material

  • Enzo Mari

    The Intellectual Work. Sixty Paperweights

  • Bettina Allamoda

    Catwalk to History - A Sourcebook

  • Peter Petschek, Siegfried Gaß (Hg.)

    Schatten konstruieren. Pergolen, Zelte, Pavillons, Seile,…

  • Will Jones (Hg.)

    Architects' Sketchbooks

  • Martin Ebner, Florian Zeyfang (Hg.)

    Poor Man’s Expression

  • El Croquis 151

    Sou Fujimoto 2003-2010

  • Caleb Kelly (Hg.)

    Sound (Documents of Contemporary Art)

  • Terry Myers (Hg.)

    Painting (Documents of Contemporary Art)

  • Wilfried Dickhoff, Marcus Steinweg (Hg.)

    Inaesthetics 2

  • Ed Annink, Max Bruinsma

    Lovely Language. Words Divide Images Unite

  • Gwen Allen

    Artists' Magazines. An Alternative Space for Art [pb]

  • Michaela Meise

    Preis dem Todesüberwinder

  • C. Menke, J. Rebentisch (Hg.)

    Kreation und Depression. Freiheit im gegenwärtigen…

  • Gregory Sholette

    Dark Matter. Art and Politics in the Age of Enterprise…

  • Drawing Center (Hg.)

    Iannis Xenakis. Architect, Composer, Visionary (Drawing…

  • Margit Rosen (Hg.)

    A Little-Known Story about a Movement

  • Fundación Cisneros/Colección Patricia…

    Tomás Maldonado in Conversation with María Amalia García

  • Chris Kraus

    Where Art Belongs

  • Beatriz Colomina, Craig Buckley (Hg.)

    Clip, Stamp, Fold. The Radical Architecture of Little…

  • Giovanna Borasi (Hg.)

    Journeys. How Travelling Fruit, Ideas and Buildings…

  • Paul Le Blanc, Helen C. Scott (Hg.)

    Socialism or Barbarism? The Selected Writings of Rosa…

  • Jens Müller, Karen Weiland (Hg.)

    Kieler Woche. Geschichte eines Designwettbewerbs

  • Benedict Boucsein

    Graue Architektur. Nachkriegsarchitektur

  • Harald Bodenschatz, Thomas Flierl (Hg.)

    Berlin plant. Plädoyer für ein Planwerk Innenstadt Berlin 2…

  • T.J. Demos

    Dara Birnbaum. Technology/Transformation: Wonder Woman

Brutal Bloc. Post Cards

Brutalist hotels, avant-garde monuments and futurist TV towers: rare and previously unpublished vintage postcards from the Eastern Bloc
Brutal concrete hotels, futurist TV towers, heroic statues of workers--this collection of Soviet-era postcards documents the uncompromising landscape of the Eastern Bloc through its buildings and monuments. These are interspersed with quotes from prominent figures of the time, which both support and confound the ideologies presented in the images.
In contrast to the photographs of a ruined and abandoned Soviet empire we are accustomed to seeing today, the scenes depicted here publicize the bright future of communism: social housing blocks, palaces of culture and monuments to comradeship. Dating from the 1960s to the 1980s, they offer a nostalgic yet revealing insight into social and architectural values of the time, acting as a window through which we can examine cars, people and, of course, buildings. These postcards, sanctioned by the authorities, were intended to show the world what living in communism looked like.
Instead, this postcard propaganda inadvertently communicates other messages: outside the House of Political Enlightenment in Yerevan, the flowerbed reads "Glory to the Communist Party of the Soviet Union"; in Novopolotsk, art-school pupils paint plein air, their subject a housing estate; at the Irkutsk Polytechnic Institute students stroll past a 16-foot-tall concrete hammer and sickle. These postcards are at once sinister, funny, poignant and surreal.


Damon Murray (Ed.)
Brutal Bloc. Post Cards
Fuel, 2018, 978-0-9957455-2-0