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  • Diskursiv (Hg.)

    Diskursiv No. 2, Colors

  • dérive

    dérive N° 98, Eigentum (Jan-Mar 2025)

  • Viktoria Schabert

    Eileen Gray's Museum

  • Arch+ Zeitschrift für Architektur und…

    Arch+ 258. Urbane Praxis

  • Oxana Gourinovitch

    Raising the Curtain. Operatic Modernism in the Soviet…

  • Alexander Eisenschmidt

    Felix Candela From Mexico City to Chicago. Rise and Fall of…

  • Lydia Kallipoliti

    Histories of Ecological Design. An Unfinished Cyclopedia

  • Anders Engberg-Pedersen

    Martialische Ästhetik

  • Matthias Ballestrem, Katharina Benjamin…

    Constructive Disobedience

  • Sofie De Caigny, Hülya Ertas, Bie…

    As Found. Experiments in Preservation

  • !Mediengruppe Bitnik, Janez Fakin Janša

    (un)real data ☁️ – (🧊)real effects

  • Docomomo International (Ed)

    Modernism in Africa

  • Daniela Hamaui (Ed.)

    Archivio Magazine N°10. The Design Issue

  • Derk Loorbach, Véronique Patteeuw, Léa-…

    It's About Time. The Architecture of Climate Change

  • Noemi Biasetton

    Superstorm

  • Steven Henry Madoff

    Why I Do What I Do - Global Curators Speak

  • Leopoldina Fortunati, Carla Lonzi

    Folio G: Gendered Labour and Clitoridean Revolt

  • Carlos Moreno

    Die 15-Minuten-Stadt. Ein Konzept für lebenswerte Städte

  • Julian Rose

    Building Culture

  • Sandro Mezzadra, Brett Neilson

    The Rest and the West. Capital and Power in a Multipolar…

  • Charlotte Malterre-Barthes (Ed.)

    On Architecture and the Greenfield

  • Folke Köbberling

    WOLLBAU. Wolle - Eine unterschätzte Ressource.

  • Melanie Franke (Hg.)

    Selbsterzählungen und Umbruchspuren im Œuvre von Künstler:…

  • Stellan Gulde (Ed.)

    Banal Buildings. Anthology

  • Franz Liebl

    Steakholder Management. Bausteine eines Culinary Turn in…

  • Urszula Kozminska, Nacho Ruiz Allen

    Time Matters

  • Anja Kaiser, Rebecca Stephany

    Glossary of Undisciplined Design

  • Ursula K. Le Guin

    Steering the Craft. A Twenty-First-Century Guide to Sailing…

  • Helmut Draxler

    Was tun? Was lassen? Politik als symbolische Form

  • Enzo Traverso

    Gaza im Auge der Geschichte

  • Gene Ray

    After the Holocene. Planetary Politics for Commoners

  • Paolo Cirio

    Climate Tribunal. Fossil Fuels Industry on Trial

  • சிந்துஜன் வரதராஜா (Sinthujan…

    Hierarchien der Solidarität. Hierarchies of Solidarity.

  • Patrick McGraw, Heavy Traffic

    Heavy Traffic Issue V

  • Simon O'Sullivan

    From Magic and Myth-Work to Care and Repair

  • André Tavares

    Architecture Follows Fish. An Amphibious History of the…

  • Daniela Comani

    You Are Mine

  • Friedrich von Borries

    Architektur im Anthropozän. Eine spekulative Archäologie

  • Editor: Sascha Bauer, Authors: Sascha…

    The Joinery Compendium. Learning from Traditional…

  • Sara Ahmed

    Feminist Killjoy. Das Handbuch für die feministische…

  • Lisa Luksch, Andres Lepik (ed.)

    Reading Visual Investigations. Between Advocacy, Journalism…

  • George MacBeth

    e-flux Index #3

  • Kateryna Malaia, Philipp Meuser

    Mass Housing in Ukraine. Building Typologies and Catalogue…

  • Kirsten Wagner (Hg.)

    Theorien des Wohnens. Eine Kommentierte Anthologie

  • Susanne Schmid, Dietmar Eberle, Margit…

    Eine Geschichte des gemeinschaftlichen Wohnens. Modelle des…

  • Yuk Hui

    Machine and Sovereignty. For a Planetary Thinking

  • Irene Fantappiè, Francesco Giusti,…

    Rethinking Lyric Communities

  • Nicolas Linnert (ed.)

    Hervé Guibert. Suzanne and Louise

  • Giorgi Vachnadze

    Christian Eschatology of Artificial Intelligence: Pastoral…

  • 0nty & OnMyComputer (Eds.)

    Dialogues on CoreCore & the Contemporary Online Avant-…

  • Nicholas E. Powers (ed.)

    Where does a body begin? Biology's function in…

  • Alessandro Sbordoni

    Semiotics of the End: Essays on Capitalism and the…

  • Jill Johnston, Clare Croft (ed.)

    The Essential Jill Johnston Reader

  • Anna-Sophie Springer, Raul Walch (eds.)

    Owned by Others: A Map to Possession Island

  • Canadian Centre for Architecture

    AP 205 Amancio Williams: Readings of the Archive

  • Clothilde Morette, Victoria Aresheva (…

    Science/Fiction. A Non-History of Plants

  • Ulrich Heinke

    Ulrich Heinke. Schlot

  • Franziska Bollerey

    Eselsohren. Journal of Art, Architecture and Urbanism. Vol…

  • Richard Sennett

    Democracy and Urban Form

  • Hilde Strobl, Peter Cachola Schmal,…

    Einfach Grün - Greening the City

  • Niekolaas Johannes Lekkerkerk, Eva…

    Worlding Ecologies. Art, Science and Activism Towards…

  • Yuk Hui

    Post-Europe

  • Cédric Durand

    How Silicon Valley Unleashed Techno-Feudalism

  • Gabu Heindl, Drehli Robnik

    Nonsolution. Zur Politik der aktiven Nichtlösung im Planen…

  • Ignacio Farías, Felix Marlow, Rebecca…

    Zaudern ums Gemeinwohl. Produktive Missverständnisse in der…

  • Ian Erickson, Tomi Laja

    Disc Journal. Issue 3.0 "Enchantment"

  • Estelle Hoy, edited by Antonia Carrara

    Estelle Hoy. saké blue. Selected Writings

  • Nick Mauss, Edited by Antonia Carrara…

    Nick Mauss. Dispersed Events. Selected Writings

  • Clémence Imbert

    Manifestes 7. Why History Matters to Graphic Design

  • dérive

    dérive N° 97, Energie (Okt-Dez 2024).

  • Christina Landbrecht

    Künstlerische Forschung. Potenziale, Probleme, Perspektiven

  • bell hooks

    Kritisch denken lernen. Erkenntnisse aus der Praxis

  • Raafat Majzoub (ed.)

    Beyond Ruins. Reimagining Modernism

  • Holm-Uwe Burgemann (Hg.)

    Neue Erschöpfungsgeschichten

  • Anne Kockelkorn, Susanne Schindler,…

    Cooperative Conditions. A Primer on Architecture, Finance…

  • Anne Lacaton, Jean-Philippe Vassal

    Lacaton & Vassal. It's Nice Today: On Climate,…

  • Guido Neubeck, Professur für Entwerfen…

    Schulbaukörper

  • Bianca Felcori (Ed.)

    Forgotten Architecture. An Archive of Overshadowed Projects

  • Marouane Bakhti

    How to Leave the World

  • Jan Steinbach, Justine Stella Knuchel (…

    Hold The Sound. Notes On Auditories

  • Ijlal Muzaffar

    Modernism's Magic Hat - Architecture and the Illusion…

  • Paloma Checa-Gismero

    Biennial Boom. Making Contemporary Art Global

  • Sarah Blacker, Emily Brownell, Anindita…

    The Planning Moment. Colonial and Postcolonial Histories

  • Andreas Reckwitz

    Verlust. Ein Grundproblem der Moderne

  • Eva Illouz

    Explosive Moderne

  • ETH-Studio Jan De Vylder (Hg)

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    Kengo Kuma. Arquitectura Urbana 2006--2024. TC Cuadernos…

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  • Kathrin Wildner, metroZones

    metroZine #1. Reading the Map. Anleitung zum Kartenlesen

  • Christian Hanussek, metroZones

    metroZine #2. Die Tapete als Parergon – und Methode

  • Anne Huffschmid, metroZones

    metroZine #3. Das Atmen der Bilder. Schwarze Löcher und…

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    Sonic Signatures. Music, Migration and the City at Night

  • Ian Trowell

    Throbbing Gristle. An Endless Discontent

  • Sandra Hofmeister

    Bauen im Bestand. Wohnen / Building in Existing Contexts.…

  • Jon Dowling

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  • Domen Ograjensek

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Broken Music: Artists' Recordworks

Broken Music is an essential guide and discography for recordings and audio works by visual artists, originally published in 1989 and edited by Ursula Block (founder of Gelbe Musik in Berlin) and Michael Glasmeier. Records chosen for the publication revolved around four criteria: record covers created as original work by visual artists; record or sound producing objects (sculptures); books and publications that contain a record or recorded media object; and records or recorded media that have sound by visual artists. Hundreds of works are documented by artists such as Vito Acconci, albrecht d., Joseph Beuys, Laurie Anderson, Guillaume Apollinaire, Karel Appel, Antonin Artaud, John Baldessari, Hugo Ball, Harry Bertoia, William S. Burroughs, John Cage, Henri Chopin, Henning Christiansen, William Copley, Philip Corner, Merce Cunningham, Hanne Darboven, Jim Dine, Jean Dubuffet, Marcel Duchamp, Fischli/Weiss, R. Buckminster Fuller, Allen Ginsberg, Philip Glass, Jack Goldstein, Hans Haacke, Richard Hamilton, Bernard Heidsieck, Isidore Isou, Marcel Janco, Allan Kaprow, Martin Kippenberger, Milan Knízák, Christina Kubisch, Laibach, John Lennon, Hermann Nitsch, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Nam June Paik, Tom Philips, Robert Rauschenberg, The Red Crayola, Jim Rosenquist, Dieter Roth, Gerhard Rühm, Conrad Schnitzler, Kurt Schwitters, selten gehörte Musik, Richard Serra, Robert Smithson, Michael Snow, Jean Tinguely, Yoshi Wada, William Wegman and Lawrence Weiner, among others.
Boomkat Product Review:
‘Broken Music’ is a holy grail avant-garde music publication, a compendium of recordings, record-objects, artwork for records, and record installations created by thousands of visual artists between WWII and 1989. Unavailable since the original, sought-after 1989 edition, it features essays by its compilers Ursula Block and Michael Glasmeier, as well as Theodor W. Adorno, Milan Knížák and Laszlo Moholy-Nagy. Did we mention the bonus flexidsic? Aye, this one’s very special.
Published in 1989 by Ursula Block, wife of curator René Block and proprietor of the legendary Gelbe Musik record store in Berlin (sadly not there any more, to save you a wild goose chase), ‘Broken Music’ is inarguably an essential guide and discography for recordings and audio works by visual artists of the 20th C. Through essays, texts, and photos, it breaks down the history of visual artists working with sound into four fascinating criteria of study: record covers created as original work by visual artists; record or sound producing objects (sculptures); books and publications that contain a record or recorded media object; and records or recorded media that have sound by visual artists.
As far as we’re aware, this is the only book of its kind, and at the very least, the only one to cover it’s topic in such depth, drawing on a wealth of received information and personal knowledge to comprehensively highlight a peculiar and enduring niche of sound art. Books and lists like these are understandably invaluable to both art historians and record diggers, and this is among the most lucubrate we’ve come across, making connections between the formative, innocent experience of experimenting with records’ physicalities, with Adorno’s riffs on ‘The Form of the Records’, and ‘Media Composition According to Cage’, and looping back to Milan Knížák’s recollection of ‘Broken Music’ in his titular text and bonus 7” flexidisc of his 1989 recordings.
If you’re interested in the following list of artists covered inside, you owe it yourself to check this book: Vito Acconci, albrecht d., Joseph Beuys, Laurie Anderson, Guillaume Apollinaire, Karel Appel, Antonin Artaud, John Baldessari, Hugo Ball, Harry Bertoia, William S. Burroughs, John Cage, Henri Chopin, Henning Christiansen, William Copley, Philip Corner, Merce Cunningham, Hanne Darboven, Jim Dine, Jean Dubuffet, Marcel Duchamp, Fischli/Weiss, R. Buckminster Fuller, Allen Ginsberg, Philip Glass, Jack Goldstein, Hans Haacke, Richard Hamilton, Bernard Heidsieck, Isidore Isou, Marcel Janco, Allan Kaprow, Martin Kippenberger, Milan Knízák, Christina Kubisch, Laibach, John Lennon, Hermann Nitsch, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Nam June Paik, Tom Philips, Robert Rauschenberg, The Red Crayola, Jim Rosenquist, Dieter Roth, Gerhard Rühm, Conrad Schnitzler, Kurt Schwitters, selten gehörte Musik, Richard Serra, Robert Smithson, Michael Snow, Jean Tinguely, Yoshi Wada, William Wegman and Lawrence Weiner, and others.


Ursula Block, Michael Glasmeier
Broken Music: Artists' Recordworks
Primary Information , 2018, 9780991558599
35,00 €