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    This Is Not an Atlas: A Global Collection of Counter-…

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    Vom Raum aus die Stadt denken: Grundlagen einer…

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    Model Map - zur Kartographie einer Architektur am Beispiel…

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    Liquid: The Delightful and Dangerous Substances That Flow…

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    Form and Pedagogy: The Design of the University City in…

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    Elements of Architecture

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    Art after Money, Money after Art: Creative Strategies…

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    For the War yet to Come. Planning Beirut's Frontiers

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    The World of Apartamento. Ten Years of Everyday Life…

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    Postmodern Berlin. Wohnbauten der 80er Jahre. Residential…

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    Bettina Allamoda

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    I'm Isa Genzken, the Only Female Fool

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    The Artists Who Will Change the World

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    Technic and Magic: The Reconstruction of Reality

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    Situating Ourselves in Displacement: Conditions,…

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    Toward Fewer Images. The Work of Alexander Kluge

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    Brutal Bloc. Post Cards

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    Spomenik Monument Database

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    The Universal Machine

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    Stolen Life

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    Superhumanity: Post-Labor, Psychopathology, Plasticity

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    Die schönen Kriegerinnen. Technofeministische Praxis im 21…

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    Facebook entkommen

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    Monte Carlo Club

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    Implementing Architecture. Cornell and the Education of…

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    The Iconic House: Architectural Masterworks Since 1900

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    Sun Path House and Other Cosmic Architectures

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    Draw it with your Eyes Closed. The art of the art…

  • Daniel Birnbaum, Michelle Kuo (Hg.)

    More Than Real. Art In The Digital Age

  • Femke de Vries

    Fashioning Value - Undressing Ornament: A critical study of…

  • Giovanna Borasi (Hg.)

    Besides, History: Go Hasegawa, Kersten Geers, David Van…

  • Alice Rawsthorn

    Design as an Attitude

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    Inscription

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    Ethnofuturismen

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    Trans-Europe Express: Tours of a Lost Continent

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    Nicht-Referenzielle Architektur: Gedacht von Valerio Olgiati

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    Mars by 1980. The Story of Electronic Music

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    "" #2 James Hoff / Marian Kaiser

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    "" #4 Internal Affairs 2013 - 2018

  • Badlands Unlimited

    "" #5 Badlands Unlimited (Act 1)

  • Jonathan Jimenez

    Spomeniks

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    Dritte Natur: Technik Kapital Umwelt

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    Prompt: Socially Engaging Objects and Environments

  • David Blamey, Brad Haylock (Eds.)

    Distributed

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    Sun City Nowosibirsk: Transformationen einer sibirischen…

  • Max Allen

    Ideas That Matter. The Worlds of Jane Jacobs

  • David Grubbs

    Now that the audience is assembled

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    Urban Divides

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    Das Kotti-Prinzip. Urbane Komplizenschaften zwischen Räumen…

  • Junya Ishigami

    Freeing Architecture

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    Posthuman Urbanism. Mapping Bodies in Contemporary City…

  • Geoffroy de Lagasnerie

    Denken in einer schlechten Welt

  • Jean Molitor

    bau1haus - die moderne in der welt. modernism around the…

  • Maura Reilly

    Curatorial Activism. Towards an Ethics of Curating

  • Vincent Meessen

    The Other Country. L'autre Pays

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    Flow. Interior, Landscape, and Architecture in the Era of…

  • Dexter Sinister

    A Short Account of the Library. (Everyday the Urge Gets…

  • Cassim Shephard

    Citymakers. The Culture and Craft of Practical Urbanism

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    The Artist As Producer, Quarry, Thread, Director, Writer,…

  • Delft Architectural Studies on Housing

    From Dwelling to Dwelling: Radical Housing Transformation

  • U. Berger, T. Pavel (Hg)

    Barcelona Pavillon /Barcelona Pavilion: Mies van der Rohe…

  • Thomas Düllo, Holger Schulze, Florian…

    Was erzählt Pop?

  • D. Bartetzko, K. Berkemann (Hg)

    märklinMODERNE: Vom Bau zum Bausatz und zurück

  • Niekolaas Johannes Lekkerkerk

    The Standard Book of Noun-Verb Exhibition

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    The Largest Art. A Measured Manifesto for a Plural Urbanism

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    Wars and Capital

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    The Social (Re)Production of Architecture. Politics, Values…

  • Flavien Menu

    New Commons for Europe

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    Automatic Architecture: Motivating Form After Modernism

  • Omar Kholeif

    Goodbye, World! Looking at Art in the Digital Age

  • Merlin Carpenter

    The Outside can´t go Outside

  • Pedro Gadanho (Ed.)

    Eco-Visionaries: Art, Architecture, and New Media after the…

  • Steven Shaviro

    Die Pinocchio Theorie

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    From Palaces to Pre-fabs: Pioneering Women Interior…

  • Bruno Giuliana

    Atlas of Emotion: Journeys in Art, Architecture, and Film

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    Unbuilding Walls: Vom Todesstreifen zum freien Raum/From…

  • Tom Dyckhoff

    The Age of Spectacle: The Rise and Fall of Iconic…

  • Isabelle Graw

    The Love of Painting: Genealogy of a Success Medium

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    European Art Book Fairs on the Shelf

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    Marcel Breuer: Building Global Institutions

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    When Artists Curate. Contemporary Art and the Exhibition as…

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    Made of Beton

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    Fahr Rad!: Die Rückeroberung der Stadt

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    Conversations with Film-Makers. Movie Journal Columns 1961…

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    Bibliotheksbauten

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    Die Musik der Zukunft

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    Unruhig bleiben. Die Verwandtschaft der Arten im Chthuluzän

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    Feminist Spaces: Gender and Geography in a Global Context

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    Marmor und Asphalt. Soziale Oberflächen im Berlin des 20.…

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    A Book About Colab (and Related Activities)

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    The Adventure

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    Ausstellen des Ausstellens: Von der Wunderkammer zur…

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    Night Fever. Design und Clubkultur 1960 – heute

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    All Gates Open: The Biography of Can

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    Grounds for Possible Music

Broken Music: Artists' Recordworks

Broken Music is an essential guide and discography for recordings and audio works by visual artists, originally published in 1989 and edited by Ursula Block (founder of Gelbe Musik in Berlin) and Michael Glasmeier. Records chosen for the publication revolved around four criteria: record covers created as original work by visual artists; record or sound producing objects (sculptures); books and publications that contain a record or recorded media object; and records or recorded media that have sound by visual artists. Hundreds of works are documented by artists such as Vito Acconci, albrecht d., Joseph Beuys, Laurie Anderson, Guillaume Apollinaire, Karel Appel, Antonin Artaud, John Baldessari, Hugo Ball, Harry Bertoia, William S. Burroughs, John Cage, Henri Chopin, Henning Christiansen, William Copley, Philip Corner, Merce Cunningham, Hanne Darboven, Jim Dine, Jean Dubuffet, Marcel Duchamp, Fischli/Weiss, R. Buckminster Fuller, Allen Ginsberg, Philip Glass, Jack Goldstein, Hans Haacke, Richard Hamilton, Bernard Heidsieck, Isidore Isou, Marcel Janco, Allan Kaprow, Martin Kippenberger, Milan Knízák, Christina Kubisch, Laibach, John Lennon, Hermann Nitsch, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Nam June Paik, Tom Philips, Robert Rauschenberg, The Red Crayola, Jim Rosenquist, Dieter Roth, Gerhard Rühm, Conrad Schnitzler, Kurt Schwitters, selten gehörte Musik, Richard Serra, Robert Smithson, Michael Snow, Jean Tinguely, Yoshi Wada, William Wegman and Lawrence Weiner, among others.
Boomkat Product Review:
‘Broken Music’ is a holy grail avant-garde music publication, a compendium of recordings, record-objects, artwork for records, and record installations created by thousands of visual artists between WWII and 1989. Unavailable since the original, sought-after 1989 edition, it features essays by its compilers Ursula Block and Michael Glasmeier, as well as Theodor W. Adorno, Milan Knížák and Laszlo Moholy-Nagy. Did we mention the bonus flexidsic? Aye, this one’s very special.
Published in 1989 by Ursula Block, wife of curator René Block and proprietor of the legendary Gelbe Musik record store in Berlin (sadly not there any more, to save you a wild goose chase), ‘Broken Music’ is inarguably an essential guide and discography for recordings and audio works by visual artists of the 20th C. Through essays, texts, and photos, it breaks down the history of visual artists working with sound into four fascinating criteria of study: record covers created as original work by visual artists; record or sound producing objects (sculptures); books and publications that contain a record or recorded media object; and records or recorded media that have sound by visual artists.
As far as we’re aware, this is the only book of its kind, and at the very least, the only one to cover it’s topic in such depth, drawing on a wealth of received information and personal knowledge to comprehensively highlight a peculiar and enduring niche of sound art. Books and lists like these are understandably invaluable to both art historians and record diggers, and this is among the most lucubrate we’ve come across, making connections between the formative, innocent experience of experimenting with records’ physicalities, with Adorno’s riffs on ‘The Form of the Records’, and ‘Media Composition According to Cage’, and looping back to Milan Knížák’s recollection of ‘Broken Music’ in his titular text and bonus 7” flexidisc of his 1989 recordings.
If you’re interested in the following list of artists covered inside, you owe it yourself to check this book: Vito Acconci, albrecht d., Joseph Beuys, Laurie Anderson, Guillaume Apollinaire, Karel Appel, Antonin Artaud, John Baldessari, Hugo Ball, Harry Bertoia, William S. Burroughs, John Cage, Henri Chopin, Henning Christiansen, William Copley, Philip Corner, Merce Cunningham, Hanne Darboven, Jim Dine, Jean Dubuffet, Marcel Duchamp, Fischli/Weiss, R. Buckminster Fuller, Allen Ginsberg, Philip Glass, Jack Goldstein, Hans Haacke, Richard Hamilton, Bernard Heidsieck, Isidore Isou, Marcel Janco, Allan Kaprow, Martin Kippenberger, Milan Knízák, Christina Kubisch, Laibach, John Lennon, Hermann Nitsch, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Nam June Paik, Tom Philips, Robert Rauschenberg, The Red Crayola, Jim Rosenquist, Dieter Roth, Gerhard Rühm, Conrad Schnitzler, Kurt Schwitters, selten gehörte Musik, Richard Serra, Robert Smithson, Michael Snow, Jean Tinguely, Yoshi Wada, William Wegman and Lawrence Weiner, and others.


Ursula Block, Michael Glasmeier
Broken Music: Artists' Recordworks
Primary Information , 2018, 9780991558599
35,00 €