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  • Beatriz Colomina, Mark Wigley

    Are We Human? Notes on an Archaeology of Design

  • Carsten Höller, Rosemarie Trockel

    Maisons / Häuser

  • Richard Shone, John-Paul Stonard (Eds.)

    The Books that Shaped Art History: From Gombrich and…

  • Rafi Segal

    Space Packed: The Architecture of Alfred Neumann

  • Cornelia Escher

    Zukunft entwerfen: Architektonische Konzepte des GEAM (…

  • Elena Filipovic

    The Artist as Curator - An Anthology

  • Patrick Eiden-Offe

    Die Poesie der Klasse: Romantischer Antikapitalismus und…

  • Steffen Mau

    Das metrische Wir: Über die Quantifizierung des Sozialen

  • A+U 407

    Housing in the City - New York, London, Paris

  • A+U 416

    Fashioning Spaces

  • M. Timonen, J. Wikström (Eds.)

    Objects of Feminism. Art Theoretical Writings from the…

  • J.R. Carpenter

    The Gathering Cloud

  • Maurizio Lazzarato (Autor), Stefan…

    Marcel Duchamp und die Verweigerung der Arbeit

  • T. J. Demos

    Against the Anthropocene. Visual Culture and Environment…

  • Meike Schalk, Thérèse Kristiansson,…

    Feminist Futures of Spatial Practice. Materialisms,…

  • KAI 10 | Arthena Foundation, Julia…

    Less is a Bore, Reflections on Memphis

  • Alice Twemlow

    Sifting the Trash. A History of Design Criticism

  • Nikolai Roskamm

    Die unbesetzte Stadt: Postfundamentalistisches Denken und…

  • Maya Vinitsky (Ed.)

    3.5 Square Meters: Constructive Responses to Natural…

  • Kenneth Goldsmith

    Uncreative Writing: Sprachmanagement im digitalen Zeitalter

  • M. Tupitsyn, V. Tupitsyn, D. Morris (…

    Anti-Shows. APTART 1982–84.: Exhibition Histories Vol. 8

  • Dominique Perrault

    Groundscapes. Other Topographies

  • Annika Frye

    Design und Improvisation: Produkte, Prozesse und Methoden

  • Stephanie Taylor

    Kong Boos

  • Städttebau-Institut Universität…

    Grüne Infrastruktur – von Grau zu Grün

  • Serge Guilbaut, John O'Brian (Eds.)

    Breathless Days, 1959-1960

  • Smiljan Radic

    Bestiary

  • Kader Attia

    RepaiR

  • Aaron Betsky

    Making it Modern: The History of Modernism in Architecture…

  • Andrew Goodhouse (Ed.)

    When Is the Digital in Architecture?

  • Adam Greenfield

    Radical Technologies. The Design of Everyday Life

  • Mark Crinson

    Rebuilding Babel. Modern Architecture and Internationalsim

  • AbdouMaliq Simone, Edgar Pieterse

    New Urban Worlds. Inhabiting Dissonant Times

  • Kersten Geers, David Van Severen, Joris…

    OFFICE Kersten Geers David Van Severen — Volumes 1, 2…

  • Mateo Kries, Andreas Ruby, Ilka Ruby (…

    Together! Die Neue Architektur der Gemeinschaft

  • Bruno Latour

    Kampf um Gaia: Acht Vorträge über das neue Klimaregime

  • Alice Grahame, Taran Wilkhu

    Walters Way and Segal Close: The Architect Walter Segal and…

  • Isabelle Stengers

    In Catastrophic Times. Resisting the Coming Barbarism

  • Wim Nijenhuis

    The Riddle of the Real City or the Dark Knowledge of…

  • Svetlana Boym

    The Off-Modern

  • Franco 'Bifo' Berardi

    Futurability. The Age of Impotence and the Horizon of…

  • Aurin, Thomas Hegemann, Carl Witt,…

    Volksbühne am Rosa-Luxemburg-Platz 1992-2017

  • Iñaki Ábalos

    The good life: A guided visit to the houses of modernity

  • Stephen J. Phillips

    Elastic Architecture: Frederick Kiesler and Design Research…

  • Marie-Luise Angerer

    Affektökologie. Intensive Milieus und zufällige Begegnungen

  • Harmony Korine

    Devils and Babies

  • Vanessa Weber

    Everyday Urban Design 2. Überqueren, Unterqueren,…

  • Sebastian Bührig

    Everyday Urban Design 1. Wohnen an der Kotti D'Azur

  • R. Bittner, A. Reese, K. Szymczak

    Desk in Exile. A Bauhaus Object Traversing Different…

  • McKenzie Wark

    General Intellects. Twenty-Five Thinkers for the Twenty-…

  • Noah Regenass, Markus Ritter (Hg.)

    Lucius Burckhardt. Landschaftstheoretische Aquarelle und…

  • Cosey Fanni Tutti

    Art Sex Music

  • Albena Yaneva

    Five Ways to Make Architecture Political. An Introduction…

  • Parasite 2.0

    Primitive Future Office

  • Anke Fesel, Chris Keller (Hg.)

    Berlin Heartbeats: Stories from the wild years, 1990–…

  • Drei Farben House

    Fluency Fabrics

  • Vrachliotis, Kleinmanns, Kunz, Kurz (Hg…

    Frei Otto. Denken in Modellen

  • Christopher Long

    Adolf Loos on Trial

  • Brillembourg, Kalagas, Klumpner,…

    Reactivate Athens

  • Etienne Turpin, Anna-Sophie Springer (…

    The Word for World is Still Forest

  • S. Mohebbi, R. Estevez (Hg)

    Hotel Theory Reader

  • U. Kleefisch-Jobst, P. Köddermann, K.…

    Alle wollen wohnen: Gerecht. Sozial. Bezahlbar

  • Moyra Davey

    Les Goddesses/Hemlock Forest

  • Alain Badiou

    The True Life

  • A. Stech, S. Fuls, R. Klanten (Hg)

    Inside Utopia: Visionary Interiors and Futuristic Homes

  • Hannah Black, Juliana Huxtable

    Life. A Novel

  • Robert Barry

    The Music of the Future

  • Clare Lyster

    Learning from Logistics. How Networks Change our Cities

  • Aaron Betsky

    Architecture Matters

  • Sönke Gau

    Institutionskritik als Methode. Hegemonie und Kritik im…

  • David A. Hanks, Friedrich Meschede (Hg.)

    Partners in Design: Alfred H. Barr Jr. und Philip Johnson.…

  • Alain Badiou/Pierre Bourdieu/Judith…

    Was ist ein Volk?

  • Annette Michelson

    On the Eve of the Future. Selected Writings on Film

  • James Voorhies

    Beyond Objecthood. The Exhibition as a Critical Form since…

  • Alexander Vasudevan

    The Autonomous City: A History of Urban Squatting

  • Kris Paulsen

    Here/There. Telepresence, Touch, and Art at the Interface

  • Gerd de Bruyn

    Theorie der modernen Architektur. Programmatische Texte

  • Sven Lütticken

    Cultural Revolution: Aesthetic Practice after Autonomy

  • Martin Herbert

    Tell Them I Said No

  • Deutscher Werkbund (Hg.)

    Taut baut: Geschichten zur Architektur von Max Taut

  • Maria Hlavajova, Simon Sheikh (Eds.)

    Former West: Art and the Contemporary after 1989

  • Jane Rendell

    The Architecture of Psychoanalysis. Spaces of Transition

  • Sissi Tax

    the looks, not the books (allaphbed '19)

  • Arnt Cobbers

    Breuer

  • Mercedes Bunz, Birgit M. Kaiser,…

    Symptoms of the Planetary Condition: A Critical Vocabulary

  • Sarah Burkhalter, Laurence Schmidlin (…

    Spacescapes Dance & Drawing

  • Marcus Verhagen

    Flows and Counterflows. Globalisation in Contemporary Art

  • Andreas & Ilka Ruby

    Infrastructure Space

  • Charlotte Ashby

    Modernism in Scandinavia: Art, Architecture and Design

  • Kim Feser, Matthias Pasdzierny (Hg.)

    Techno Studies. Ästhetik und Geschichte elektronischer…

  • Alessandro Biamonti

    Archiflop. Gescheiterte Visionen. Die spektakulärsten…

  • Berliner Hefte zu Geschichte und…

    Marx-Engels-Forum - Ja!

  • Yvonne P. Doderer

    Glänzende Städte. Geschlechter- und andere Verhältnisse in…

  • Europan 13

    The Adaptable City 2: Ergebnisse /Results

  • Erik Kessels

    Fast Pefrekt. Die Kunst, hemmungslos zu scheitern. Wie aus…

  • C. Perren, S. B. Lovett (Eds.)

    Expanded Architecture. Temporal Spatial Practices

  • M. Holm, K. Kjeldsen, M. Kallehauge (…

    Wang Shu. Amateur Architecture Studio

  • Irene Albers, Anselm Franke (Hg.)

    Nach dem Animismus

Broken Music: Artists' Recordworks

Broken Music is an essential guide and discography for recordings and audio works by visual artists, originally published in 1989 and edited by Ursula Block (founder of Gelbe Musik in Berlin) and Michael Glasmeier. Records chosen for the publication revolved around four criteria: record covers created as original work by visual artists; record or sound producing objects (sculptures); books and publications that contain a record or recorded media object; and records or recorded media that have sound by visual artists. Hundreds of works are documented by artists such as Vito Acconci, albrecht d., Joseph Beuys, Laurie Anderson, Guillaume Apollinaire, Karel Appel, Antonin Artaud, John Baldessari, Hugo Ball, Harry Bertoia, William S. Burroughs, John Cage, Henri Chopin, Henning Christiansen, William Copley, Philip Corner, Merce Cunningham, Hanne Darboven, Jim Dine, Jean Dubuffet, Marcel Duchamp, Fischli/Weiss, R. Buckminster Fuller, Allen Ginsberg, Philip Glass, Jack Goldstein, Hans Haacke, Richard Hamilton, Bernard Heidsieck, Isidore Isou, Marcel Janco, Allan Kaprow, Martin Kippenberger, Milan Knízák, Christina Kubisch, Laibach, John Lennon, Hermann Nitsch, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Nam June Paik, Tom Philips, Robert Rauschenberg, The Red Crayola, Jim Rosenquist, Dieter Roth, Gerhard Rühm, Conrad Schnitzler, Kurt Schwitters, selten gehörte Musik, Richard Serra, Robert Smithson, Michael Snow, Jean Tinguely, Yoshi Wada, William Wegman and Lawrence Weiner, among others.
Boomkat Product Review:
‘Broken Music’ is a holy grail avant-garde music publication, a compendium of recordings, record-objects, artwork for records, and record installations created by thousands of visual artists between WWII and 1989. Unavailable since the original, sought-after 1989 edition, it features essays by its compilers Ursula Block and Michael Glasmeier, as well as Theodor W. Adorno, Milan Knížák and Laszlo Moholy-Nagy. Did we mention the bonus flexidsic? Aye, this one’s very special.
Published in 1989 by Ursula Block, wife of curator René Block and proprietor of the legendary Gelbe Musik record store in Berlin (sadly not there any more, to save you a wild goose chase), ‘Broken Music’ is inarguably an essential guide and discography for recordings and audio works by visual artists of the 20th C. Through essays, texts, and photos, it breaks down the history of visual artists working with sound into four fascinating criteria of study: record covers created as original work by visual artists; record or sound producing objects (sculptures); books and publications that contain a record or recorded media object; and records or recorded media that have sound by visual artists.
As far as we’re aware, this is the only book of its kind, and at the very least, the only one to cover it’s topic in such depth, drawing on a wealth of received information and personal knowledge to comprehensively highlight a peculiar and enduring niche of sound art. Books and lists like these are understandably invaluable to both art historians and record diggers, and this is among the most lucubrate we’ve come across, making connections between the formative, innocent experience of experimenting with records’ physicalities, with Adorno’s riffs on ‘The Form of the Records’, and ‘Media Composition According to Cage’, and looping back to Milan Knížák’s recollection of ‘Broken Music’ in his titular text and bonus 7” flexidisc of his 1989 recordings.
If you’re interested in the following list of artists covered inside, you owe it yourself to check this book: Vito Acconci, albrecht d., Joseph Beuys, Laurie Anderson, Guillaume Apollinaire, Karel Appel, Antonin Artaud, John Baldessari, Hugo Ball, Harry Bertoia, William S. Burroughs, John Cage, Henri Chopin, Henning Christiansen, William Copley, Philip Corner, Merce Cunningham, Hanne Darboven, Jim Dine, Jean Dubuffet, Marcel Duchamp, Fischli/Weiss, R. Buckminster Fuller, Allen Ginsberg, Philip Glass, Jack Goldstein, Hans Haacke, Richard Hamilton, Bernard Heidsieck, Isidore Isou, Marcel Janco, Allan Kaprow, Martin Kippenberger, Milan Knízák, Christina Kubisch, Laibach, John Lennon, Hermann Nitsch, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Nam June Paik, Tom Philips, Robert Rauschenberg, The Red Crayola, Jim Rosenquist, Dieter Roth, Gerhard Rühm, Conrad Schnitzler, Kurt Schwitters, selten gehörte Musik, Richard Serra, Robert Smithson, Michael Snow, Jean Tinguely, Yoshi Wada, William Wegman and Lawrence Weiner, and others.


Ursula Block, Michael Glasmeier
Broken Music: Artists' Recordworks
Primary Information , 2018, 9780991558599
35,00 €