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    Essential Eames. Words & Pictures

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    Massive, Expressive, Sculptural: Brutalism Now and Then

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    Duty Free Art: Art in the Age of Planetary Civil War

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    The Death of Graffiti

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    Making Design Theory

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    How to make yourself a Feminist Design Power Tool

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    Floor Plan Manual. Non-profit Housing.

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    Architekturen des Gebrauchs. Die Moderne beider deutscher…

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    The Re'Search (Re'Search Wait'S) (Merge)

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    Four Walls and a Roof: The Complex Nature of a Simple…

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    Serpentine Pavilion 2017

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    Black: Architecture in Monochrome

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    Size Matters! (De)Growth of the 21st Century Art Museum

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    Invisible Modern Architecture. Office for Territorial…

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    How Institutions Think. Between Contemporary Art and…

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    Live Wires: A History of Electronic Music

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    Die neuen Munizipalismen: Soziale Bewegung und die…

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    Architecture Is All Over

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    Holidays in Soviet Sanatoriums

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    IDEA 379. The Works of Suzuki Hitoshi, Book Designer

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    Gemeingut Stadt

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    Embodied Energy and Design: Making Architecture between…

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    Ethics of the Urban: The City and the Spaces of the…

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    Kultur & Kritik (Jg. 6, 2/2017)

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    Raster Beton - Vom Leben in Großwohnsiedlungen zwischen…

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    Wright's Writings: Reflections on Culture and Politics…

  • Rachel Adams

    Wanderlust: Actions, Traces, Journeys 1967-2017

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    Bruno Taut. Architekturlehre / Architekturüberlegungen

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    Habitat: Regionale Bauweisen und globale Klimazonen

  • Reinhold Tobey

    Partizipation und Profession

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    Museum of Capitalism

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    Kunst und Revolution

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    Archifutures Vol. 3: The Site. A field guide to the future…

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    Archifutures Vol. 2: The Studio. A field guide to the…

  • Kunstverein München

    Door Between Either And Or

  • Christopher Herwig

    Soviet Bus Stops Volume II

  • Olivier Meystre

    Pictures of the Floating Microcosm: New Representations of…

  • metroZones

    Schoolbook. metroZones - Schule für städtisches Handeln

  • Sam Thorne

    School: A Recent History of Self-Organized Art Education

  • Johanna Diehl, Niklas Maak

    Eurotopians. Fragmente einer anderen Zukunft

  • Claudia Honecker, Sabine Pflitsch

    Jedes Tier ist einzigartig

  • Christopher Wilk

    Plywood. A Material Story

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    General Ecology: The New Ecological Paradigm

  • Mandla Reuter

    No Such St

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    Das Seltsame und Gespenstische

  • Allan Sekula

    OKEANOS

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    Like a Woman: Essays, Readings, Poems

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    Die Stadt und die Architektur des Wandels. Die radikalen…

  • Simon Phipps

    Finding Brutalism. Eine fotografische Bestandsaufnahme…

  • Francesca Granata

    Experimental Fashion. Performance Art, Carnival and the…

  • Victor Margolin

    World History of Design Volume 2

  • Victor Margolin

    World History of Design Volume 1

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    Neuromacht: Kunst im Zeitalter des kognitiven Kapitalismus

  • Stefan Sulzer

    The day my mother touched Robert Ryman

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    CoHousing Inclusive: Selbstorganisiertes,…

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    Autotelic Architect: Changing world, changing practice

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    Eternal Erasure. On Fashion Matters

  • Yaniv Edry

    Tel Aviv-Haifa

  • Atelier Bettina Kraus

    Werkstücke: Making Objects into Houses

  • Jörg Potthast

    Sollen wir mal ein Hochhaus bauen?

  • Ian Shirley

    Turn Up The Strobe: The KLF, The JAMS, The Timelords - A…

  • Beatriz Colomina, Mark Wigley

    Are We Human? Notes on an Archaeology of Design

  • Carsten Höller, Rosemarie Trockel

    Maisons / Häuser

  • Richard Shone, John-Paul Stonard (Eds.)

    The Books that Shaped Art History: From Gombrich and…

  • Rafi Segal

    Space Packed: The Architecture of Alfred Neumann

  • Cornelia Escher

    Zukunft entwerfen: Architektonische Konzepte des GEAM (…

  • Elena Filipovic

    The Artist as Curator - An Anthology

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    Die Poesie der Klasse: Romantischer Antikapitalismus und…

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    Das metrische Wir: Über die Quantifizierung des Sozialen

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    Housing in the City - New York, London, Paris

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    Fashioning Spaces

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    Objects of Feminism. Art Theoretical Writings from the…

  • J.R. Carpenter

    The Gathering Cloud

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    Marcel Duchamp und die Verweigerung der Arbeit

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    Against the Anthropocene. Visual Culture and Environment…

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    Less is a Bore, Reflections on Memphis

  • Alice Twemlow

    Sifting the Trash. A History of Design Criticism

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    Die unbesetzte Stadt: Postfundamentalistisches Denken und…

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    3.5 Square Meters: Constructive Responses to Natural…

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    Uncreative Writing: Sprachmanagement im digitalen Zeitalter

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    Anti-Shows. APTART 1982–84.: Exhibition Histories Vol. 8

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    Groundscapes. Other Topographies

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    Design und Improvisation: Produkte, Prozesse und Methoden

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    Kong Boos

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    Breathless Days, 1959-1960

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    Bestiary

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    RepaiR

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    When Is the Digital in Architecture?

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    Radical Technologies. The Design of Everyday Life

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    Rebuilding Babel. Modern Architecture and Internationalsim

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    New Urban Worlds. Inhabiting Dissonant Times

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    Together! Die Neue Architektur der Gemeinschaft

Broken Music: Artists' Recordworks

Broken Music is an essential guide and discography for recordings and audio works by visual artists, originally published in 1989 and edited by Ursula Block (founder of Gelbe Musik in Berlin) and Michael Glasmeier. Records chosen for the publication revolved around four criteria: record covers created as original work by visual artists; record or sound producing objects (sculptures); books and publications that contain a record or recorded media object; and records or recorded media that have sound by visual artists. Hundreds of works are documented by artists such as Vito Acconci, albrecht d., Joseph Beuys, Laurie Anderson, Guillaume Apollinaire, Karel Appel, Antonin Artaud, John Baldessari, Hugo Ball, Harry Bertoia, William S. Burroughs, John Cage, Henri Chopin, Henning Christiansen, William Copley, Philip Corner, Merce Cunningham, Hanne Darboven, Jim Dine, Jean Dubuffet, Marcel Duchamp, Fischli/Weiss, R. Buckminster Fuller, Allen Ginsberg, Philip Glass, Jack Goldstein, Hans Haacke, Richard Hamilton, Bernard Heidsieck, Isidore Isou, Marcel Janco, Allan Kaprow, Martin Kippenberger, Milan Knízák, Christina Kubisch, Laibach, John Lennon, Hermann Nitsch, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Nam June Paik, Tom Philips, Robert Rauschenberg, The Red Crayola, Jim Rosenquist, Dieter Roth, Gerhard Rühm, Conrad Schnitzler, Kurt Schwitters, selten gehörte Musik, Richard Serra, Robert Smithson, Michael Snow, Jean Tinguely, Yoshi Wada, William Wegman and Lawrence Weiner, among others.
Boomkat Product Review:
‘Broken Music’ is a holy grail avant-garde music publication, a compendium of recordings, record-objects, artwork for records, and record installations created by thousands of visual artists between WWII and 1989. Unavailable since the original, sought-after 1989 edition, it features essays by its compilers Ursula Block and Michael Glasmeier, as well as Theodor W. Adorno, Milan Knížák and Laszlo Moholy-Nagy. Did we mention the bonus flexidsic? Aye, this one’s very special.
Published in 1989 by Ursula Block, wife of curator René Block and proprietor of the legendary Gelbe Musik record store in Berlin (sadly not there any more, to save you a wild goose chase), ‘Broken Music’ is inarguably an essential guide and discography for recordings and audio works by visual artists of the 20th C. Through essays, texts, and photos, it breaks down the history of visual artists working with sound into four fascinating criteria of study: record covers created as original work by visual artists; record or sound producing objects (sculptures); books and publications that contain a record or recorded media object; and records or recorded media that have sound by visual artists.
As far as we’re aware, this is the only book of its kind, and at the very least, the only one to cover it’s topic in such depth, drawing on a wealth of received information and personal knowledge to comprehensively highlight a peculiar and enduring niche of sound art. Books and lists like these are understandably invaluable to both art historians and record diggers, and this is among the most lucubrate we’ve come across, making connections between the formative, innocent experience of experimenting with records’ physicalities, with Adorno’s riffs on ‘The Form of the Records’, and ‘Media Composition According to Cage’, and looping back to Milan Knížák’s recollection of ‘Broken Music’ in his titular text and bonus 7” flexidisc of his 1989 recordings.
If you’re interested in the following list of artists covered inside, you owe it yourself to check this book: Vito Acconci, albrecht d., Joseph Beuys, Laurie Anderson, Guillaume Apollinaire, Karel Appel, Antonin Artaud, John Baldessari, Hugo Ball, Harry Bertoia, William S. Burroughs, John Cage, Henri Chopin, Henning Christiansen, William Copley, Philip Corner, Merce Cunningham, Hanne Darboven, Jim Dine, Jean Dubuffet, Marcel Duchamp, Fischli/Weiss, R. Buckminster Fuller, Allen Ginsberg, Philip Glass, Jack Goldstein, Hans Haacke, Richard Hamilton, Bernard Heidsieck, Isidore Isou, Marcel Janco, Allan Kaprow, Martin Kippenberger, Milan Knízák, Christina Kubisch, Laibach, John Lennon, Hermann Nitsch, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Nam June Paik, Tom Philips, Robert Rauschenberg, The Red Crayola, Jim Rosenquist, Dieter Roth, Gerhard Rühm, Conrad Schnitzler, Kurt Schwitters, selten gehörte Musik, Richard Serra, Robert Smithson, Michael Snow, Jean Tinguely, Yoshi Wada, William Wegman and Lawrence Weiner, and others.


Ursula Block, Michael Glasmeier
Broken Music: Artists' Recordworks
Primary Information , 2018, 9780991558599
35,00 €