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  • Behnaz Farahi, Nail Leach (eds.)

    Interactive Design. Towards a Responsive Environment

  • Natasha Stagg

    Artless. Stories 2019-2023

  • Alison Place (Ed)

    Feminist Designer. On the Personal and the Political in…

  • Slanted

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  • Graeme Thomson & Silvia Maglioni

    b for the birds by Graeme Thomson & Silvia Maglioni

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    The Playground Project

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    Liquifer. Living beyond Earth. Architecture for Extreme…

  • Fabian Hörmann (Ed.)

    The Real Deal. Post-Fossil Construction for Game Changers

  • Elizabeth A. Povinelli

    Geontologien. Requiem auf den Spätliberalismus

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    Aesthetics of Equivalence. Art in Capitalism

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    Specology. Zu einer ästhetischen Forschung

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    Die Welt verändern lernen. Bildung als Praxis der Freiheit

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    Decolonising Design Education

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    The New Designer - Design as a Profession

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    Re:imagine Your City. Rethinking Urban Paradigms

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  • Werner Sobek

    non nobis – über das Bauen in der Zukunft Band 2

  • Félix Guattari

    Schizoanalytische Kartografien

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    Crip Negativity

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    Brutalist Italy. Concrete Architecture from the Alps to the…

  • Carson Chan (ed)

    Emerging Ecologies. Architecture and the Rise of…

  • Kotte, Schulz, Weber, Witt, Brants (Hg.)

    Inklusion gestalten

  • Peter Arlt

    PRAKTISCHES STADT ABC. Lexikon + Übungen

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    Commons in Design

  • Arch+ Zeitschrift für Architektur und…

    Arch+ 253. The Great Repair. Praktiken der Reparatur / A…

  • dérive

    dérive N° 92/93, Urban Commons (Okt-Dez 2023). Zeitschrift…

  • Deborah Enzmann

    Emojisierung. Eine historische und semiotische Studie zu…

  • Nina Möntmann

    Decentring the Museum: Contemporary Art Institutions and…

  • Hans Ibelings

    Modern Architecture: A Planetary Warming History

  • Monique Wittig

    Das straighte Denken

  • Amber Husain

    Meat Love. An Ideology of the Flesh

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    Medium unter Medien. Architektur und die Produktion…

  • Ursula Böckler, Julia Lazarus &…

    Radical Film, Art and Digital Media for Societies in Turmoil

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    Building African Futures. 10 Manifestos for Transformative…

  • Fareed Armaly

    The (re)Orient

  • Valerio Calavetta, Peter Hoffmann

    Sortenrein Bauen - Methode, Material, Konstruktion

  • Umut Yıldırım (ed)

    War-torn Ecologies, An-Archic Fragments. Reflections from…

  • Chang Wen-Hsuan

    Xsport On Paper. Samplings of Publishing Practices from the…

  • Rich Pell

    This is not an Artifact. Selections from the Center of…

  • Armen Avanessian

    Flüchtigkeitsmanagement

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    Ludwig Hilberseimer: Die neue Stadt. Prinzipien der Planung

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    How to Book in Berlin

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    Kedah: A History In Drawings

  • Suffian Shahabuddin

    61X Appeal to Read Between the Sheets

  • Camelia Kusumo, Lee Sze-Ee

    Kaki Lima Stories.

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    Small Practices : In Conversation with Malaysian and…

  • Nazmi Anuar

    Background, Frame, Platform

  • Louis Rogers (Hg)

    Upper Lawn, Solar Pavilion. Alison & Peter Smithson

  • Bojana Kunst

    Das Leben der Kunst. Transversale Linien der Sorge

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    Begehrenswert. Erotisches Kapital und Authentizität als Ware

  • Isabell Otto

    TikTok (Digitale Bildkulturen)

  • Eran Schaerf

    Gesammeltes Deutsch

  • El Croquis 222. David Chipperfield (2015 - 2023) Selected…

  • Tom Holert, Doreen Mende (Hg)

    Navigation Beyond Vision. e-flux journal

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    Rubber Boots Methods for the Anthropocene: Doing Fieldwork…

  • Antonio Castore, Federico Dal Bo (eds.)

    Untying the Mother Tongue

  • Carsten Lisecki

    Carsten Lisecki. Urbane Handlungsspielräume

  • Elizabeth Duval

    Nach Trans. Sex, Gender und die Linke

  • Lydia Zinovieva-Annibal

    Thirty-Three Monsters

  • Oliver Elser, Anna-Maria Mayerhofer,…

    Protestarchitektur. Barrikaden, Camps, raumgreifende…

  • Laura Gardner, Daphne Mohajer va…

    Radical Fashion Exercises. A Workbook of Modes and Methods

  • IDEA Magazine

    IDEA 403. Typeface design for the voice of the world: The…

  • Lorenzo De Chiffre, Benni Eder, Theresa…

    Hollein Calling. Architectural Dialogues

  • Masure, Anthony

    Manifestes 5. Artificial Design: Creation Versus Machine…

  • Ahmed Abdullah

    A Strange Celestial Road: My Time in the Sun Ra Arkestra

  • Mike Laufenberg, Ben Trott (Hg)

    Queer Studies. Schlüsseltexte

  • Josef Albers (Autor), Heinz Liesbrock (…

    Josef Albers. Interaction of Color. Grundlegung einer…

  • Paperside Editorial Culture

    Bookshop Guide. Independent Publishing Culture Spots

  • Sven Lütticken

    Objections. Forms of Abstraction, Volume 1

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    Technopolitiken der Sorge

  • Jean-Louis Cohen

    Building a new New World. Amerikanizm in Russian…

  • Gerda Breuer

    HerStories in Graphic Design

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    Das Kranke(n)haus. Wie Architektur heilen hilft

  • Marc Bonner

    Offene-Welt-Strukturen. Architektur, Stadt- und…

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    The Walker. Die Stadt, die Moderne und ihre Fußgänger

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  • Dynamische Akustische Forschung

    Walking in Cinematic Close-Ups

  • Alec Leach

    The World Is On Fire But We’re Still Buying Shoes

  • Eckhardt Ribbeck

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  • Dorothee Richter

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  • Ciarán Finlayson

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  • Graphicabulary - MAKERMAKER

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  • Bas Hendrikx (Ed.)

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Broken Music: Artists' Recordworks

Broken Music is an essential guide and discography for recordings and audio works by visual artists, originally published in 1989 and edited by Ursula Block (founder of Gelbe Musik in Berlin) and Michael Glasmeier. Records chosen for the publication revolved around four criteria: record covers created as original work by visual artists; record or sound producing objects (sculptures); books and publications that contain a record or recorded media object; and records or recorded media that have sound by visual artists. Hundreds of works are documented by artists such as Vito Acconci, albrecht d., Joseph Beuys, Laurie Anderson, Guillaume Apollinaire, Karel Appel, Antonin Artaud, John Baldessari, Hugo Ball, Harry Bertoia, William S. Burroughs, John Cage, Henri Chopin, Henning Christiansen, William Copley, Philip Corner, Merce Cunningham, Hanne Darboven, Jim Dine, Jean Dubuffet, Marcel Duchamp, Fischli/Weiss, R. Buckminster Fuller, Allen Ginsberg, Philip Glass, Jack Goldstein, Hans Haacke, Richard Hamilton, Bernard Heidsieck, Isidore Isou, Marcel Janco, Allan Kaprow, Martin Kippenberger, Milan Knízák, Christina Kubisch, Laibach, John Lennon, Hermann Nitsch, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Nam June Paik, Tom Philips, Robert Rauschenberg, The Red Crayola, Jim Rosenquist, Dieter Roth, Gerhard Rühm, Conrad Schnitzler, Kurt Schwitters, selten gehörte Musik, Richard Serra, Robert Smithson, Michael Snow, Jean Tinguely, Yoshi Wada, William Wegman and Lawrence Weiner, among others.
Boomkat Product Review:
‘Broken Music’ is a holy grail avant-garde music publication, a compendium of recordings, record-objects, artwork for records, and record installations created by thousands of visual artists between WWII and 1989. Unavailable since the original, sought-after 1989 edition, it features essays by its compilers Ursula Block and Michael Glasmeier, as well as Theodor W. Adorno, Milan Knížák and Laszlo Moholy-Nagy. Did we mention the bonus flexidsic? Aye, this one’s very special.
Published in 1989 by Ursula Block, wife of curator René Block and proprietor of the legendary Gelbe Musik record store in Berlin (sadly not there any more, to save you a wild goose chase), ‘Broken Music’ is inarguably an essential guide and discography for recordings and audio works by visual artists of the 20th C. Through essays, texts, and photos, it breaks down the history of visual artists working with sound into four fascinating criteria of study: record covers created as original work by visual artists; record or sound producing objects (sculptures); books and publications that contain a record or recorded media object; and records or recorded media that have sound by visual artists.
As far as we’re aware, this is the only book of its kind, and at the very least, the only one to cover it’s topic in such depth, drawing on a wealth of received information and personal knowledge to comprehensively highlight a peculiar and enduring niche of sound art. Books and lists like these are understandably invaluable to both art historians and record diggers, and this is among the most lucubrate we’ve come across, making connections between the formative, innocent experience of experimenting with records’ physicalities, with Adorno’s riffs on ‘The Form of the Records’, and ‘Media Composition According to Cage’, and looping back to Milan Knížák’s recollection of ‘Broken Music’ in his titular text and bonus 7” flexidisc of his 1989 recordings.
If you’re interested in the following list of artists covered inside, you owe it yourself to check this book: Vito Acconci, albrecht d., Joseph Beuys, Laurie Anderson, Guillaume Apollinaire, Karel Appel, Antonin Artaud, John Baldessari, Hugo Ball, Harry Bertoia, William S. Burroughs, John Cage, Henri Chopin, Henning Christiansen, William Copley, Philip Corner, Merce Cunningham, Hanne Darboven, Jim Dine, Jean Dubuffet, Marcel Duchamp, Fischli/Weiss, R. Buckminster Fuller, Allen Ginsberg, Philip Glass, Jack Goldstein, Hans Haacke, Richard Hamilton, Bernard Heidsieck, Isidore Isou, Marcel Janco, Allan Kaprow, Martin Kippenberger, Milan Knízák, Christina Kubisch, Laibach, John Lennon, Hermann Nitsch, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Nam June Paik, Tom Philips, Robert Rauschenberg, The Red Crayola, Jim Rosenquist, Dieter Roth, Gerhard Rühm, Conrad Schnitzler, Kurt Schwitters, selten gehörte Musik, Richard Serra, Robert Smithson, Michael Snow, Jean Tinguely, Yoshi Wada, William Wegman and Lawrence Weiner, and others.


Ursula Block, Michael Glasmeier
Broken Music: Artists' Recordworks
Primary Information , 2018, 9780991558599
35,00 €