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  • Sophie Wolfrum

    Porous City: From Metaphor to Urban Agenda

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    Raumproduktionen II. Theoretische Kontroversen und…

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    Open Architecture: Migration, Citizenship and the Urban…

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    This is Not Fashion: Streetwear Past, Present and Future

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    Planetary Echoes. Exploring the Implications of Human…

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    IDEA 381. Transboundary Design. Perspective of Yoshihisa…

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    Economic Science Fictions

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    How to Love Brutalism

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    Image Factories: Infographics 1920-1945. Fritz Kahn, Otto…

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    On Accident. Episodes in Architecture and Landscape

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    Das Design Thinking Playbook: Mit traditionellen, aktuellen…

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    The History of Animals. An Essay On Negativity, Immanence…

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    The Expulsion of the Other: Society, Perception and…

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    Sleeping by the Mississippi

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    Russian Cosmism

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    Liquidation World: On the Art of Living Absently

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    Generative Gestaltung: Creative Coding im Web Entwerfen,…

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    Necessarily Eurometropolitan

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    The New Analog: Listening and Reconnecting in a Digital…

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    Sonic Agency. Sound and Emergent Forms of Resistance

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    Filmfunke. 50 Jahre DFFB / Film Sparks. 50 Years of DFFB

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    Modernism as Memory: Building Identity in the Federal…

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    Transtopia: Wie wir städtische Transformation gestalten

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    From Harmony to Chaos - Le Corbusier, Varese, Xenakis. and…

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    Complex Buildings. Generators, Linkers, Mixers &…

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    Complex Buildings. Dwelling Mixers

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    Harald Szeemann. Museum der Obsessionen

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    Black and Blur (Consent Not to Be a Single Being)

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    The Sonic Persona. An Anthropology of Sound

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    Renzo Piano Before Renzo Piano

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    Social Medium: Artists Writing, 2000 - 2015

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    Reader 2: Overcoming the Hype

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    Max Bill: ohne Anfang, ohne Ende. No Beginning, No End

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    Sergei Eisenstein and the Anthropology of Rhythm

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    Gärten der Kooperation / Gardens of Cooperation

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    Into the Great Wide Open

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    Architectural Intelligence

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    Spandex Studies

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    Notes on Space. Monumental Painting in Estonia 1947-2012

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    Mobile Cinema

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    Uncut Funk. A Contemplative Dialogue

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    Design Ecology Politics. Towards the Ecocene

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    Jean Prouvé. Architect for Better Days

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    Affect Me. Social Media Images in Art

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    Studium, nicht Kritik

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    Brave New World. Romanian Migrants Dream' Houses

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    Sundry Modernism . Materials for a Study of Palestinian…

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    Revisiting Postmodernism

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    Beyond the New on the Agency of Things

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    Ökologien der Sorge

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    Keep Walking Intently. The Ambulatory Art of the…

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    Disko 27. Retrospektiv Bauen in Berlin

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    The Postconceptual Condition

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    Sur les pavés la pub

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    In the Flow

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    Photography Against the Grain: Essays and Photo Works, 1973…

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    Craft-Based Design: Von Handwerkern und Gestaltern

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    Entkunstung I

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    Ich hatte keinen Ort: Tagebücher 1944-1955

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    Stoffwechsel. Materialverwandlung in der Architektur

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    Navigating Noise

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Style and Epoch. Issues in Modern Architecture

Originally published in Moscow in 1924, Moisei Iakovlevich Ginzburg's book Style and Epoch is considered by many to be the single most important piece of writing on architecture to come out of Russia in this century.
Preface by Kenneth Frampton
Moisei Iakovlevich Ginzburg, one of the founders and chief spokesmen of the Constructivist movement in Soviet architecture, combined the talents of scholar, theoretician, writer, and practicing architect. Originally published in Moscow in 1924, his book Style and Epoch is considered by many to be the single most important piece of writing on architecture to come out of Russia in this century. It elucidates the aims and ideals of a Constructivist architecture, providing what is essentially an official manifesto of the Constructivist program and becoming the cornerstone of virtually all of the Constructivist writings that followed. Its translation makes available to English readers one of the seminal works of modern architectural theory. Style and Epoch has often been compared to Le Corbusier's Vers Une Architecture (published the year before Ginzburg's book) as a classic of early twentieth-century architectural thought.
In it, Ginzburg expresses admiration for the products of engineering and machine technology and voices dismay at the failure to apply the means of that technology to improving architecture. By virtue of his unusually broad education; Ginzburg was able to draw upon elements of Western architecture and literature in such a way as to connect the Russian avant-garde with the simultaneously evolving network of progressive European movements. The result is a cogent analysis of architectural composition from antiquity to modern times in which Ginzburg attempts to plot those universal laws that determine any work of architecture, and proposes a systematic design method that is both rational and humane. An Oppositions Book.
Moisei Ginzburg was an architect, theorist, teacher, and a leader of the Constructivist group in Soviet avant-garde architecture. Born in Minsk in 1896 into an architect's family, he went abroad to Italy and France for his architectural training. He settled in Moscow, where he taught architectural history and theory at the Moscow High Technical School and in the architecture faculty at the Vkhutemas Art School. An influential young pedagogue, Ginzburg published discerning critiques of modern architecture. His magnum opus, Style and Epoch (1924), emphasized the civilizing role of the machine and its capacity to rationalize new building types consistent with the needs of the working class. Asserting that the revolution had engendered a new constructive phase of architectural development, Ginzburg's treatise was essentially a manifesto of Constructivism as the architectural style of the new Soviet era.


Moisei Ginzburg
Style and Epoch. Issues in Modern Architecture
Fontanka, 2019, 9781906257293