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  • Jörg H. Gleiter, Ludger Schwarte (Hg.)

    Architektur und Philosophie. Grundlagen. Standpunkte.…

  • IGBK (Hg.)

    Dreams of Art Spaces Collected

  • Frances Holliss

    Beyond Live/Work. The Architecture of Home-Based Work

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    Reform! Essays on the Political Economy of Urban Form – Vol…

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    Schleifen. Zur Geschichte und Ästhetik des Loops

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    Governing by Debt

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    Mirrors for Princes

  • Benjamin H. D. Buchloh

    Formalism and Historicity. Models and Methods in Twentieth-…

  • Blaine Brownell, Marc Swackhamer

    Hypernatural. Architecture's New Relationship with…

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    Artist Novels. The Book Lovers Publication

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    Der Aufstand. Über Poesie und Finanzwirtschaft

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    Out of Time, Out of Place. Public Art (Now)

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    Politically Unbecoming. Postsocialist Art against Democracy

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    Urban Living. Strategien für das zukünftige Wohnen

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    Subjects and Objects

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    Turning Inward

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    Oskar Schlemmer. Visionen einer neuen Welt

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    The Age of Earthquakes. A Guide to the Extreme Present

  • Hilde van Gelder (Ed.)

    Allan Sekula. Ship of Fools/The Dockers' Museum

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    Isa Genzken (October Files)

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    Mike Kelley. Educational Complex

  • David Adjaye

    Form, Heft, Material

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    Erschütterung der Welt. Leitfaden für die extreme Gegenwart

  • Bill Dietz

    Bill Dietz. 8 Tutorial Diversions, 2009 - 2014

  • Sigrid Weigel

    Grammatologie der Bilder

  • Joseph Vogl

    Der Souveränitätseffekt

  • Marco Ornella

    9999. An Alternative to One-Way Architecture

  • Manuel Herz (Ed.)

    African Modernism

  • Elisa van Joolen

    Elisa van Joolen. 11"x17" Reader

  • Gregoire Chamayou

    Drone Theory

  • Lisa Smirl

    Spaces of Aid. How Cars, Compounds and Hotels shape…

  • Louise Bourgeois

    I Have Been to Hell and Back

  • Marc-Camille Chaimowicz

    Madame Bovary

  • Philipp Felsch

    Der lange Sommer der Theorie. Geschichte einer Revolte 1960…

  • Luis Carranza, Fernando Lara

    Modern Architecture in Latin America. Art, Technology, and…

  • Adrian George

    The Curator's Handbook. Museums, Commercial Galleries…

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    Not Now! Now! Chronopolitics, Art & Research

  • Anne Waak

    Hartz IV und wir

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    Fantasies of the Library

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    Land & Animal & Nonanimal

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    Art City Lab. Neue Räume für die Kunst

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    The Curatorial. A Philosophy of Curating

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    The Forgotten Pioneer Movement: Guidebook

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    Einrichten und Zonieren. Raumkonzepte, Ausbau, Materialität

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    Das Konkrete und die Architektur

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    Urbanism and Dictatorship. A European Perspective

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    Mechanische Verlebendigung. Ästhetische Erfahrung im Kino

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    State of Insecurity. Government of the Precarious

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    Deja Vu and the End of History

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    Sonia Delaunay. Fashion and Fabrics

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    Siegfried Kracauer. Fotoarchiv

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    Wege der Moderne. Josef Hoffmann, Adolf Loos und die Folgen…

  • Olivia de Oliveira

    Lina Bo Bardi. Built Work. Obra construida

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    Function Follows Strategy. Architects' Strategies from…

  • Orit Halpern

    Beautiful Data

  • Manfred Mohr, Margit Rosen

    Der Algorithmus des Manfred Mohr

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    Weltausstellung

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    Collapse: Philosophical Research and Development: Casino…

  • Gregory J. Markopoulos

    Film as Film. The Collected Writings of Gregory J.…

  • Andrea Büttner

    Immanuel Kant. Kritik der Urteilskraft

  • Andri Gerber

    Metageschichte der Architektur. Ein Lehrbuch für angehende…

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    Kuratieren!

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    The Universe of Things. On Speculative Realism

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    Everything is Connected. Home Collection (Vitra)

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    The Experimenters. Chance and Design at Black Mountain…

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    Startup Berlin Guide

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    How to do things left

  • Honore De Balzac

    The Physiology of the Employee

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    Come Together. The Rise of Cooperative Art and Design

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    Public Collectors

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    Works 2001–2019

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    Translations

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    INAESTHETICS #4 Philosophy!

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    Le Corbusier. Aventures Photographiques

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    Space for Visual Research

  • Gina Glover, Geof Rayner, Jessica Rayner

    The Metabolic Landscape. Perception, Practice and the…

  • Ricardo Flores & Eva Prats

    Thought by Hand. The Architecture of Flores & Prats

  • Sylvain Margaine

    Forbidden Places, Volume 2: Exploring Our Abandoned Heritage

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    On Pleasure Bent

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    Open Form. Space, Interaction, and the Tradition of Oskar…

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    Sigfried Kracauer. Photographic Archive

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    Der entfesselte Blick. The Unfettered Gaze: Die Brüder…

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    Kew. Rhone

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    Building as Ornament

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    Harry Glück: Wohnbauten

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    Museum of the Future

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    Aesthetics of the Flesh

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    The Fabric of Space. Water, Modernity, and the Urban…

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    Women's Work. Is Never Done

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    The Shape of Evidence. Contemporary Art and the Document (…

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    Hirn und Zeit. Die Geschichte eines Experiments 1800 - 1950

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    Curating Research

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    The Happy Fainting of Painting. Ein Reader zur…

  • Thomas Crow

    The Long March Of Pop. Art Music and Design 1930-1995

Style and Epoch. Issues in Modern Architecture

Originally published in Moscow in 1924, Moisei Iakovlevich Ginzburg's book Style and Epoch is considered by many to be the single most important piece of writing on architecture to come out of Russia in this century.
Preface by Kenneth Frampton
Moisei Iakovlevich Ginzburg, one of the founders and chief spokesmen of the Constructivist movement in Soviet architecture, combined the talents of scholar, theoretician, writer, and practicing architect. Originally published in Moscow in 1924, his book Style and Epoch is considered by many to be the single most important piece of writing on architecture to come out of Russia in this century. It elucidates the aims and ideals of a Constructivist architecture, providing what is essentially an official manifesto of the Constructivist program and becoming the cornerstone of virtually all of the Constructivist writings that followed. Its translation makes available to English readers one of the seminal works of modern architectural theory. Style and Epoch has often been compared to Le Corbusier's Vers Une Architecture (published the year before Ginzburg's book) as a classic of early twentieth-century architectural thought.
In it, Ginzburg expresses admiration for the products of engineering and machine technology and voices dismay at the failure to apply the means of that technology to improving architecture. By virtue of his unusually broad education; Ginzburg was able to draw upon elements of Western architecture and literature in such a way as to connect the Russian avant-garde with the simultaneously evolving network of progressive European movements. The result is a cogent analysis of architectural composition from antiquity to modern times in which Ginzburg attempts to plot those universal laws that determine any work of architecture, and proposes a systematic design method that is both rational and humane. An Oppositions Book.
Moisei Ginzburg was an architect, theorist, teacher, and a leader of the Constructivist group in Soviet avant-garde architecture. Born in Minsk in 1896 into an architect's family, he went abroad to Italy and France for his architectural training. He settled in Moscow, where he taught architectural history and theory at the Moscow High Technical School and in the architecture faculty at the Vkhutemas Art School. An influential young pedagogue, Ginzburg published discerning critiques of modern architecture. His magnum opus, Style and Epoch (1924), emphasized the civilizing role of the machine and its capacity to rationalize new building types consistent with the needs of the working class. Asserting that the revolution had engendered a new constructive phase of architectural development, Ginzburg's treatise was essentially a manifesto of Constructivism as the architectural style of the new Soviet era.


Moisei Ginzburg
Style and Epoch. Issues in Modern Architecture
Fontanka, 2019, 9781906257293