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  • Centrum Architektury (Ed.)

    For Example. New Polish House. A Book

  • Alain de Botton, John Armstrong

    Art as Therapy

  • Brian Dillon, Marina Warner

    Curiosity. Art and the Pleasures of Knowing

  • Tod Williams, Billie Tsien

    Wunderkammer

  • John Grindrod

    Concretopia. A Journey Around the Rebuilding of Postwar…

  • Angus Carlyle, Cathy Lane (Eds.)

    On Listening

  • Arindam Dutta (Ed.)

    A Second Modernism. MIT, Architecture, and the 'Techno…

  • Grzegorz Piątek

    AR/PS. The Architecture of Arseniusz Romanowicz and Piotr…

  • Daniel Lopez-Perez

    R. Buckminster Fuller. World Man

  • Michael Asgaard Andersen

    Jorn Utzon. Drawings and Buildings

  • Shaun McNiff (Ed.)

    Art as Research

  • Melissa Gordon, Marina Vishmidt (Eds.)

    Persona Issue 2

  • Jürgen Teipel

    Mehr als laut - DJs erzählen

  • Kenny Cupers (Ed.)

    Use Matters. An Alternative History of Architecture

  • Collection du Frac Centre

    Architectures Experimentales 1950-2012

  • Archilab

    Naturaliser l'architecture. Naturalizing architecture

  • metroZones 13

    Global Prayers. Contemporary Manifestations of the…

  • Beatriz Preciado

    Testo Junkie. Sex, Drugs, and Biopolitics in the…

  • Rajan V. Ritoe (Ed.)

    Future Times Square. Compression vs. Distribution

  • Elmar Kossel

    Hermann Henselmann und die Moderne

  • Rogério Duarte

    Marginália 1

  • Luis Burriel Bielza

    Le Corbusier. La passion des cartes

  • Deorte Kuhlmann, Dorte Kuhlmann

    Gender Studies in Architecture. Space, Power and Difference

  • Cerith Wyn Evans

    The What If?... Scenario (after LG)

  • Wouter Davidts, Guy Châtel, Stefaan…

    Luc Deleu. Orban Space

  • Tiqqun

    Alles ist gescheitert, es lebe der Kommunismus

  • Annie Pedret

    Team 10. An Archival History

  • Ana Jeinić, Anselm Wagner (Eds.)

    Is There (Anti-)Neoliberal Architecture?

  • Studio Manuel Raeder

    The Letter E is Everywhere. La Letra E esta por Doquier.

  • Oliver Marchart

    Das unmögliche Objekt. Eine postfundamentalistische Theorie…

  • Max Hollein, Martina Weinhart (Hg.)

    Brasiliana. Installationen 1960 bis heute. Installations…

  • Bradley L. Garrett

    Explore Everything. Place-Hacking the City

  • Sylvia Lavin, Kimberli Meyer (Eds.)

    Everything Loose Will Land. 1970s Art and Architecture in…

  • Claire Bishop

    Radical Museology or, What's Contemporary in Museums…

  • Douglas Kahn

    Earth Sound Earth Signal

  • Dietmar Offenhuber, Carlo Ratti (Hg.)

    Die Stadt entschlüsseln. Wie Echtzeitdaten den Urbanismus…

  • Robert Kronenburg

    Architecture in Motion. The History and Development of…

  • Kirsty Bell

    The Artist's House. From Workplace to Artwork

  • Charlotte Bundgaard

    Montage Revisited. Rethinking Industrialised Architecture

  • Ralph Rugoff (Ed.)

    The Alternative Guide to the Universe

  • Dietmar Dath, Swantje Karich

    Lichtmächte. Kino – Museum – Galerie – Öffentlichkeit

  • Eve Meltzer

    Systems We Have Loved. Conceptual Art, Affect, and the…

  • Nicholas Alfrey

    Uncommon Ground. Land Art in Britain 1966-1979

  • Margitta Buchert, Laura Kienbaum (Eds.)

    Einfach entwerfen. Simply Design

  • Jeffrey Kipnis

    A Question of Qualities. Essays in Architecture

  • Susanne Lehmann-Reupert

    Von New York lernen. Mit Stuhl, Tisch und Sonnenschirm

  • Petrit Halilaj

    Poisoned by men in need of some love

  • ARGE Schnittpunkt (Hg.)

    Handbuch Ausstellungstheorie und -praxis

  • Riki Kalbe, Wolfgang Kil

    Gelände. Terrain.

  • Jörn Schafaff (Hg.)

    Kunst - Begriffe der Gegenwart. Von Allegorie bis Zip

  • AV 157-158

    Herzog & De Meuron 2005-2013

  • Freek Lomme (Ed.)

    Who Told You so? The Collective Story vs. The Individual…

  • Uta Meta Bauer, Thomas D. Trummer (Eds.)

    AR - Artistic Research

  • Yvonne P. Doderer

    Räume des Politischen. Dimensionen des Städtischen

  • PIN-UP

    PIN-UP Interviews

  • Mark Ledbury (Ed.)

    Fictions of Art History

  • Christopher Dell

    Ware: Wohnen. Politik. Ökonomie. Städtebau

  • Yael Bartana

    Wenn Ihr wollt, ist es kein Traum. If you will it, it is…

  • Gerhard Senft (Hg.)

    Land und Freiheit. Zum Diskurs über das Eigentum von Grund…

  • Nils Ballhausen (Ed.)

    Wo Architekten arbeiten / Where Architects Work

  • Wade Guyton

    Zeichnungen für lange Bilder. Kunsthalle Zürich

  • Bruno Latour

    An Inquiry Into Modes of Existence. An Anthropology of the…

  • David Wagner

    Mauer Park

  • Stefanie Seidl, Wolfgang Farkas, Heiko…

    Nachtleben Berlin.1974 bis heute

  • Saim Demircan (Ed.)

    Simon Denny. All You Need Is Data

  • Julia Czerniak (Ed.)

    Formerly Urban. Projecting Rust Belt Futures

  • Julia Bryan-Wilson (Ed.)

    Robert Morris (October Files)

  • Lisa Lee, Hal Foster (Eds.)

    Critical Laboratory. The Writings of Thomas Hirschhorn

  • Barry Schwabsky

    Words for Art. Criticism, History, Theory, Practice

  • Anthony Iles, Tom Roberts

    All Knees and Elbows of Susceptibility and Refusal. Reading…

  • Irénée Scalbert

    Never Modern

  • Sylvie Estrada (Ed.)

    Bestiary. Inspiring animals by inspired artists

  • Tanya Leighton, Kathrin Meyer (Eds.)

    John Smith

  • Stefan Römer

    The ups and downs of Stan Back

  • Irene Meissner

    Sep Ruf 1908 - 1982. Leben und Werk

  • Jacques Rancière

    Geschichtsbilder. Kino, Kunst, Widerstand

  • Karen van den Berg, Ursula Pasero (Eds.)

    Art Production beyond the Art Market?

  • Jesko Fezer

    Civic City Cahier 6. Design in and Against the Neoliberal…

  • Fabien Danesi, Fabrice Flahutez,…

    La fabrique du cinema de Guy Debord

  • Philipp Meuser (Hg.)

    Architektur für die russische Raumfahrt. Vom…

  • Marius Babias (Hg.)

    Brandlhuber+. Von der Stadt der Teile zur Stadt der…

  • Charlotte Malterre Barthes (Ed.)

    The School, The Book, The Town Logbook – Ethiopia in a…

  • Joshua Johnson (Ed.)

    Dark Trajectories. Politics of the Outside

  • Robert Lippok

    Steady Unsteady

  • Jan Kedves

    Talking Fashion. Von Helmut Lang bis Raf Simons: Gespräche…

  • Leopold Lambert

    Weaponized Architecture. The Impossibility of Innocence

  • Elian Stefa, Gyler Mydyti

    Concrete Mushrooms. Reusing Albania's 750,000…

  • Lynne Tillman (Ed.)

    The Happy Hypocrite – Freedom. Issue 6

  • Deborah Ligorio

    Survival Kits

  • Andres Lepik (Ed.)

    Afritecture. Bauen mit der Gemeinschaft

  • Martin Seel

    Die Künste des Kinos

  • Nina Möntmann (Ed.)

    Scandalous. A Reader on Art and Ethics

  • Valerio Olgiati

    The Images of Architects

  • Anaël Lejeune, Olivier Mignon, Raphaël…

    French Theory and American Art

  • Pierre Frey (Ed.)

    Simon Vélez. Architect Mastering Bamboo. Architecte La…

  • Barbara Vinken

    Angezogen. Das Geheimnis der Mode

  • Heimo Lattner

    A Voice That Once Was In One's Mouth

  • Victor Buchli

    An Anthropology of Architecture

From static oblivion

From static oblivion aims to deepen, starting from Ion Grigorescu's rich production, the reflection about the status of the image as a balance of forces in tension, as form of what is in continuous movement and as a paradoxical act of cancellation of the body through its own representation.
In the work of the Romanian artist, as in the book, the body is continually shown in different ways - from photography to film, from performance to drawing - and yet it remains absent, obscuring its own identity in an attempt to question the collective one. As it is impossible to carry out his performances and show his art during the regime, it ends up hiding, disappearing inside the image. Instead of showing, the image conceals, because it is non-documentary and non-transmittable; nevertheless, it is constitutive and executive, it is an act of birth, a prove of the artist's resistance, especially as a human being inside (or against) any geographical or historical background.
From static oblivion traces, with spiral movements, the progression, both expansive and inclusive, of Grigorescu's work, which, at the end, inscribes itself into the space of the body and into that of the world, in a complete superimposition of micro and macrocosm. Grigorescu absorbs elements of the surrounding reality, showing us a continuity between art and life, an interplay between work and work space: his act of dissidence is not an outcry of provocation, nor is it extreme; it is an anti-aesthetic operation which uses experimentation and rough techniques to uncover the fiction of art and to denounce the artifice of representation.
Grigorescu worked in the secrecy of his studio, defying prohibitions and risking denunciations, thereby showing that art can be a universe which is freer than the world of dreams and which is capable of representing the true space of desire as a critical category and of affirming the image as an instrument of a subversive power.
— Giuliana Prucca
https://p-u-n-c-h.ro/misc/ion-grigorescu-from-static-to-oblivion/


Ion Grigorescu
From static oblivion
Avarie, 2017, 978-2-9541974-2-5
43,00 €