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  • common room, Cornelia Escher

    Negotiating Ungers 2 - The Oberhausen Institute and the…

  • Gülşah Stapel

    Recht auf Erbe in der Migrationsgesellschaft

  • James Bridle

    Die unfassbare Vielfalt des Seins

  • Beatrice Lampariello, Andrea Anselmo,…

    UFO. Unidentified Flying Object for Contemporary…

  • dérive N° 90 (Jan-Mar/2023). Zeitschrift für Stadtforschung

  • Mojca Kumerdej (Ed.)

    New Extractivism

  • Alfie Bown

    Dream Lovers. The Gamification of Relationships

  • Steven Warwick

    Notes on Evil. Steven Warwick

  • Martín Ávila

    Designing for Interdependence. A Poetics of Relating

  • Rosi Braidotti, Emily Jones, Goda…

    More Posthuman Glossary

  • Malcolm Miles

    Art Rebellion. The Aesthetics of Social Transformation

  • Jennifer Kaufmann-Buhler, Victoria…

    Design History Beyond the Canon

  • Laurene Vaughan

    Designing Cultures of Care

  • Deborah Ascher Barnstone

    The Color of Modernism. Paints, Pigments, and the…

  • Craig Martin

    Deviant Design. The Ad Hoc, the Illicit, the Controversial

  • Felix Stalder, Janez Fakin Jansa (eds)

    From Commons to NFTs

  • Marion von Osten, Tyna Fritschy

    Marion von Osten: Knüppel aus dem Sack. Tyna Fritschy: Das…

  • Andreas Butter, Thomas Flierl (Hg.)

    Architekturexport DDR. Zwischen Sansibar und Halensee

  • Sabeth Buchmann, Susanne Leeb, Peter…

    Marion von Osten. In the Making: "In the Desert of…

  • Valerio Olgiati

    Built

  • Junius Frey, Yuk Hui

    Kosmotechnik und Kommunismus

  • Birgit Schneider

    Der Anfang einer neuen Welt. Wie wir den Klimawandel…

  • Dimitra Kondylatou, David Bergé (Eds.)

    Public Health in Crisis. Confined in the Aegean Archipelago

  • Redaktion Protocol

    Protocol 13. Adrenalin

  • Pavillion de Arsenal, Paris

    L'Empreinte de l'habitat / Housing Footprint

  • Nicolas Dorval Bory, Guillaume Ramillien

    Visible, Invisible

  • Michael Chanan

    From Printing to Streaming. Cultural Production under…

  • Erica Borg, Amedeo Policante

    Mutant Ecologies. Manufacturing Life in the Age of Genomic…

  • Deborah Fehlmann, Astrid Staufer (Hg.)

    Wohnen im Einklang. Strategien zum Bauen im Lärm auf…

  • Stephan Trinkaus

    Ökologien des Prekären. Zu einer Theorie des Haltens

  • Edited by Moises Puente. Introduction…

    2G 86. Arquitectura-G

  • Marie-France Rafael

    Passing Images. Kunst in post-digitalen Zeiten

  • Isabell Lorey

    Democracy in the Political Present. A Queer-Feminist Theory

  • Alexandra Schauer

    Mensch ohne Welt. Eine Soziologie spätmoderner…

  • Laura Tripaldi

    Parallel Minds. Discovering the Intelligence of Materials

  • Ashley Dawson

    Aussterben. Eine radikale Geschichte

  • Evi D. Sampanikou, Jan Stasienko (ed.)

    Posthuman Studies Reader. Core Readings on Transhumanism,…

  • Mindy Seu (ed.)

    Cyberfeminism Index

  • Maria Muhle

    Mimetische Milieus. Eine Ästhetik der Reproduktion

  • David Grubbs

    Good night the pleasure was ours.

  • Nicholas Thoburn

    Brutalism as Found. Housing, Form, and Crisis at Robin Hood…

  • Andreas Schätzke

    Verzweigte Moderne. Beiträge zur Architektur des 20.…

  • Kuba Szreder

    The ABC of the projectariat

  • Judith Butler

    What World Is This? A Pandemic Phenomenology

  • Andrew M. Shanken

    The Everyday Life of Memorials

  • Doreen Massey (Eds.: David Featherstone…

    Selected Political Writings

  • Gwendolyn Owens, Philip Ursprung (Eds.)

    Gordon Matta-Clark. An Archival Sourcebook

  • Wolfgang Thöner, Karoline Lemke (Hg.)

    Bauhaus. Sprachrohr der Studierenden. Organ der Kostufra.…

  • Carolin Overhoff Ferreira

    Dekoloniale Kunstgeschichte. Eine methodische Einführung

  • Das Synagogen Projekt. Zum Wiederaufbau von Synagogen in…

  • Ramon Amaro

    The Black Technical Object. On Machine Learning and the…

  • Magdalena Jadwiga Härtelova

    It Is: You Appeared Once. A Story about Potential…

  • Bénédicte Ramade

    Vers un art anthropocène

  • Cache

    Ware Reinheit. Cache 02

  • Brandon Labelle (Hg)

    The Listening Biennial Reader. Vol. 1: Waves of Listening

  • Arch+ Zeitschrift für Architektur und…

    Arch+ 250.The Great Repair. Politiken einer…

  • Judith Siegmund (Hg)

    Handbuch Kunstphilosophie

  • Gleb Albert, Brigitta Bernet, Svenja…

    Im Krieg. Ukraine, Belarus, Russland. Geschichte der…

  • Hermann Funke

    Architekturkritiken 1962-2003. Hermann Funke

  • Stephanie Herold, Harald Engler,…

    Das Kollektiv. Formen und Vorstellungen gemeinschaftlicher…

  • Achille Mbembe, Felwine Sarr (eds)

    To Write the Africa World

  • Angela McRobbie, Daniel Strutt,…

    Fashion as Creative Economy. Micro-Enterprises in London,…

  • Amit Prasad

    Science Studies Meets Colonialism

  • Guillaume Blanc

    The Invention of Green Colonialism

  • IDEA Magazine

    IDEA 400. Graphic Design Recollections & Records:…

  • Nathaniel Marcus

    Breathing Room. A dialogue with Lakuti & Tama Sumo. Ein…

  • Jörg Schröder, Riccarda Cappeller,…

    Circular Design. Towards Regenerative Territories

  • Álvaro Sevilla-Buitrago

    Against the Commons: A Radical History of Urban Planning

  • Donika Luzhnica & Jonas König (ed.)

    Prishtina in 53 Buildings

  • Elena Biserna (Ed)

    Walking from Scores

  • Tsvetelina Hristova, Brett Neilson and…

    Data Farms. Circuits, Labour, Territory

  • Lenka Veselá (Ed.)

    Synthetic Becoming

  • Stavros Stavrides, Penny Travlou (Eds)

    Housing as Commons. Housing Alternatives as Response to the…

  • Christiane Rösinger

    Was jetzt kommt. Christiane Rösinger. Ausgewählte Songtexte

  • Pier Vittorio Aureli, Martino Tattara

    Dogma. Living and Working

  • Baburov, Djumenton, Gutnov, Kharitonova…

    The Ideal Communist City

  • Briana J. Smith

    Free Berlin. Art, Urban Politics, and Everyday Life

  • Hg. Oliver Clemens, Jesko Fezer, Kim…

    An Architektur Archive

  • Andri Gerber, Martin Tschanz (Hg)

    Sprengkraft Raum. Architektur um 1970 von Esther und Rudolf…

  • Christian Dehli, Andrea Grolimund

    Kazuo Shinohara: The Umbrella House Project

  • Boris Groys

    Becoming an Artwork

  • DeForrest Brown, Jr.

    Assembling a Black Counter Culture

  • George Papam, Phevos Kallitsis, David…

    The Beach Machine. Making and Operating the Mediterranean…

  • Yuma Shinohara, Andreas Ruby (Hg.)

    Make Do With Now: New directions in Japanese Architecture

  • Zara Pfeifer

    ICC Berlin. Zara Pfeifer

  • Florian Heilmeyer, Sandra Hofmeister (…

    Berlin. Urbane Architektur und Alltag seit 2009

  • CuratorLab (Ed.)

    Assuming Asymmetries. Conversations on Curating Public Art…

  • Michael Rawson

    The Nature of Tomorrow. A History of the Environmental…

  • András Szántó

    Imagining the Future Museum. 21 Dialogues with Architects

  • Hiuwai Chu, Meagan Down, Nkule Mabaso,…

    CLIMATE. Our Right to Breathe

  • Patricia Ribault

    Design, Gestaltung, Formatività

  • Martina Baum, Markus Vogl (Hg.)

    Täglich. Warum wir Öffentlichkeit, öffentlichen Raum und…

  • Stuart Hyatt, Janneane Blevins &…

    Stations. Listening to the Deep Earth

  • Anne Davidian, Laurent Jeanpierre (Eds.)

    What Makes an Assembly? Stories, Experiments, and Inquiries

  • Ingo Offermanns (Ed.) Dokho Shin &…

    Graphic Design Is (...) Not Innocent: Scrutinizing Visual…

  • Silke Langenberg (Hg.)

    Upgrade: Making Things Better

  • Christiane Sauer, Mareike Stoll, Ebba…

    Architectures of Weaving

  • Wilfried Wang (Hg.)

    On the Duty and Power of Architectural Criticism

Yvonne Rainer. Work 1961-73

Originally published in 1974 by the Nova Scotia College of Art and Design, Yvonne Rainer’s Work 1961-73 documents the artist’s landmark early works at the intersection of dance, performance, and art. The publication provides multifaceted insight into some of the artist’s most celebrated choreographic works, including Terrain (1962), Trio A (1966), Continuous Project-Altered Daily (1970), War (1970), Street Action (1970), and This is the story of a woman who … (1973), among many others.
Assembled ostensibly as a survey, Work 1961-73 features a multitude of documentary forms, including scripts, excerpts from the artist’s notebooks, press reviews, correspondence, photographic documentation, literary excerpts, contextualizing texts by the artist, diagrams, film stills, floor plans, scores, and more. As such, the publication resembles an artist book that generously gives the reader access to Rainer’s modes of working, as well as the social and political context around which the work was made. The publication is also a book of writing, with the artist’s frank, witty, and sometimes humorous prose intimately leading the reader through each work.
As the artist states in the book’s introduction:
I have a longstanding infatuation with language, a not-easily assailed conviction that it, above all else, offers a key to clarity. Not that it can replace experience, but rather holds a mirror to our experience, give us distance when we need it. So here I am, in a sense, trying to ‘replace’ my performances with a book, greedily pushing language to clarify what already was clear in other terms. But, alas, gone. This has seemed one good reason to compile a book ‘out of’ the remains of my performances, letting the language fall where it may. Let it be said simply “She usually makes performances and has also made a book.”
Work 1961-73 is an indispensable publication for anyone interested in the artist and the radical developments in dance and performance in the 1960s.
Yvonne Rainer (b. 1934) is a dancer, choreographer, writer,and filmmaker. She is a co-founding member of the Judson Dance Theater and worked primarily as a dancer and choreographer from the early 1960s through the early 1970s. Her choreographic work is widely recognized for blurring the lines between performers and non-performers, incorporating gestural and pedestrian movements, as well as classical dance steps and theatre. In 1972, Rainer began making films, producing seven experimental features, including Lives of Performers (1972), Privilege (1990), and MURDER and murder (1996). She returned to dance in 2000, producing new works commissioned by the Baryshnikov Dance Foundation, the Performa Biennial, and The Museum of Modern Art. She is the author of several books including Feelings Are Facts: A Life (2006), A Woman Who…: Essays, Interviews, Scripts (1999), and Poems (2012). She is the recipient of a MacArthur Fellowship, two Guggenheim Awards, The Foundation for Contemporary Art’s Merce Cunningham Award, and a USA Grant.


James Hoff (Ed.)
Yvonne Rainer. Work 1961-73
Primary Information, 2020, 9781732098633
39,90 €