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    Filmfunke. 50 Jahre DFFB / Film Sparks. 50 Years of DFFB

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    Judith Hopf. A Reader

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    Spaces of Uncertainty - Berlin revisited: Potenziale…

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    Explorations in Urban Practice. Urban School Ruhr Series.…

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    Modernism as Memory: Building Identity in the Federal…

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    Neuroarchitektur

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    Transtopia: Wie wir städtische Transformation gestalten

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    Immer Ärger mit dem Subjekt. Theoretische und politische…

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    From Harmony to Chaos - Le Corbusier, Varese, Xenakis. and…

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    Complex Buildings. Generators, Linkers, Mixers &…

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    Complex Buildings. Dwelling Mixers

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    Harald Szeemann. Museum der Obsessionen

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    Black and Blur (Consent Not to Be a Single Being)

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    Flying Plaza. Work Journal. The artist practice of Studio…

  • Holger Schulze

    The Sonic Persona. An Anthropology of Sound

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    Experimental Politics: Work, Welfare, and Creativity in the…

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    Small is Necessary. Shared Living on a Shared Planet

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    Renzo Piano Before Renzo Piano

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    Things Don’t Really Exist Until You Give Them a Name:…

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    Social Medium: Artists Writing, 2000 - 2015

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    Radical Utopias - Archizoom, Buti, 9999, Pettena,…

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    Speculative Art Histories. Analysis at the Limits

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    Reader 2: Overcoming the Hype

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    Max Bill: ohne Anfang, ohne Ende. No Beginning, No End

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    Talking Cities. Urban narratives from Dar es Salaam and…

  • M. Rebecchi, E. Vogman

    Sergei Eisenstein and the Anthropology of Rhythm

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    Gärten der Kooperation / Gardens of Cooperation

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    Fugitive Belonging

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    Power/Architecture

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    Into the Great Wide Open

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    Architectural Intelligence

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    Utopia/Dystopia. A Paradigm Shift in Art and Architecture

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    Spandex Studies

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    Notes on Space. Monumental Painting in Estonia 1947-2012

  • Romana Schmalisch

    Mobile Cinema

  • Bell Hooks,‎ Stuart Hall

    Uncut Funk. A Contemplative Dialogue

  • Joanna Boehnert

    Design Ecology Politics. Towards the Ecocene

  • Michael Roy (Ed.)

    Jean Prouvé. Architect for Better Days

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    Affect Me. Social Media Images in Art

  • Lucie Kolb

    Studium, nicht Kritik

  • Raluca Betea, Beate Wild (Hg.)

    Brave New World. Romanian Migrants Dream' Houses

  • Oraib Toukan

    Sundry Modernism . Materials for a Study of Palestinian…

  • Terry Farrell, Adam Nathaniel Furman

    Revisiting Postmodernism

  • Hella Jongerius, Louise Schouwenberg

    Beyond the New on the Agency of Things

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    Ökologien der Sorge

  • Lori Waxman

    Keep Walking Intently. The Ambulatory Art of the…

  • Verena Hartbaum

    Disko 27. Retrospektiv Bauen in Berlin

  • Peter Osborne

    The Postconceptual Condition

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    Terms of Appropriation: Modern Architecture and Global…

  • Anne Magnien

    Sur les pavés la pub

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    Trading Places: Practices of Public Participation in Art…

  • Boris Groys

    In the Flow

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    Photography Against the Grain: Essays and Photo Works, 1973…

  • Stefan Moritsch (Hg)

    Craft-Based Design: Von Handwerkern und Gestaltern

  • F. Duque, M. Mauracher (Eds.)

    Entkunstung I

  • Jonas Mekas

    Ich hatte keinen Ort: Tagebücher 1944-1955

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    Bruno Munari. Total Artist

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    Entgrenzter Formalismus. Verfahren einer antimodernen…

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    Eileen Gray. Intimate Architecture. Une Architecture de l…

  • Issue 0

    Klassensprachen. Written Praxis

  • Witte de With, Defne Ayas, Adam Kleinman

    WdW Review. Arts, Culture, and Journalism in Revolt, Vol. 1…

  • Akos Moravanszky

    Stoffwechsel. Materialverwandlung in der Architektur

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    Navigating Noise

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    Reyner Banham and the Paradoxes of High Tech

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    Notes from Underground: Zines and the Politics of…

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    Traces: Fashion & Migration

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    Die Seitenallee

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    Venets Welcome to the Ideal. (Venets Hotel)

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    WdW Review: Arts, Culture, and Journalism in Revolt, Vol. 1…

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    Skopje. Architektur im Mazedonischen Kontext. Macedonian…

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    E.1027 Maison en bord de mer - House by the sea (E1027)

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    Frau Architekt: Seit mehr als 100 Jahren: Frauen im…

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    L.A. collects L.A.: Latin America in Southern California…

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    Supercommunity. Diabolical Togetherness Beyond Contemporary…

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    Pasolini's Bodies and Places

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    Proxy Politics. Power and Subversion in a Networked Age

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    Die Liebe zur Malerei. Genealogie einer Sonderstellung

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    Das Leben Gebrauchsanweisung

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    Militant

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    Heroes

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    Transmoderne: Eine Kunstgeschichte des Kontakts

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    Öyvind Fahlström. Manipulate the World: Connecting Öyvind…

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    Haustiere. Unsere nahen und doch so fremden Begleiter

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    Die lange Nacht der Metamorphose: Über die Gentrifizierung…

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    Albert Frey and Lina Bo Bardi: A Search for Living…

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    Once We Were Artists

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    The Second Digital Turn: Design Beyond Intelligence

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    Vergessene Schulen. Architekturlehre zwischen Reform und…

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    Mute. Die Geschichte eines Labels: 1978 bis morgen

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    Conatus und Lebensnot. Schlüsselbegriffe der…

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    Radikales Denken. Zur Aktualität Susan Sontags

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    SOS Brutalismus: Eine internationale Bestandsaufnahme

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    The New Tenement: Residences in the Inner City Since 1970

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    School of Missing Studies

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    David Hammons: Bliz-aard Ball Sale

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    SuperDesign: Italian Radical Design 1965-75

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    Post-Modern Buildings in Britain

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    Essential Eames. Words & Pictures

The Projectionists. Eadweard Muybridge and the Future Projections of the Moving Image

Eadweard Muybridge is among the seminal originators of the contemporary world’s visual form, with its concentrated image-sequences of bodies in movement and its ocular obsessions. This book examines an almost unknown dimension of Muybridge’s work, as a moving-image projectionist, who toured Europe’s cities to enthral beyond-capacity audiences with unprecedented projections and who built a moving-image auditorium - long before cinemas were created - in which to project his work at the 1893 Chicago World’s Columbian Exposition. That final invention of Muybridge’s was both an all-engulfing catastrophe and the vital precursor for the following century’s worldwide manias for projection. Based on entirely new research into Muybridge’s travels, audiences, auditoria and projectors, this book explores his initiating role in moving-image projection and also maps Muybridge’s driving inspiration for subsequent artists and filmmakers preoccupied with the volatile entity of projection, from 1890s Berlin to contemporary Japan, via further spectacular World’s Exposition events and cinemas’ overheated projection-boxes.
The book looks closely at the enigmatic figure of the moving-image projectionist, from its origins in Muybridge’s experiments, across glass, celluloid and digital projections, to the contemporary moment. Moving-image projection formed a crucial determinant in the imagining of new corporealities and new urban spaces, through its irrepressible capacity to envision future bodies and cities. The cinema projectionist - a solitary figure of compulsion and restlessness, inhabiting a profession touched with the multiple addictions and deaths of the moving image - was once a pivotal presence for global cinema audiences but is now consigned to near-obsolescence.
The book investigates contemporary urban projections as aberrant manifestations derived from Muybridge’s first conjurations of projection’s power for its spectators. Throughout, the book interrogates the strange figure of the projectionist, embodied first of all by Muybridge himself.
The Projectionists will attract and fascinate all lovers of cinemas, photography and moving-image cultures.


Stephen Barber
The Projectionists. Eadweard Muybridge and the Future Projections of the Moving Image
Diaphanes, 2020, 978-3-0358-0289-4
30,00 €