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  • Matt Mullican

    Editions 1985-2012

  • Daan Paans

    Letters from Utopia

  • Marcus Quent, Eckardt Lindner (Hg.)

    Das Versprechen der Kunst

  • Kerry Brougher

    Damage Control. Art and Destruction Since 1950

  • Armen Avanessian (Hg.)

    Realismus Jetzt: Spekulative Philosophie und Metaphysik für…

  • Marc Angelil, Rainer Hehl (Eds.)

    Minha Casa-nossa Cidade. Innovating Mass Housing In Brazil

  • Olafur Eliasson

    Eine Feier, elf Räume und ein gelber Korridor

  • Archivist

    Three Faces. Archive Chalayan

  • Alistair Hicks

    The Global Art Compass

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    Reziproke Räume. Texte zu Kulturanthropologie und…

  • Jan Verwoert

    COOKIE!

  • Martin Conrads, Franziska Morlok (Ed.)

    War postdigital besser?

  • Stephen Phillips (Ed.)

    L.A. [Ten]. Interviews on Los Angeles Architecture, 1970–…

  • Andrew Hemingway

    The Mysticism of Money

  • Ljiljana Kolešnik (Ed.)

    Socialism and Modernity. Art, Culture, Politics 1950 – 1974

  • Sascha Peters

    Materialrevolution 2. Neue nachhaltige und multifunktionale…

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    Make Shift City. Renegotiating the Urban Commons

  • CTM 2014 Festival Magazine

    Dis Continuity

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    Mapping Everything

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    Artists’ Cocktails

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    Flying Furniture

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    ReNew Marxist Art History

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    Liebe ist kälter als das Kapital. Love is colder than…

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    Berlin. Eine Morphologie der Mauern. A Morphology of Walls

  • Emmett Williams

    An Anthology of Concrete Poetry

  • Michaela Melián / Thomas Meinecke

    IEMANJÁ

  • Junya Ishigami

    How Small? How Vast? How architecture grows

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    The Future of Architecture. What is the future of…

  • Beatriz Colomina

    Manifesto Architecture. The Ghost of Mies

  • Jens Müller (Ed.)

    Rolf Müller

  • Gill Perry

    Playing at Home. The House in Contemporary Art

  • Jennifer A.E. Shields

    Collage and Architecture

  • Gaßner, Kölle, Roettig (Ed.)

    Eva Hesse. One More Than One

  • Andreas Baur, Bernd Stiegler, Felix…

    Wozu Bilder? Gebrauchsweisen der Fotografie

  • Kim Gordon

    Is It My Body? Selected Texts

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    A5/06. HfG Ulm

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    Begriffe des Ausstellens (von A bis Z). Terms of Exhibiting…

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    Mensch - Raum – Maschine. Bühnenexperimente am Bauhaus

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    Ware und Wissen: or the stories you wouldn’t tell a stranger

  • Richard Birkett (Ed.)

    and Materials and Money and Crisis

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    Bathroom (Objekt series)

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    Situational Urbanism. Directing Postwar Urbanity

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    Visualising Information for Advocacy

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    Pierre Huyghe

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    Architecture after Revolution

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    Domes, Arches and Minarets. A History of Islamic-Inspired…

  • Tracey Thorn

    Bedsit Disco Queen. How I Grew Up and Tried to be a Pop Star

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    Contestations. Learning from Critical Experiments in…

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    IDEA 362. Poetics of Graphic Language. Contemporary…

  • Hans Ulrich Obrist

    Sharp Tongues, Loose Lips, Open Eyes, Ears to the Ground

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    A-Typical Plan

  • Taiji Matsue

    Tyo-WTC

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    Protest Camps

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    Isotype. Design and Contexts, 1925–1971

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    Seeing from Above. The Aerial View in Visual Culture

  • Gianni Politi

    The Ritual of the Snake

  • Frank Kunert

    Wunderland

  • Andrew Hemingway

    The Mysticism of Money. Precisionist Painting and Machine…

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    Bilderstreit und Gesellschaftsumbruch. Die Debatte um die…

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    Implosions / Explosions. Towards a Study of Planetary…

  • Silke Langenberg (Hrsg.)

    Das Marburger Bausystem. Offenheit als Prinzip

  • Langley, Pearce, Worth (Ed.)

    After Butler's Wharf. Essays on a Working Building

  • Vibeke Gieskes (Ed.)

    The Future of Architecture

  • Mark Sinclair, Tony Brook

    Type Only

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    Some Book. Graphic Expressions between Design and Art

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    Nuggets – New and Old Writing on Art, Architecture, and…

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    The World According to Patricia Esquivias. Fernando Garrido…

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    The Economy of Sustainable Construction

  • Joshua Decter

    Art Is a Problem. Selected Criticism, Essays, Interviews…

  • James Guerin

    Berlin Quarterly. European review of Culture. Issue 1

  • Blexbolex

    Ein Märchen

  • Museum of Modern Art (Ed.)

    Isa Genzken. Retrospective

  • Juergen Teller

    Common Ground. In Photographs

  • Jochen Eisenbrand

    George Nelson. Ein Designer im Kalten Krieg

  • Maik Schierloh (Hg.)

    Kosmetiksalon Bar Babette

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    Transcultural Modernisms

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    Pancho Guedes. Vitruvius Mozambicanus

  • Clog

    Unpublished

  • Joanne Finkelstein

    Fashioning Appetite. Restaurants and the Making of Modern…

  • Gunnar Hindrichs

    Die Autonomie des Klangs - Eine Philosophie der Musik

  • Irénée Scalbert

    A Right to Difference. The Architecture of Jean Renaudie

  • Juliane Rebentisch

    Theorien der Gegenwartskunst

  • Darran Anderson

    Serge Gainsbourg's Histoire de Melody Nelson (33 1/3)

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    Forum zur Genealogie des MedienDenkens 1. Siegfried…

  • Pascal Gielen (Ed.)

    Institutional Attitudes. Instituting Art in a Flat World

  • Texte zur Kunst Heft 92

    Architecture / Architektur

  • Kultur & Gespenster 14

    Radio

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    Gwangju Folly II

  • Katrin Grögel

    Andrea Zittel. Institute of Investigative Living. Leben und…

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    3 New York Dadas and the Blindman

  • Catherine Zuromskis

    Snapshot Photography. The Lives of Images

  • E. Bippus, J. Huber, R. Nigro

    Ästhetik der Existenz. Lebensformen im Widerstreit T:G/10

  • Chantal Pontbriand

    The Contemporary, the Common: Art in a Globalizing World

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    The Space Age. Poster Book

  • Fabrico Próprio

    The Design of Portuguese Semi-Industrial Confectionery

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    Gehen

  • Matthias Messmer, Hsin-Mei Chuang

    China's Vanishing Worlds. Countryside, Traditions, and…

The Last Humanity. The New Ecological Science

In the course of more than twenty works François Laruelle has developed one of the most singular and unique ways of thinking within contemporary philosophy. This volume develops the style of his late work, which has sought to combine the idioms of diverse areas (from the language of quantum mechanics to theology, messianism and Gnosticism) to create non-standard philosophical fictions which further articulate his thinking of radical immanence in relation to wide-ranging themes and concerns.
The focus here is a reassessment of his attempt to rethink what it means to be human. Much of that work has taken place through an engagement with science, politics and religion, but now we see Laruelle confronting the challenge of ecology for his kind of humanism (which he would call a 'non-humanism', meaning a non-standard humanism). This challenge is one of thinking of the ethical demands of other entities within a general ecology. Namely the lives of plants and other vegetation alongside that of animals.
Dealing with the intersections between science and philosophy in current French thought, this book is of particular interest to those concerned with the philosophical innovation and renewal of ecological thought that have influenced ecological theory. The first English translation of a key work from this highly original experimental philosopher, it will surely help cement his place in the firmament of avant-garde French thinkers, from Derrida and Deleuze to Badiou.


Francois Laruelle
The Last Humanity. The New Ecological Science
Bloomsbury, 2020, 9781350008236