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  • Lucius Burckhardt

    Der kleinstmögliche Eingriff oder die Rückführung der…

  • Lucius Burckhardt

    Warum ist Landschaft schön? Die Spaziergangswissenschaft

  • Maggie Nelson

    On Freedom

  • Matthew Soules

    Icebergs, Zombies, and the Ultra Thin. Architecture and…

  • Johanna Hoerning, Philipp Misselwitz (…

    Räume in Veränderung – Ein visuelles Lesebuch Ein- und…

  • Bauhaus-Institut für Geschichte und…

    100+. Neue Perspektiven auf die Bauhaus-Rezeption. Mit…

  • Gustavo Ambrosini, Guido Callegari

    Roofscape Design. Regenerating the City upon the City

  • Nicolas Nova, Anaïs Block

    Dr. Smartphone: An Ethnography of Mobile Phone Repair Shops

  • Harald Kirschner

    Abenteuer Platte

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    Zu Hause. Architektur zum Wohnen im Grünen / At Home…

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    Politik der Emotionen / Macht der Affekte

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  • Justin McGuirk (Hg)

    Charlotte Perriand. The Modern Life: Melancholia and the…

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    Bauen ist Weiterbauen. Lucius Burckhardts…

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    Architecture & Ugliness: Anti-Aesthetics and the Ugly…

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    Caps Lock - How Capitalism Took Hold Of Graphic Design, And…

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    Art/Commons. Anthropology beyond Capitalism

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    Autobilder. Bleistiftzeichungen von Automobilen im gebauten…

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    IDEA 395. Designing the Digital World: Game Experience and…

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    The Turn of the Century. A Reader about Architecture within…

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    All Incomplete

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    Gemeinschaft der Ungewählten. Umrisse eines politischen…

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    The Extreme Self. Age of You

  • Paul B. Preciado

    Can the Monster Speak? Report to an Academy of…

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    Environmental Design Sourcebook. Innovative Ideas for a…

  • Walter D. Mignolo

    The Politics of Decolonial Investigations

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    Philosophie der Migration

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    Glitch Feminismus. Ein Manifest

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    Other People's Clothes

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    1977. Eine kurze Geschichte der Gegenwart

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    The Ends of Art Criticism

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    Image Generation

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    The Cosmic Zoom. Scale, Knowledge, and Mediation

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    198 Wood Joints

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    Victor Papanek. Designer for the Real World

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    The Cinema of Things. Globalization and the Posthuman Object

The First Days of Berlin. The Sound of Change

Berlin in the early 1990s, right after the fall of the Berlin Wall: this is the place to be. Berlin-Mitte, the central district of the city, with its wastelands and decaying houses, has become the centre of a new movement. Artists, musicians, squatters, club owners, DJs and ravers are reclaiming the old city centre and bringing it back to life. This interregnum between two systems - the collapse of the old East Germany, the gentrification of the new Berlin - lasts only a few years. West Berliners, East Berliners and new residents from abroad join together to create music, art and fashion, to open bars and clubs and galleries, even if only for a few weeks. In the months following the fall of the Wall, there is a feeling of new beginnings and immense possibilities: life is now, and to be in the here and now feels endless. The phrase 'temporary autonomous zone' is circulating, it describes the idea - romantic and naive but, in the circumstances, not absurd - that, at a certain moment in history, you can actually do whatever you want.
 
Ulrich Gutmair moved to West Berlin as a student in autumn 1989: two weeks later the Wall came down. He spent the next few years studying during the day in the West and exploring the squats, bars and techno clubs in the East at night. He fell in love with House and Techno and raved at Tresor, Elektro, Bunker and many other places that in the meantime have almost disappeared from collective memory. Ten years later he decided to write a book about that period in between, when one regime was brought down and a new one wasn't yet established. When utopia was actually a place to inhabit for a moment.


Ulrich Gutmair
The First Days of Berlin. The Sound of Change
Polity Press, 2021, 9781509547302