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  • Edgar Cabanas, Eva Illouz

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    The Middle Matter. Sound as Interstice

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    The Withdrawal of the Red Army

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    Transboundary Design. Perspective of Yoshihisa Tanaka

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    The Architecture of Ruins: Designs on the Past, Present and…

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    Museums at the Post-Digital Turn

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    Mischa Kuball. res.o.nant

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    The New Populism: Democracy Stares into the Abyss

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    Aisthesis: Scenes from the Aesthetic Regime of Art

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    In the Mind but Not from There. Real Abstraction and…

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    Hidden Landscapes. The metropolitan garden as a multi-…

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    Productive Universals. Specific Situations: Clinical…

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    Palast der Republik. Utopie, Inspiration, Politikum

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    Metal Skins

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    Totalization: Speculative Practice in Architectural…

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    Infinite Span. 90 Years of Brazilian Architecture

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    Producing Futures: A Book on Post-Cyber-Feminisms

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    Museums at the Post-Digital Turn

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    Design for the Real World

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    Wohnen für Alle: Bautenkatalog

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    The Social Design Reader

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    Jill Johnston. The Disintegration of a Critic

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    Vom Verschwinden der Rituale: Eine Topologie der Gegenwart

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    Archive Species: Bodies, Habits, Practices

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    Decoding Dictatorial Statues

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    Graphic Design Play Book: An Exploration of Visual Thinking

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    Working Aesthetics: Labour, Art and Capitalism

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    Sovereign Words. Indigenous Art, Curation and Criticism

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    Champagner für die Pferde

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    Against Nature

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    Boden behalten - Stadt gestalten

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    Afterlives of Neoliberalism

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    Slow Down Fast, A Toda Raja

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    Pop und Populismus: Über Verantwortung in der Musik

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    Tiny Interiors: Compact Living Spaces

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    AUDINT. Unsound : Undead

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    Fehler lesen. Korrektur als Textproduktion

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    Almost Nothing. 100 Artists Comment on the Work of Mies van…

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    New Dark Age: Technology and the End of the Future

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The First Days of Berlin. The Sound of Change

Berlin in the early 1990s, right after the fall of the Berlin Wall: this is the place to be. Berlin-Mitte, the central district of the city, with its wastelands and decaying houses, has become the centre of a new movement. Artists, musicians, squatters, club owners, DJs and ravers are reclaiming the old city centre and bringing it back to life. This interregnum between two systems - the collapse of the old East Germany, the gentrification of the new Berlin - lasts only a few years. West Berliners, East Berliners and new residents from abroad join together to create music, art and fashion, to open bars and clubs and galleries, even if only for a few weeks. In the months following the fall of the Wall, there is a feeling of new beginnings and immense possibilities: life is now, and to be in the here and now feels endless. The phrase 'temporary autonomous zone' is circulating, it describes the idea - romantic and naive but, in the circumstances, not absurd - that, at a certain moment in history, you can actually do whatever you want.
 
Ulrich Gutmair moved to West Berlin as a student in autumn 1989: two weeks later the Wall came down. He spent the next few years studying during the day in the West and exploring the squats, bars and techno clubs in the East at night. He fell in love with House and Techno and raved at Tresor, Elektro, Bunker and many other places that in the meantime have almost disappeared from collective memory. Ten years later he decided to write a book about that period in between, when one regime was brought down and a new one wasn't yet established. When utopia was actually a place to inhabit for a moment.


Ulrich Gutmair
The First Days of Berlin. The Sound of Change
Polity Press, 2021, 9781509547302