Direkt zum Inhalt

Warenkorb

  • Benek Cincik, Tiago Torres-Campos

    Postcards From The Anthropocene. Unsettling The Geopolitics…

  • Lim Kyung yong, Helen Jungyeon Ku (eds)

    Publishing as method. Ways of Working Together in Asia

  • IDEA Magazine

    IDEA 402. Opening paths with small press publishing:…

  • Unabhängige Historikerkommission

    MACHT RAUM GEWALT. Planen und Bauen im Nationalsozialismus

  • Catherine Ingraham

    Architecture's Theory

  • Adam Nathaniel Furman, Joshua Mardell (…

    Queer Spaces. An Atlas of LGBTQIA+ Places and Stories

  • McKenzie Wark

    Reverse Cowgirl

  • David Leatherbarrow

    Projecting Urbanity. Architecture for and against the City

  • Michael Jakob

    Faux Mountains

  • Louis Chude-Sokei

    Technologie und Race. Essays der Migration

  • Joe Molloy

    Acid Detroit. A Psychedelic Story of Motor City

  • Arch+ Zeitschrift für Architektur und…

    Arch+ 252. Open for Maintenance - Wegen Umbau geöffnet

  • Anna Bokov

    Lessons from the Social Condensers. 101 Soviet Workers’…

  • David Kishik

    Self Study. Notes on the Schizoid Condition

  • Edited by Elena Biserna

    Going Out. Walking, Listening, Soundmaking

  • Helga Blocksdorf, Samuel Barckhausen,…

    PERSONAE - Konstruktive Charaktere im analytischen Licht…

  • Roxana Marcoci, Phil Taylor (Hg.)

    Wolfgang Tillmans. Reader

  • Kunsthaus Graz (Hg)

    Ein Katzenbaum für die Kunst. A Cat-Tree for the Arts.…

  • Riccardo Badano, Tomas Percival, Susan…

    Border Environments. Centre for Research Architecture

  • Tbilisi Architecture Archive, Mariam…

    Laguna Vere

  • Alexander Pehlemann, Robert Mießner,…

    Magnetizdat DDR. Magnetbanduntergrund Ost 1979 - 1990

  • Daniela Comani

    Daniela Comani A-Z

  • Liliane Wong

    Adaptive Reuse in Architecture. A Typological Index

  • Constructlab / Joanne Pouzenc, Alex…

    Convivial Ground. Stories from Collaborative Spatial…

  • Güntner, Hauser, Lehner, Reinprecht (Hg)

    The Social Dimension of Social Housing

  • Dana Cuff

    Architectures of Spatial Justice

  • Raúl Sánchez Cedillo

    Dieser Krieg endet nicht in der Ukraine. Argumente für…

  • Deborah Lupton

    The Internet of Animals. Human-Animal Relationships in the…

  • Diedrich Diederichsen

    Aesthetics of Pop Music

  • Joy James

    In Pursuit of Revolutionary Love: Precarity, Power,…

  • Klett, Luise Charlotte

    Damaskuserlebnis

  • Leslie Kern

    Gentrifizierung lässt sich nicht aufhalten und andere Lügen

  • Pauline Oliveros

    Pauline Oliveros. Quantum Listening

  • So Mayer, Sarah Shin (eds.)

    Ursula K. Le Guin. Space Crone

  • Paul Dobraszczyk

    Animal Architecture. Beasts, Buildings and Us

  • Louisa Hutton, Matthias Sauerbruch (Hg.)

    Der Experimenta Neubau in Heilbronn

  • Emma Warren

    Dance Your Way Home: A Journey Through the Dancefloor

  • Benedict Anderson

    The City in Transgression. Human Mobility and Resistance in…

  • Vikramaditya Prakash, Maristella…

    Rethinking Global Modernism. Architectural Historiography…

  • Bonaventure Soh Bejeng Ndikung

    Pidginization as Curatorial Method. Messing with Languages…

  • Gabriele Gramelsberger

    Philosophie des Digitalen zur Einführung

  • Susanne M. Winterling, Antonia Lotz (Ed…

    Pandora's Box

  • Bonaventure Soh Bejeng Ndikung

    An Ongoing-Offcoming Tale. Ruminations on Art, Culture,…

  • Counterprint (ed.)

    Colour Clash. Vibrant Colour Palettes in Graphic Design

  • T. J. Demos

    Radical Futurisms. Ecologies of Collapse, Chronopolitics,…

  • Vera Tollmann

    Sicht von oben. „Powers of Ten” und Bildpolitiken der…

  • Ana Hupe

    Footnotes to Triangular Cartographies. Processing Process

  • IDEA Magazine

    IDEA 401. Wayfinding for City Spaces: Bridging navigation…

  • David Bergé, Milica Ivic (Eds.)

    Bodies of Extraction. Underneath the Ground of Islands

  • Jan Büchsenschuß

    Die Fassade. Verkleidung und Illusion, Verbrechen und Zitat

  • Francesco Fusaro (Ed.)

    Sonic Traces. From Italy

  • Ulrich Gutmair

    Wir sind die Türken von morgen. Neue Welle, neues…

  • Jumping He (Ed.)

    Another Reading. Contemporary Book Design from China

  • James Voorhies

    Postsensual Aesthetics. On the Logic of the Curatorial

  • Arvanitis, Blank, Michaelidi,…

    Krisenkunst - Kunstkrise? Kunst und die globale Umweltkrise…

  • Pier Paolo Tamburelli

    Grundkurs: What is Architecture About?

  • Oliver Marchart

    Hegemony Machine. documentaX to fifteen and the Politics of…

  • Adolf Loos

    Adolf Loos. Ins Leere gesprochen

  • Gilles Aubry

    Sawt, Bodies, Species. Sonic Pluralism in Morocco

  • Mohsen Mostafavi, Kayoko Ota (eds.)

    Sharing Tokyo. Artifice and the Social World

  • Nina Rappaport

    Hybrid Factory, Hybrid City

  • Oda Pälmke

    Repertoire 8, Ideen / Assoziationen, Oda Pälmke

  • Arch+ Zeitschrift für Architektur und…

    Arch+ 251. Unternehmen Architektur

  • Keller Easterling

    Mediumdesign

  • Anke Graneß

    Philosophie in Afrika. Herausforderungen einer globalen…

  • Nancy Fraser

    Der Allesfresser. Wie der Kapitalismus seine eigenen…

  • Susanne Witzgall, Marietta Kesting (Hg.)

    Human after Man

  • Reinier de Graaf

    architect, verb. The New Language of Building

  • Rosalyn Deutsche

    Not-Forgetting. Contemporary Art and the Interrogation of…

  • Rafi Segal, Marisa Morán Jahn

    Design & Solidarity. Conversations on Collective…

  • 51N4E (Hg.)

    How to not demolish a Building

  • Morten Paul

    Suhrkamp Theorie. Eine Buchreihe im philosophischen…

  • David Vaner, Ilka Ruby (Hg.)

    Besser als neu

  • Helen Thomas (Ed.)

    Architecture in Islamic Countries. Selections from the…

  • Carolin Amlinger, Oliver Nachtwey

    Gekränkte Freiheit. Aspekte des libertären Autoritarismus

  • Nicholas Mirzoeff

    White Sight. Visual Politics and Practices of Whiteness

  • Brandon LaBelle (Ed.)

    Radical Sympathy

  • Réka Patrícia Gál, Petra Löffler

    Earth and Beyond in Tumultuous Times. A Critical Atlas of…

  • Matthias Ballestrem and Lidia Gasperoni…

    Epistemic Artefacts. A Dialogical Reflection on Design…

  • Chris Lee

    Immutable. Designing History

  • common room, Cornelia Escher

    Negotiating Ungers 2 - The Oberhausen Institute and the…

  • Gülşah Stapel

    Recht auf Erbe in der Migrationsgesellschaft

  • James Bridle

    Die unfassbare Vielfalt des Seins

  • Beatrice Lampariello, Andrea Anselmo,…

    UFO. Unidentified Flying Object for Contemporary…

  • dérive

    dérive N° 90, Sampler (Jan-Mar/2023)

  • Mojca Kumerdej (Ed.)

    New Extractivism

  • Alfie Bown

    Dream Lovers. The Gamification of Relationships

  • Steven Warwick

    Notes on Evil. Steven Warwick

  • Martín Ávila

    Designing for Interdependence. A Poetics of Relating

  • Rosi Braidotti, Emily Jones, Goda…

    More Posthuman Glossary

  • Malcolm Miles

    Art Rebellion. The Aesthetics of Social Transformation

  • Jennifer Kaufmann-Buhler, Victoria…

    Design History Beyond the Canon

  • Laurene Vaughan

    Designing Cultures of Care

  • Deborah Ascher Barnstone

    The Color of Modernism. Paints, Pigments, and the…

  • Craig Martin

    Deviant Design. The Ad Hoc, the Illicit, the Controversial

  • Felix Stalder, Janez Fakin Jansa (eds)

    From Commons to NFTs

  • Marion von Osten, Tyna Fritschy

    Marion von Osten: Knüppel aus dem Sack. Tyna Fritschy: Das…

  • Andreas Butter, Thomas Flierl (Hg.)

    Architekturexport DDR. Zwischen Sansibar und Halensee

Orphée 1990 Cover

Orphée 1990


Orphée 1990, by artist and curator Fareed Armaly, took place in 1990 at the Maison de la Culture et de la Communication (MCC) in Saint-Étienne, France. As his first individual institutional exhibition, it marked Armaly’s sustained engagement with European art institutions as formations reshaped by postwar, national, and post-’68 currents, and transforming through the post-1989 mix of subjectivities, shifting geopolitics, and globalization.

Orphée 1990 focuses on the Maison de la Culture, a network of state cultural institutions conceived by André Malraux. Envisioned as a means to consolidate a fractious postwar national identity through sanctioned “high art,” the Maisons reflected the ambitions of Malraux’s musée imaginaire as “universal” humanism. The MCC in Saint-Étienne began construction before May ’68 and was completed afterward, standing on an ideological divide. Orphée 1990 is structured through passages along the historical fault lines inherent to this institution’s foundation, where ruptures and competing imaginaries destabilized the state's idealized notions of “nation,” “culture,” and “institution.” This publication, Orphée 1990 (2025), brings together comprehensive exhibition documentation alongside new contributions by Armaly and art historian Helmut Draxler, with reprints of a key text by the exhibition curator Yves Aupetitallot, and visual culture scholar Rebecca DeRoo.

Orphée 1990 (2025) is the second in Armaly’s ongoing publishing series. The first title, The (re)Orient (2023), reflected on the epistemic violence of Orientalism through the new Grand Pyramid entrance of the Louvre—the museum that “occupies the subconscious of France” (Émile Biasini). Orphée 1990 engaged the Maison de la Culture as a state apparatus projecting a national cultural imaginary, and responded with a 1990 entry into the institution from Orphic acts of “looking back” and crossing thresholds.

Table of Contents
15 Introduction | Fault Lines
Fareed Armaly (2025)
25 The French “Doubled” Vision of Art and Culture
Yves Aupetitallot (1990)
35 Contesting Humanism and Cultural Democracy
Rebecca J. DeRoo (2014)
47 Exhibition Dossier
Orphée 1990 (1990)
52 Exhibition Guide (1990)
119 Description | Passages
Fareed Armaly
131 Working Through the Boundaries
Orphée 1990
Helmut Draxler (2024)
145 Reflection | Thresholds
Fareed Armaly
152 Authors
160 Colophon


Fareed Armaly
Orphée 1990
Fareed Armaly, 2025, 978-3-9825122-1-1
28,00 €