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  • Kenny Cupers, Markus Miessen (Hg)

    Spaces of Uncertainty - Berlin revisited: Potenziale…

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    Explorations in Urban Practice. Urban School Ruhr Series.…

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    Modernism as Memory: Building Identity in the Federal…

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    Neuroarchitektur

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    Complex Buildings. Generators, Linkers, Mixers &…

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    Complex Buildings. Dwelling Mixers

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    Harald Szeemann. Museum der Obsessionen

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    The Sonic Persona. An Anthropology of Sound

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    Social Medium: Artists Writing, 2000 - 2015

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    Reader 2: Overcoming the Hype

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    Max Bill: ohne Anfang, ohne Ende. No Beginning, No End

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  • M. Rebecchi, E. Vogman

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    Gärten der Kooperation / Gardens of Cooperation

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    Into the Great Wide Open

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    Architectural Intelligence

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    Utopia/Dystopia. A Paradigm Shift in Art and Architecture

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    Spandex Studies

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    Notes on Space. Monumental Painting in Estonia 1947-2012

  • Romana Schmalisch

    Mobile Cinema

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    Uncut Funk. A Contemplative Dialogue

  • Joanna Boehnert

    Design Ecology Politics. Towards the Ecocene

  • Michael Roy (Ed.)

    Jean Prouvé. Architect for Better Days

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    Affect Me. Social Media Images in Art

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    Studium, nicht Kritik

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    Brave New World. Romanian Migrants Dream' Houses

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    Sundry Modernism . Materials for a Study of Palestinian…

  • Terry Farrell, Adam Nathaniel Furman

    Revisiting Postmodernism

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    Beyond the New on the Agency of Things

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    Ökologien der Sorge

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    Keep Walking Intently. The Ambulatory Art of the…

  • Verena Hartbaum

    Disko 27. Retrospektiv Bauen in Berlin

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    The Postconceptual Condition

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    Terms of Appropriation: Modern Architecture and Global…

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    Trading Places: Practices of Public Participation in Art…

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    In the Flow

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    Photography Against the Grain: Essays and Photo Works, 1973…

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    Craft-Based Design: Von Handwerkern und Gestaltern

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    Entkunstung I

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    Ich hatte keinen Ort: Tagebücher 1944-1955

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    Bruno Munari. Total Artist

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    Entgrenzter Formalismus. Verfahren einer antimodernen…

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    Eileen Gray. Intimate Architecture. Une Architecture de l…

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    Klassensprachen. Written Praxis

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    WdW Review. Arts, Culture, and Journalism in Revolt, Vol. 1…

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    Stoffwechsel. Materialverwandlung in der Architektur

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    Navigating Noise

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    Reyner Banham and the Paradoxes of High Tech

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    Notes from Underground: Zines and the Politics of…

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    Traces: Fashion & Migration

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    Die Seitenallee

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    Venets Welcome to the Ideal. (Venets Hotel)

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    WdW Review: Arts, Culture, and Journalism in Revolt, Vol. 1…

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    Frau Architekt: Seit mehr als 100 Jahren: Frauen im…

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    L.A. collects L.A.: Latin America in Southern California…

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    Supercommunity. Diabolical Togetherness Beyond Contemporary…

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    Pasolini's Bodies and Places

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    Proxy Politics. Power and Subversion in a Networked Age

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    Die Liebe zur Malerei. Genealogie einer Sonderstellung

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    Das Leben Gebrauchsanweisung

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    Militant

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    Heroes

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    Transmoderne: Eine Kunstgeschichte des Kontakts

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    Haustiere. Unsere nahen und doch so fremden Begleiter

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    The Second Digital Turn: Design Beyond Intelligence

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    SOS Brutalismus: Eine internationale Bestandsaufnahme

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    The New Tenement: Residences in the Inner City Since 1970

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    School of Missing Studies

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    David Hammons: Bliz-aard Ball Sale

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    SuperDesign: Italian Radical Design 1965-75

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    Post-Modern Buildings in Britain

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    Essential Eames. Words & Pictures

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    Suburban Planet: Making the World Urban from the Outside In

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Afropessimism

Why does race seem to color almost every feature of our moral and political universe? Why does a perpetual cycle of slavery—in all its political, intellectual, and cultural forms—continue to define the Black experience? And why is anti-Black violence such a predominant feature not only in the United States but around the world? These are just some of the compelling questions that animate Afropessimism, Frank B. Wilderson III’s seminal work on the philosophy of Blackness.
Combining precise philosophy with a torrent of memories, Wilderson presents the tenets of an increasingly prominent intellectual movement that sees Blackness through the lens of perpetual slavery. Drawing on works of philosophy, literature, film, and critical theory, he shows that the social construct of slavery, as seen through pervasive anti-Black subjugation and violence, is hardly a relic of the past but the very engine that powers our civilization, and that without this master-slave dynamic, the calculus bolstering world civilization would collapse. Unlike any other disenfranchised group, Wilderson argues, Blacks alone will remain essentially slaves in the larger Human world, where they can never be truly regarded as Human beings, where, “at every scale of abstraction, violence saturates Black life.”
And while Afropessimism delivers a formidable philosophical account of being Black, it is also interwoven with dramatic set pieces, autobiographical stories that juxtapose Wilderson’s seemingly idyllic upbringing in mid-century Minneapolis with the abject racism he later encounters—whether in late 1960s Berkeley or in apartheid South Africa, where he joins forces with the African National Congress. Afropessimism provides no restorative solution to the hatred that abounds; rather, Wilderson believes that acknowledging these historical and social conditions will result in personal enlightenment about the reality of our inherently racialized existence.
Radical in conception, remarkably poignant, and with soaring flights of lyrical prose, Afropessimism reverberates with wisdom and painful clarity in the fractured world we inhabit. It positions Wilderson as a paradigmatic thinker and as a twenty-first-century inheritor of many of the African American literary traditions established in centuries past.


Frank Wilderson III
Afropessimism
Liveright, 2020, 978-1-63149-614-1_hc