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    Porous City: From Metaphor to Urban Agenda

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    Raumproduktionen II. Theoretische Kontroversen und…

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    Open Architecture: Migration, Citizenship and the Urban…

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    This is Not Fashion: Streetwear Past, Present and Future

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    How to Love Brutalism

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    Image Factories: Infographics 1920-1945. Fritz Kahn, Otto…

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    On Accident. Episodes in Architecture and Landscape

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    Liquidation World: On the Art of Living Absently

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    Sonic Agency. Sound and Emergent Forms of Resistance

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    The Sonic Persona. An Anthropology of Sound

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    Notes on Space. Monumental Painting in Estonia 1947-2012

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    Design Ecology Politics. Towards the Ecocene

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    Jean Prouvé. Architect for Better Days

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    Studium, nicht Kritik

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    Disko 27. Retrospektiv Bauen in Berlin

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    The Postconceptual Condition

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    Photography Against the Grain: Essays and Photo Works, 1973…

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    Entkunstung I

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    Ich hatte keinen Ort: Tagebücher 1944-1955

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    Stoffwechsel. Materialverwandlung in der Architektur

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    Navigating Noise

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AUDINT. Unsound : Undead

Tracing the the potential of sound, infrasound, and ultrasound to access anomalous zones of transmission between the realms of the living and the dead.
For as long as recording and communications technologies have existed, operators have evoked the potential of sound, infrasound, and ultrasound to access anomalous zones of transmission between the realms of the living and the dead. In Unsound:Undead, contributors from a variety of disciplines chart these undead zones, mapping out a nonlinear timeline populated by sonic events stretching from the 8th century BC (the song of the Sirens), to 2013 (acoustic levitation), with a speculative extension into 2057 (the emergence of holographic and holosonic phenomena).
For the past seven years the AUDINT group has been researching peripheral sonic perception (unsound) and the ways in which frequencies are utilized to modulate our understanding of presence/non-presence, entertainment/torture, and ultimately life/death. Concurrently, themes of hauntology have inflected the musical zeitgeist, resonating with the notion of a general cultural malaise and a reinvestment in traces of lost futures inhabiting the present.
This undead culture has already spawned a Lazarus economy in which Tupac, ODB, and Eazy-E are digitally revivified as laser-lit holograms. The obscure otherworldly dimensions of sound have also been explored in the sonic fictions produced by the likes of Drexciya, Sun Ra, and Underground Resistance, where hauntology is virtually extended: the future appears in the cracks of the present.
The contributions to this volume reveal how the sonic nurtures new dimensions in which the real and the imagined (fictional, hyperstitional, speculative) bleed into one another, where actual sonic events collide with spatiotemporal anomalies and time-travelling entities, and where the unsound serves to summon the undead.
Contributors
Lawrence Abu Hamdan, Lendl Barcelos, Charlie Blake, Lisa Blanning, Brooker Buckingham, Al Cameron, Erik Davis, Kodwo Eshun, Matthew Fuller, Kristen Gallerneaux, Lee Gamble, Agnès Gayraud, Steve Goodman, Anna Greenspan, Olga Gurionova, S. Ayesha Hameed, Tim Hecker, Julian Henriques, Toby Heys, Eleni Ikoniadou, Amy Ireland, Nicola Masciandaro, Ramona Naddaff, Anthony Nine, The Occulture, Luciana Parisi, Alina Popa, Paul Purgas, Georgina Rochefort, Steven Shaviro, Jonathan Sterne, Jenna Sutela, Eugene Thacker, Dave Tompkins, Shelley Trower, and Souzana Zamfe.


Goodman, Heys, Ikoniadou (Eds.)
AUDINT. Unsound : Undead
Urbanomic, 2019, 9781916405219