Direkt zum Inhalt

Warenkorb

  • Gabrielle Cody, Meiling Cheng (Eds.)

    Reading Contemporary Performance. Theatricality Across…

  • Andre Lepecki

    Singularities. Dance in the Age of Performance

  • M. R. Stein, L. Miller, M. Henrichs (Hg)

    Blueprint for Counter Education. Curriculum, Handbook, Eall…

  • Helen Marten

    Parrot Problems

  • Owen Hatherley

    The Chaplin Machine. Slapstick, Fordism and the Communist…

  • Lina Dokuzović

    Struggles for Living Learning. Within Emergent Knowledge…

  • Marcus Quent (Hg)

    Absolute Gegenwart

  • Fabian Frenzel

    Slumming It: The Tourist Valorisation of Urban Poverty

  • Keller Easterling

    Extrastatecraft. The Power of Infrastructure Space

  • Yuk Hui, Andreas Broeckmann

    30 Years after Les Immatériaux: Art, Science and Theory

  • Jacques Lucan

    Composition, Non-Composition. Architecture and Theory in…

  • Seth Price

    Fuck Seth Price (Second Edition, Hardcover)

  • J. Herzog, P. de Meuron

    Herzog de Meuron. Trügerische Transparenz. Beobachtungen…

  • Florentine Sack

    Open House 2. Gestaltungskriterien für eine neue…

  • Beti Zerovc

    When Attitudes Become the Norm: The Contemporary Curator…

  • Stuart Bailey (Hg.)

    Extended Caption (DDDG)

  • Luca Lo Pinto, Vanessa Joan Müller (Eds…

    Frederick Kiesler. Function Follows Vision, Vision Follows…

  • Thun-Hohenstein, Bogner, Lind, Vischer…

    Friedrich Kiesler – Lebenswelten / Life Visions

  • Ruben Pater

    The Politics of Design: A (Not So) Global Manual for Visual…

  • Giovanna Silva

    Syria, A Travel Guide to Disappearance

  • Amie Siegel

    Double Negative. Ricochet 10

  • Jens Balzer

    Pop. Ein Panorama der Gegenwart

  • Timothy D. Taylor

    Music and Capitalism. A History of the Present

  • GRAFT

    Architecture Activism

  • Nav Haq (Ed.)

    RAVE. Rave and its Influence on Art and Culture

  • Trudy Nieuwenhuys, Gemeente Museum Den…

    Constant. New Babylon. To Us, Liberty

  • Borja Ballbé

    Ordinary Landscapes. Paisajes comunes

  • Riet Wijnen (Ed.)

    abstraction creation, art non figuratif 1932

  • A. Lepik, V. S. Bader (Hg)

    World of Malls. Architekturen des Konsums

  • C. Menrad, H. Creighton (Eds.)

    William Krisel's Palm Springs

  • Brandon Labelle

    Overheard and Interrupted

  • Jessica Helfand

    Design. The Invention of Desire

  • Stephen Prina

    galesburg, illinois+

  • Agnés Laube, Michael Widrig

    Archigrafie. Schrift am Bau

  • Marc Angélil, Charlotte Malterre-…

    Housing Cairo

  • Antje Ehmann, Carles Guerra (Eds.)

    Harun Farocki. Another Kind of Empathy

  • T. J. Demos

    Decolonizing Nature: Contemporary Art and the Politics of…

  • Hans Ulrich Obrist

    Lives of the Artists, Lives of the Architects

  • Gloria Moure(Ed.)

    Behind the facts. Interfunktionen 1968-1975

  • Roberto Simanowski

    Facebook-Gesellschaft

  • Berliner Hefte zu Geschichte und…

    Die Mauerpark-Affäre

  • Barnabas Calder

    Raw Concrete. The Beauty of Brutalism

  • François J. Bonnet

    The Order of Sounds. A Sonorous Archipelago

  • Leon van Schaik

    Practical Poetics in Architecture

  • Pozsár Péter

    Builders. Socially engaged Architecture from Hungary

  • Malzacher, Öğüt, Tan (eds.)

    The Silent University - Toward a Transversal Pedagogy

  • Markus Miessen

    Crossbenching: Toward a Proactive Mode of Participation,…

  • Bundesamt für Kultur (CH)

    Betrachtungen einer Ungestalt. Die schönsten Schweizer…

  • Francesca Balena Arista

    Poltronova Backstage: Archizoom, Sottsass and Superstudio.…

  • David Joselit

    Nach Kunst

  • Erika Balsom, Hila Peleg

    Documentary Across Disciplines

  • Kerstin Stakemeier, Marina Vishmidt

    Reproducing Autonomy. Work, Money, Crisis and Contemporary…

  • Frank Berzbach

    Formbewusstsein. Eine kleine Vernetzung der alltäglichen…

  • Jens Hoffmann, Claudia J. Nahson (eds.)

    Roberto Burle Marx: Brazilian Modernist

  • Jacek Mrowczyk

    VeryGraphic. Polish Designers of the 20th Century

  • Sabine Bitter & Helmut Weber

    Front, Field, Line, Plane. Researching the Militant Image

  • Annette Gigon, Mike Guyer, Felix…

    Residential Towers

  • 9. Berlin Biennale für zeitgenössische…

    The Present in Drag

  • Geert Lovink

    Social Media Abyss. Critical Internet Cultures and the…

  • Tanja Seeböck

    Schwünge in Beton. Die Schalenbauten von Ulrich Müther

  • Honey-Suckle Company

    Spiritus

  • Arna Mackic

    Mortal Cities and Forgotten Monuments

  • Moritz Behrens, Christian Berkes,…

    Sentiment Architectures. A Field Trip to Behaviour and…

  • Donna J. Haraway

    Manifestly Haraway

  • A. Andraos, N. Akawi (eds)

    The Arab City: Architecture and Representation

  • HKW (Ed.)

    Nervous Systems

  • Felicity D. Scott

    Outlaw Territories. Environments of Insecurity/…

  • Owen Hatherley

    Landscapes of Communism. A History Through Buildings

  • Rashid Ali, Andrew Cross

    Mogadishu. Lost Moderns

  • Schmal, Elser, Scheuermann (eds.)

    Making Heimat. Germany, Arrival Country

  • Helge Mooshammer, Peter Mörtenböck

    Visual Cultures as Opportunity

  • Simone Neuenschwander, Thomas Thiel (…

    Transparenzen/Transparencies

  • A. Angelidakis, V. Pizzigoni, V. Scelsi…

    Super Superstudio

  • Peter Chadwick

    This Brutal World

  • Naomi Pollock

    Sou Fujimoto

  • P. Cachola Schmal, P. Sturm

    Zukunft von gestern - Visionäre Entwürfe von Future Systems…

  • Ina Blom

    The Autobiography of Video. The Life and Times of a Memory…

  • Timothy Morton

    Dark Ecology. For a Logic of Future Coexistence

  • Benjamin H. Bratton

    The Stack. On Software and Sovereignty

  • Nadine Barth (Hg.)

    Berlin Raum Radar. Neue Architekturfotografie

  • Biljana Ciric, Nikita Yingqian Cai (Ed)

    Active Withdrawals. Life and Death of Institutional Critique

  • Burkhardt Meltzer

    Rethinking the Modular. Adaptable Systems in Architecture…

  • Bibbl. Herzog von Bayern

    Gedruckt und erblättert. Das Fotobuch als Medium…

  • Estelle Blaschke

    Banking on Images. From the Bettmann Archive to Corbis

  • Georg Windeck

    Construction Matters

  • Walter Benjamin.

    Sonnets

  • Glenn Adamson, Julia Bryan-Wilson

    Art in the Making: Artists and Their Materials from the…

  • David Toop

    Into the Maelstrom: Music, Improvisation and the Dream of…

  • Nicolas Grospierre

    Modern Forms. A Subjective Atlas of 20th-Century…

  • Slavoj Zizek

    Against the Double Blackmail: Refugees, Terror and Other…

  • Ian Brennan

    How Music Dies (or Lives): Field Recording and the Battle…

  • Gustav Roßler

    Der Anteil der Dinge an der Gesellschaft. Sozialität -…

  • Berlinische Galerie (Hg.)

    Visionäre der Moderne. Paul Scheerbart, Bruno Taut, Paul…

  • Walter Grasskamp

    Das Kunstmuseum. Eine erfolgreiche Fehlkonstruktion

  • Kathrin Peters, Andrea Seier (Hg.)

    Gender & Medien-Reader

  • Nadir Z. Lahiji

    Can Architecture Be An Emancipatory Project? Dialogues on…

  • Siegfried Ebeling

    Der Raum als Membran

  • Patrick Joseph

    Poet Fool

Broken Music: Artists' Recordworks

Broken Music is an essential guide and discography for recordings and audio works by visual artists, originally published in 1989 and edited by Ursula Block (founder of Gelbe Musik in Berlin) and Michael Glasmeier. Records chosen for the publication revolved around four criteria: record covers created as original work by visual artists; record or sound producing objects (sculptures); books and publications that contain a record or recorded media object; and records or recorded media that have sound by visual artists. Hundreds of works are documented by artists such as Vito Acconci, albrecht d., Joseph Beuys, Laurie Anderson, Guillaume Apollinaire, Karel Appel, Antonin Artaud, John Baldessari, Hugo Ball, Harry Bertoia, William S. Burroughs, John Cage, Henri Chopin, Henning Christiansen, William Copley, Philip Corner, Merce Cunningham, Hanne Darboven, Jim Dine, Jean Dubuffet, Marcel Duchamp, Fischli/Weiss, R. Buckminster Fuller, Allen Ginsberg, Philip Glass, Jack Goldstein, Hans Haacke, Richard Hamilton, Bernard Heidsieck, Isidore Isou, Marcel Janco, Allan Kaprow, Martin Kippenberger, Milan Knízák, Christina Kubisch, Laibach, John Lennon, Hermann Nitsch, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Nam June Paik, Tom Philips, Robert Rauschenberg, The Red Crayola, Jim Rosenquist, Dieter Roth, Gerhard Rühm, Conrad Schnitzler, Kurt Schwitters, selten gehörte Musik, Richard Serra, Robert Smithson, Michael Snow, Jean Tinguely, Yoshi Wada, William Wegman and Lawrence Weiner, among others.
Boomkat Product Review:
‘Broken Music’ is a holy grail avant-garde music publication, a compendium of recordings, record-objects, artwork for records, and record installations created by thousands of visual artists between WWII and 1989. Unavailable since the original, sought-after 1989 edition, it features essays by its compilers Ursula Block and Michael Glasmeier, as well as Theodor W. Adorno, Milan Knížák and Laszlo Moholy-Nagy. Did we mention the bonus flexidsic? Aye, this one’s very special.
Published in 1989 by Ursula Block, wife of curator René Block and proprietor of the legendary Gelbe Musik record store in Berlin (sadly not there any more, to save you a wild goose chase), ‘Broken Music’ is inarguably an essential guide and discography for recordings and audio works by visual artists of the 20th C. Through essays, texts, and photos, it breaks down the history of visual artists working with sound into four fascinating criteria of study: record covers created as original work by visual artists; record or sound producing objects (sculptures); books and publications that contain a record or recorded media object; and records or recorded media that have sound by visual artists.
As far as we’re aware, this is the only book of its kind, and at the very least, the only one to cover it’s topic in such depth, drawing on a wealth of received information and personal knowledge to comprehensively highlight a peculiar and enduring niche of sound art. Books and lists like these are understandably invaluable to both art historians and record diggers, and this is among the most lucubrate we’ve come across, making connections between the formative, innocent experience of experimenting with records’ physicalities, with Adorno’s riffs on ‘The Form of the Records’, and ‘Media Composition According to Cage’, and looping back to Milan Knížák’s recollection of ‘Broken Music’ in his titular text and bonus 7” flexidisc of his 1989 recordings.
If you’re interested in the following list of artists covered inside, you owe it yourself to check this book: Vito Acconci, albrecht d., Joseph Beuys, Laurie Anderson, Guillaume Apollinaire, Karel Appel, Antonin Artaud, John Baldessari, Hugo Ball, Harry Bertoia, William S. Burroughs, John Cage, Henri Chopin, Henning Christiansen, William Copley, Philip Corner, Merce Cunningham, Hanne Darboven, Jim Dine, Jean Dubuffet, Marcel Duchamp, Fischli/Weiss, R. Buckminster Fuller, Allen Ginsberg, Philip Glass, Jack Goldstein, Hans Haacke, Richard Hamilton, Bernard Heidsieck, Isidore Isou, Marcel Janco, Allan Kaprow, Martin Kippenberger, Milan Knízák, Christina Kubisch, Laibach, John Lennon, Hermann Nitsch, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Nam June Paik, Tom Philips, Robert Rauschenberg, The Red Crayola, Jim Rosenquist, Dieter Roth, Gerhard Rühm, Conrad Schnitzler, Kurt Schwitters, selten gehörte Musik, Richard Serra, Robert Smithson, Michael Snow, Jean Tinguely, Yoshi Wada, William Wegman and Lawrence Weiner, and others.


Ursula Block, Michael Glasmeier
Broken Music: Artists' Recordworks
Primary Information , 2018, 9780991558599
35,00 €