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  • Maurizio Lazzarato

    The Making of the Indebted Man. An Essay on the Neoliberal…

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    Institutions by Artists. Volume One

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    Design ist unsichtbar. Entwurf, Gesellschaft und Pädagogik

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    Vom Publicum. Das Öffentliche in der Kunst

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    Horst Rittel. Die Denkweise von Designern

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    Wim Crouwel

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    Who is John Cage?

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    Work, Work, Work A Reader on Art and Labour

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    Song Book (Die Gedanken sind frei)

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    Albtraum Partizipation

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    Gallery as Community. Art, Education, Politics

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    Artificial Hells. Participatory Art and the Politics of…

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    Graphic Design: History in the Writing (1983–2011)

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    Hands-On Urbanism 1850 - 2012

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    Das ABC eines Typografen

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    Second Hand Spaces. Recycling Sites Undergoing Urban…

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    Intense Proximity. The Anthology of the Near and the Far

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    The Number and the Siren

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    Amber. Anrhem Mode Biennale

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    A House Full of Music. Strategien in Musik und Kunst

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    Otto Neurath - City Planning. Proposing a socio-political…

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    Piecing Together Los Angeles. An Esther McCoy Reader

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    Lilly Reich. Designer and Architect

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    Leben zwischen Häusern. Konzepte für den öffentlichen Raum

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    Printing at Home

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    Home-Made Europe. Contemporary Folk Artifacts

  • Eyal Weizman

    The Least of All Possible Evils

  • David Harvey

    Rebel Cities. From the Right to the City to the Urban…

  • Brian O'Doherty

    Atelier und Galerie. Studio and Cube

  • Gert Selle

    Die eigenen vier Wände. Wohnen als Erinnern

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    Our Kind of Movie. The Films of Andy Warhol

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    The Last Art College. Nova Scotia College of Art and Design…

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    Sonic Somatic. Performances of the Unsound Body

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    Der Klang der Familie. Berlin, Techno und die Wende

  • Walter Benjamin

    The "Berlin Chronicle" Notices

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    Fabriken des Wissens. Streifen und Glätten 1

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    Vibrant Matter. A Political Ecology of Things

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    Liebe wird oft überbewertet. Ein Sachbuch

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    Pornotopia. Architektur, Sexualität und Multimedia im…

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    Halsted Plays Himself

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    Alison & Peter Smithson. A Critical Anthology

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    Cinema and Experience

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    Berlin Childhood circa 1900

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    The Right to Look. A Counterhistory of Visuality

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    Luftschlangentexte

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    Making Noise. From Babel to the Big Bang and Beyond

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    Microplanning. Urban Creative Practices. Sao Paulo

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    The Hierarchies of Cuckoldry and Bankruptcy

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    The Queer Art of Failure

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    The One and the Many. Contemporary Collaborative Art in a…

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    Die erste Nachkriegsmoderne

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    Savage Messiah

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    Ganz gut – Quite Good Houses

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    Hummer unter der Bettdecke

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    Saul Bass. A Life in Film & Design

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    Spangbergianism

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    To Do List Calendar 2012

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    Radical Prototypes. Allan Kaprow and the Invention of…

  • Hal Foster

    The First Pop Age

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    101 Things to Learn in Art School

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    Schweizer Fotobücher 1927 bis heute. Eine andere Geschichte…

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    Cities for People, Not for Profit. Critical Urban Theory…

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    In The Space Of A Song. The Uses of Song in Film

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    Moderators of Change. Architektur, die hilft

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    Architecture and Violence

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    Anarchitektur

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    The Story of Post-Modernism

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    Creatives in Japan. Keywords to Know

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    Beyond and Before. Progressive Rock since the 1960s

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    Paul Thek Reproduced, 1969 - 1977

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    Fanged Noumena. Collected Writings 1987-2007

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    Territorien des Widerstands. Eine politische Kartografie…

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    Community Art: The Politics of Trespassing

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    Project Japan. An Oral History of Metabolism

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    Tower and Slab. Histories of Global Mass Housing

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    A Thousand Eyes. Media Technology, Law, and Aesthetics

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    Die Medien der Architektur

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    Poster Collection 23. In Series

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    The Participation Reader

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    After the Future

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    Double or Nothing

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    Lookalikes

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    Kultur und Kritik (Heft 1, Herbst 2012) POP

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    Amateur der Weltgeschichte. Historiographische Praktiken im…

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    Touch Me! Das Geheimnis der Oberfläche

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    Capital and Affects. The Politics of the Language Economy

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    The Art-Architecture Complex

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    Establishing a Critical Corpus

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    The Sympathy of Things

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    Wir sind alle Astronauten. Richard Buckminster Fuller

Broken Music: Artists' Recordworks

Broken Music is an essential guide and discography for recordings and audio works by visual artists, originally published in 1989 and edited by Ursula Block (founder of Gelbe Musik in Berlin) and Michael Glasmeier. Records chosen for the publication revolved around four criteria: record covers created as original work by visual artists; record or sound producing objects (sculptures); books and publications that contain a record or recorded media object; and records or recorded media that have sound by visual artists. Hundreds of works are documented by artists such as Vito Acconci, albrecht d., Joseph Beuys, Laurie Anderson, Guillaume Apollinaire, Karel Appel, Antonin Artaud, John Baldessari, Hugo Ball, Harry Bertoia, William S. Burroughs, John Cage, Henri Chopin, Henning Christiansen, William Copley, Philip Corner, Merce Cunningham, Hanne Darboven, Jim Dine, Jean Dubuffet, Marcel Duchamp, Fischli/Weiss, R. Buckminster Fuller, Allen Ginsberg, Philip Glass, Jack Goldstein, Hans Haacke, Richard Hamilton, Bernard Heidsieck, Isidore Isou, Marcel Janco, Allan Kaprow, Martin Kippenberger, Milan Knízák, Christina Kubisch, Laibach, John Lennon, Hermann Nitsch, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Nam June Paik, Tom Philips, Robert Rauschenberg, The Red Crayola, Jim Rosenquist, Dieter Roth, Gerhard Rühm, Conrad Schnitzler, Kurt Schwitters, selten gehörte Musik, Richard Serra, Robert Smithson, Michael Snow, Jean Tinguely, Yoshi Wada, William Wegman and Lawrence Weiner, among others.
Boomkat Product Review:
‘Broken Music’ is a holy grail avant-garde music publication, a compendium of recordings, record-objects, artwork for records, and record installations created by thousands of visual artists between WWII and 1989. Unavailable since the original, sought-after 1989 edition, it features essays by its compilers Ursula Block and Michael Glasmeier, as well as Theodor W. Adorno, Milan Knížák and Laszlo Moholy-Nagy. Did we mention the bonus flexidsic? Aye, this one’s very special.
Published in 1989 by Ursula Block, wife of curator René Block and proprietor of the legendary Gelbe Musik record store in Berlin (sadly not there any more, to save you a wild goose chase), ‘Broken Music’ is inarguably an essential guide and discography for recordings and audio works by visual artists of the 20th C. Through essays, texts, and photos, it breaks down the history of visual artists working with sound into four fascinating criteria of study: record covers created as original work by visual artists; record or sound producing objects (sculptures); books and publications that contain a record or recorded media object; and records or recorded media that have sound by visual artists.
As far as we’re aware, this is the only book of its kind, and at the very least, the only one to cover it’s topic in such depth, drawing on a wealth of received information and personal knowledge to comprehensively highlight a peculiar and enduring niche of sound art. Books and lists like these are understandably invaluable to both art historians and record diggers, and this is among the most lucubrate we’ve come across, making connections between the formative, innocent experience of experimenting with records’ physicalities, with Adorno’s riffs on ‘The Form of the Records’, and ‘Media Composition According to Cage’, and looping back to Milan Knížák’s recollection of ‘Broken Music’ in his titular text and bonus 7” flexidisc of his 1989 recordings.
If you’re interested in the following list of artists covered inside, you owe it yourself to check this book: Vito Acconci, albrecht d., Joseph Beuys, Laurie Anderson, Guillaume Apollinaire, Karel Appel, Antonin Artaud, John Baldessari, Hugo Ball, Harry Bertoia, William S. Burroughs, John Cage, Henri Chopin, Henning Christiansen, William Copley, Philip Corner, Merce Cunningham, Hanne Darboven, Jim Dine, Jean Dubuffet, Marcel Duchamp, Fischli/Weiss, R. Buckminster Fuller, Allen Ginsberg, Philip Glass, Jack Goldstein, Hans Haacke, Richard Hamilton, Bernard Heidsieck, Isidore Isou, Marcel Janco, Allan Kaprow, Martin Kippenberger, Milan Knízák, Christina Kubisch, Laibach, John Lennon, Hermann Nitsch, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Nam June Paik, Tom Philips, Robert Rauschenberg, The Red Crayola, Jim Rosenquist, Dieter Roth, Gerhard Rühm, Conrad Schnitzler, Kurt Schwitters, selten gehörte Musik, Richard Serra, Robert Smithson, Michael Snow, Jean Tinguely, Yoshi Wada, William Wegman and Lawrence Weiner, and others.


Ursula Block, Michael Glasmeier
Broken Music: Artists' Recordworks
Primary Information , 2018, 9780991558599