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  • Stefan Gandl

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  • Anthony Downey

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  • François Laruelle

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  • Denna Jones

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  • Perry Grayson

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  • Ryan Gander

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  • Andreas Vetter

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  • Danielle Krysa

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  • Andreas Schulze

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  • Christiane Sörensen, Karoline Liedtke (…

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  • Boris Groys

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  • Nadir Lahiji (Ed.)

    Architecture Against the Post-Political. Essays in…

  • Bernadette Corporation

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  • Brandon LaBelle

    Lexicon of the Mouth. Poetics and Politics of Voice and the…

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    OfficeUS Agenda

  • Luca Frei

    Thursday followed Wednesday and Tuesday followed Monday and…

  • Oscar Tuazon

    Oscar Tuazon. Live

  • Morris Louis, Cyprien Gaillard

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  • Maroje Mrduljas, Vladimir Kulic (Ed.)

    Unfinished Modernisations. Between Utopia and Pragmatism

  • Cultures of the Curatorial 2

    Timing: On the Temporal Dimension of Exhibiting

  • Peter Schneider

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  • Europan 12

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  • Cornelia Lund, Holger Lund

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  • Jai McKenzie

    Light + Photomedia. A New History And Future Of The…

  • Omar Kholeif (Ed.)

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  • Céline Condorelli

    The Company She Keeps

  • Bernd Leyon

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  • Jasper Morrison

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  • Foscari Giulia

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  • Timothy M. Rohan

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  • Mina Marefat

    The Le Corbusier Gymnasium in Baghdad

  • Clog

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  • David Grubbs

    Records Ruin the Landscape. John Cage, the Sixties, and…

  • AA Bronson, Philip Aarons

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  • Kate Goodwin (Ed.)

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  • Murat Tabanlıoğlu

    Places of Memory. Hafiza Mekanlari. For the occasion of…

  • Kenny Cupers

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  • László Moholy-Nagy

    Sehen in Bewegung: Deutsche Erstausgabe von Vision in…

  • Chantal Pontbriand (Ed.)

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  • Berit Fischer (Ed.)

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  • Drei Farben House

    Choice Item

The Clandestine in the Work of Jef Cornelis

Jef Cornelis (1941) worked as director and scriptwriter for the VRT, the Dutch-language Belgian public broadcasting corporation, from 1963 until 1998.
The publication The Clandestine in the Work of Jef Cornelis comprises two essays about ‘hidden’ messages in the television films Daniel Buren (1971), Sonsbeek Beyond Lawn and Order(1971) and Landscape with Churches (1989). Koen Brams considers Cornelius’ explicit strategies to bring to light differences of opinion in the art world in the year 1971. Dirk Pültau analyses the covert elements of the soundtrack of the film Landscape with Churches.
What at first hearing seems a classical recording turns out, on further consideration, to contain a ‘demonic’ message.
A DVD that holds the three original films with English subtitles accompanies the publication. The Clandestine in the Work of Jef Corneliscalls attention to anasyet unknown aspect of Cornelis’ oeuvre and contains records by Geert Bekaert and Georges Adé, texts and an interview that have rarely or never been published.
http://www.e-flux.com/shows/view/8276


Koen Brams, Dirk Pültau
The Clandestine in the Work of Jef Cornelis
Idea Books, 2009, 978-90-72076-39-7