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    Architektur ausstellen. Zur mobilen Anordnung des Immobilen

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    Rob Pruitt. Rob Pruitt's Ebay Flea Market. Year 1

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    Pink Labor on Golden Streets: Queer Art Practices

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    Spaces for Criticism: Shifts in Contemporary Art Discourses

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    Künstlerische Praktiken um 1990. to expose, to show, to…

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    Architektur als Exponat. Gespräche über das Ausstellen

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    Buckminster Fuller Inc. Architecture in the Age of Radio

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    Berlin Transfer. Hybrid Modernities

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    Berlin Transfer. Learning from the Global South

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    Global Activism: Art and Conflict in the 21st Century

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    A World of Gardens

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    Shared Territory (Another Space)

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    Die Infrastrukturelle Matrix

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    Freedom of Use

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    Russia. Modern Architectures in History

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    The Amazing True Story of Moshe Klinberg..

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    The Slum Outside: Elusive Dharavi

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    Seeing Power. Art and Activism in the Twenty-first Century

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    Politics of Study

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    Ettore Sottsass and the Poetry of Things

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    Space, Hope and Brutalism

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    Parting It Out. Writings on Graphic Design

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    In Place

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    Motion and Representation. The Language of Human Movement

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    A History of Western Architecture (sixth Ed.)

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    Sammeln heisst Forschen / Collecting as Research.…

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    Endless Kiesler

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    Small Architecture / Natural Architecture

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Cover Curating

Curating: Politics of Display, Politics of Site, Politics of Transfer and Translation, Politics of Knowledge Production: A Fragmented and Situated Theory of Curating

Dorothee Richter’s argument understands curating or the curatorial not as a philosophical concept but as a practice that is deeply involved in the politics of display, politics of site, politics of transfer and translation, and regimes of visibility. It is based on a concept of critical research that takes as its starting point the investigation of what is often the overly simplistic understanding of the curator as a new agent in the fields of art and culture. Richter understands the curatorial as a multi-authored approach to the production of meaning, which is intrinsically linked to transformations of contemporary societies, the reorganisation of labour, cultural policies, politics of inclusion/exclusion, and issues posed by points of intersection.
Curatorial practice and theory have been developed in the context of cultural analysis, theories of power, and theories of communities based on feminist, queer, postcolonial, ecological, post-Marxist and other political and emancipatory positions. Many of these positions emerge out of political struggles or social movements. Ideally, curatorial knowledge production can be seen as a space for the negotiation of social, political, cultural, and economic conflicts. It understands curating as agency from which new constellations emerge. These could be represented in the format of an exhibition but equally in other forms of meaning production through a context-related media conglomeration, which involves a critical review of contemporary curatorial practices and theories. By engaging with these trajectories, the conditions and the foundations of knowledge production in the curatorial field become the subject of critical research leading to their re-positioning.

Dorothee Richter is a professor at the University of Reading, a professor at the Zurich University of the Arts, publisher of OnCurating.org, and a filmmaker, see FluxUsNow.net.


Dorothee Richter
Curating: Politics of Display, Politics of Site, Politics of Transfer and Translation, Politics of Knowledge Production: A Fragmented and Situated Theory of Curating
OnCurating.org , 2023, 9798850466534
37,45 €