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  • Nathaniel Coleman

    Materials and Meaning in Architecture

  • Marion Hohlfeldt, Frank Popper

    GRAV : Groupe de Recherche d'Art Visuel "…

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  • Architecten De Vylder Vinck Taillieu

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    Modes of Criticism 5. Design Systems

  • Miodrag Kuc (Ed.)

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  • Constantine Verevis

    Flaming Creatures

  • Cornelius Cardew

    Stockhausen Serves Imperialism

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    Glitterworlds. The Future Politics of a Ubiquitous Thing

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    Reverse Cowgirl

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    Kapital und Ideologie

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    Visuelle Zeitgestaltung

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    Philosophie des Designs

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  • João Carmo Simões

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    The Materials Book

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    Lefebvre for Activists [dt./engl.]

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    Variations on Media Thinking

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  • Clara Bouveresse

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  • Anne Massey

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  • Andrea Bajani

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  • Joost Meuwissen

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  • S. Gau, K. Schlieben (Hg)

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  • Wolfgang Tillmans

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  • Owen Hopkins

    Postmodern Architecture: Less is a Bore

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  • Michael Bull

    Sirens. The Study of Sound

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    Labels. Making Independent Music

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  • John Cage

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  • Nina Canell & Robin Watkins (eds.)

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  • Kumiko Inui

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  • U. Borinski, R.P. Gorbach

    Lesbar: Typografie in der Wissensvermittlung

  • Claude Lefort

    Dante's Modernity. An Introduction to The Monarchia

  • Sharon Lockhart

    Pine Flat. (Afterall Series One Work)

  • Andreas Nentwich, Christine Schnapp

    Modern in alle Ewigkeit: Eine Reise zu den schönsten…

  • David Reinfurt

    A New Program for Graphic Design

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    Translation (Documents of Contemporary Art)

  • Zamp Kelp

    Luftschlosser: Ein Blick auf Haus-Rucker-Co / Post-Haus-…

  • M. Seidel, G. Steixner (Hg)

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  • Moisés Puente (Hg)

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  • Viction Workshop (Ed.)

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  • Karl Gerstner

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  • Shirin Sabahi

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    Flying Panels: How Concrete Panels Changed the World

  • Laura Sobral

    Doing it Together. Cooperation Tools for the City Co-…

  • M. Hieslmair, M. Zinganel (Hg)

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  • Rike Frank, Beatrice von Bismarck

    Of(f) Our Times: Curatorial Anachronics

Degeyter - Architect

During the first ten years Arthur Degeyter built mainly classically inspired houses. The first ‘modern’ house he designed was for glass artist Michel Martens who later became his collaborator designing and manufacturing stained glass windows for Degeyters many churches. The architect executed a lot of commissions for the diocese of Bruges including renovations, restorations and newly constructed churches. Degeyter worked for small and big companies. His most representative realizations are the KI-centrum (Loppem), the offices of the National Bank in Bruges and the offices and storage sites of Vandecasteele Houtimport (Aalbeke). But the most important and largest part of the architect’s oeuvre is without any doubt houses. They bring out the stylistic diversity of the architect. He possessed the talent of keeping the old and embracing the new at the same time and respected local materials and traditions. He was an artist captured by beauty and inflamed by architecture. We see this mostly in his restorations and renovations. His approach is like a ‘Gesamtkunstwerk’ whereby interior, design and exterior are all part of the result. He was not limited to designing just a house or structure but contributed to the furniture and gardens too. His oeuvre is massif, he himself estimated around a thousand realizations. The majority of his work is situated in the West of Flanders but can be found in the whole of Flanders and occasionally a villa is located in The Netherlands, France or Spain. In 1992 the architectural office Arthur Degeyter ceased to exist. But the architect kept designing in collaboration with his son Jan for more than ten years after that.


Rita Gesquière (Hg)
Degeyter - Architect
MER. B&L, 2021, 978-94-6393-041-3
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