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    Architect of Letters. Reading Hilberseimer

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    Linke Waffe Kunst. Die Kommunistische Studentenfraktion am…

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    The Office of Good Intentions. Human(s) Work

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    Exhibiting SoundArt

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    Umstrittene Methoden. Architekturdiskurse der…

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    Atlas des Dazwischenwohnens. Wohnbedürfnisse jenseits der…

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    X Properties. Berliner Hefte zu Geschichte und Gegenwart…

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    On the Inconvenience of Other People

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    Allseits unvollkommen. Plantokratie und schwarzes Studium

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    Gerade noch gutgegangen. Fünf Jahrzehnte Planungskritik

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    The Missing Planet. Visions and Re-Visions of Soviet Times

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    Uexkülls Umgebungen. Umweltlehre und rechtes Denken

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    Uexküll's Surroundings. Umwelt Theory and Right-Wing…

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    Building Character.The Racial Politics of Modern…

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    Spatializing Justice. Building Blocks

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    Images of Class. Operaismo, Autonomia and the Visual Arts (…

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    Sanfte Stadt. Planungsideen für den urbanen Alltag

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    Tuesday or September or the End

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    Owning the Future. Power and Property in the Age of Crisis

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    Das Niedliche und der Gimmick. Zwei ästhetische Kategorien

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    dérive N° 89, Polyzentral und Ökosozial (Okt-Dez/2022)

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    Liquidity, Flows, Circulation. The Cultural Logic of…

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    Futures of the Architectural Exhibition.

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    Die Realität schlägt zurück. Politik für eine…

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    In einer Welt von Fremden. Eine Anthropolgie der Stadt

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    The lake of Venice. A scenario for Venice and its lagoon

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    Crisis as Form

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    Gentrification Is Inevitable and Other Lies

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    Arch+ 249. Learning Spaces

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    Exzentrische 80er: Tabea Blumenschein, Hilka Nordhausen,…

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    Nothing Personal?! Essays on Affect, Gender and Queerness

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    Englisch in Berlin. English in Berlin

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    Houses to Die In. And Other Essays on Art

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    Stop Stealing Sheep & Find out how type works. 4th…

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    Look

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    IDEA 399. In the Design Field, Today: Thought and Practice…

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    Drei Zimmer, Küche, Diele, Bad. Eine Wohnung mit Optionen

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    Tresor: True Stories: The Early Years

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    Berliner Hefte zu Geschichte und Gegenwart der Stadt #9. Am…

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    In these circumstances. On collaboration, perfomativity,…

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    Das Zuhause. Philosophie eines scheinbar vertrauten Ortes

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    What happens between the knots? A Series of Open Questions…

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    The Curatorial Condition

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    Architectures of Healing. Cure through Sleep, Touch, and…

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    An Activist Neuroaesthetics Reader

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    Provocations Against Perfectionism: The Architecture of…

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    Spectres III. Ghosts in the Machine / Fantômes dans la…

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    Kerstin Honeit. Voice Works Voice Strikes

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    On Whiteness. The Racial Imaginary Institute

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    Huts, Temples, Castles

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    Roadside Picnics: Encounters with the Uncanny

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    The Design of Tactics. Critical Practices Transforming…

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    Eine kurze Geschichte der Gleichheit

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    Women Architects and Politics. Intersections between Gender…

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    Architecture and Development. Israeli Construction in Sub-…

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    Meine Mutter lacht

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    The Surrounds. Urban Life within and beyond Capture

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    Technopharmacology

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    Practicing Cooperation. Mutual Aid beyond Capitalism

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    World of Variation

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    Visualizing Complexity. Handbuch modulares…

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    2G 85. Leopold Banchini

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    Nature of Enclosure

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    Yiddish Displayed. A Typographic Experiment Through the…

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    Ways of Being. Beyond Human Intelligence

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    Barkow Leibinger. Revolutions of Choice

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    Post-craft. EP Vol. 3

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    Routes / Worlds

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    Aggregatzustände bewegter Bilder

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    Heimat. Eine Gebrauchsanweisung

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    Agadir. Building the Modern Afropolis

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    Mining Photography. Der ökologische Fussabdruck der…

  • Stefan Römer

    DeConceptualize - Zur Dekonstruktion des Konzeptuellen in…

The Disco Files 1973-78: New York's Underground, Week by Week

In 1973, Vince Aletti became the first person to write about the emerging disco scene. His engagement with disco nightlife continued throughout the decade as he wrote his weekly column for Record World magazine, which incorporated top ten playlists from DJs across the US (such as Larry Levan, Larry Sanders, Walter Gibbons, Tee Scott and Nicky Siano) alongside Aletti's own writings and interviews.
As disco grew from an underground secret to a billion-dollar industry, Aletti was there to document it, and The Disco Files is his personal memoir of those days, containing everything he wrote on the subject (most of it between 1974 and1978) augmented with photography by Peter Hujar and Toby Old. This book is the definitive and essential chronicle of disco, true from-the-trenches reporting that details, week by week, the evolution of the clubs, the DJs, and above all, the music, through magazine articles, beautiful photographs, hundreds of club charts and thousands of record reviews.
Photocopies of Aletti's Record World columns circulated for years among DJs and music lovers, until they were finally collected in 2009 into the first edition of The Disco Files, an instant classic that quickly sold out. This new edition of The Disco Files brings Aletti's compulsively readable disco writing back into print, adding an interview with Fran Lebowitz originally published in the Village Voice in 1990.
Throughout his career, curator, writer and critic Vince Aletti (born 1945) has been at the forefront of music, culture and the arts. He wrote for Record World and Rolling Stone and covered the club scene in the late 1970s and 1980s for the Village Voice, where he would serve as art editor until 2005. In addition to curating numerous photography exhibitions, Aletti writes about photography for the New Yorker.


Vince Aletti
The Disco Files 1973-78: New York's Underground, Week by Week
DISTRIBUTED ART PUB, 2018, 9781942884309