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  • Walter Grasskamp

    Das Kunstmuseum. Eine erfolgreiche Fehlkonstruktion

  • Kathrin Peters, Andrea Seier (Hg.)

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    Can Architecture Be An Emancipatory Project? Dialogues on…

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    Der Raum als Membran

  • Patrick Joseph

    Poet Fool

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  • Gerald Raunig

    Dividuum. Machinic Capitalism and Molecular Revolution

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    Towards a Conceptual Militancy

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    Obsolescence. An Architectural History

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    An Architektur 11-13: Theorie und Praxis der Kartografie

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    An Architektur 04-09: Krieg und die Produktion von Raum

  • Shinkenchiku 2014:11

    Japan Architects 1945 - 2010. Extra Edition

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    In The Realm of the Senses. A Materialist Theory of Seeing…

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    Disorientation: Bernard Rudofsky in the Empire of Signs.…

  • Markus Krajewski, Christian Werner

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    Die Zukunft der Architektur in 100 Bauwerken

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    Design Objects and the Museum

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    And. Phenomenology of the End

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Donogoo Tonka or the Miracles of Science. A Cinematographic Tale

"Donogoo-Tonka or The Miracles of Science, a mock film scenario written by the French novelist Jules Romains, was first published in book form in 1920. Although translated into several languages when it initially appeared and later reinterpreted by Romains for the stage, the original has never been translated into English." "The satirical plot concerns a famous geographer whose academic career is about to be derailed by the revelation that the South American city of Donogoo-Tonka, about which he has written, was nothing more than a fiction of his creation. Through a hilarious sequence of events, a suicidal young man finds a new mission in life by undertaking to found the fictional city, thereby redeeming the error and reputation of the professor. A clever and unscrupulous publicity campaign stirs interest in Donogoo-Tonka all over the globe and leads a wave of adventurers to the hinterlands of Brazil. Upon discovering that the city's existence is a hoax, the would be pioneers have nothing to do but actually build a city there. In an ironic turn of events, the city itself and the reputation of its "founders" flourish, raising provocative questions about scientific knowledge and historical causality." A highly original contribution to avant-garde poetics, beautifully translated by Brian Evenson, the novel makes innovative use of boxed "intertitles", a graphic device that influenced period writers and filmmakers. Joan Ockman's afterword, accompanied by more than two dozen illustrations, places Donogoo-Tonka into a rich historical context, delving into questions of urban geography, the early relations between literature and cinema, and Romains's forgotten philosophy of unanimism.


Jules Romains
Donogoo Tonka or the Miracles of Science. A Cinematographic Tale
Princeton Architectural Press, 2009, 978-1568987804