Direkt zum Inhalt

Warenkorb

  • Beatriz Colomina, Mark Wigley

    Are We Human? Notes on an Archaeology of Design

  • Carsten Höller, Rosemarie Trockel

    Maisons / Häuser

  • Richard Shone, John-Paul Stonard (Eds.)

    The Books that Shaped Art History: From Gombrich and…

  • Rafi Segal

    Space Packed: The Architecture of Alfred Neumann

  • Cornelia Escher

    Zukunft entwerfen: Architektonische Konzepte des GEAM (…

  • Elena Filipovic

    The Artist as Curator - An Anthology

  • Patrick Eiden-Offe

    Die Poesie der Klasse: Romantischer Antikapitalismus und…

  • Steffen Mau

    Das metrische Wir: Über die Quantifizierung des Sozialen

  • A+U 407

    Housing in the City - New York, London, Paris

  • A+U 416

    Fashioning Spaces

  • M. Timonen, J. Wikström (Eds.)

    Objects of Feminism. Art Theoretical Writings from the…

  • J.R. Carpenter

    The Gathering Cloud

  • Maurizio Lazzarato (Autor), Stefan…

    Marcel Duchamp und die Verweigerung der Arbeit

  • T. J. Demos

    Against the Anthropocene. Visual Culture and Environment…

  • Meike Schalk, Thérèse Kristiansson,…

    Feminist Futures of Spatial Practice. Materialisms,…

  • KAI 10 | Arthena Foundation, Julia…

    Less is a Bore, Reflections on Memphis

  • Alice Twemlow

    Sifting the Trash. A History of Design Criticism

  • Nikolai Roskamm

    Die unbesetzte Stadt: Postfundamentalistisches Denken und…

  • Maya Vinitsky (Ed.)

    3.5 Square Meters: Constructive Responses to Natural…

  • Kenneth Goldsmith

    Uncreative Writing: Sprachmanagement im digitalen Zeitalter

  • M. Tupitsyn, V. Tupitsyn, D. Morris (…

    Anti-Shows. APTART 1982–84.: Exhibition Histories Vol. 8

  • Dominique Perrault

    Groundscapes. Other Topographies

  • Annika Frye

    Design und Improvisation: Produkte, Prozesse und Methoden

  • Stephanie Taylor

    Kong Boos

  • Städttebau-Institut Universität…

    Grüne Infrastruktur – von Grau zu Grün

  • Serge Guilbaut, John O'Brian (Eds.)

    Breathless Days, 1959-1960

  • Smiljan Radic

    Bestiary

  • Kader Attia

    RepaiR

  • Aaron Betsky

    Making it Modern: The History of Modernism in Architecture…

  • Andrew Goodhouse (Ed.)

    When Is the Digital in Architecture?

  • Adam Greenfield

    Radical Technologies. The Design of Everyday Life

  • Mark Crinson

    Rebuilding Babel. Modern Architecture and Internationalsim

  • AbdouMaliq Simone, Edgar Pieterse

    New Urban Worlds. Inhabiting Dissonant Times

  • Kersten Geers, David Van Severen, Joris…

    OFFICE Kersten Geers David Van Severen — Volumes 1, 2…

  • Mateo Kries, Andreas Ruby, Ilka Ruby (…

    Together! Die Neue Architektur der Gemeinschaft

  • Bruno Latour

    Kampf um Gaia: Acht Vorträge über das neue Klimaregime

  • Alice Grahame, Taran Wilkhu

    Walters Way and Segal Close: The Architect Walter Segal and…

  • Isabelle Stengers

    In Catastrophic Times. Resisting the Coming Barbarism

  • Wim Nijenhuis

    The Riddle of the Real City or the Dark Knowledge of…

  • Svetlana Boym

    The Off-Modern

  • Franco 'Bifo' Berardi

    Futurability. The Age of Impotence and the Horizon of…

  • Aurin, Thomas Hegemann, Carl Witt,…

    Volksbühne am Rosa-Luxemburg-Platz 1992-2017

  • Iñaki Ábalos

    The good life: A guided visit to the houses of modernity

  • Stephen J. Phillips

    Elastic Architecture: Frederick Kiesler and Design Research…

  • Marie-Luise Angerer

    Affektökologie. Intensive Milieus und zufällige Begegnungen

  • Harmony Korine

    Devils and Babies

  • Vanessa Weber

    Everyday Urban Design 2. Überqueren, Unterqueren,…

  • Sebastian Bührig

    Everyday Urban Design 1. Wohnen an der Kotti D'Azur

  • R. Bittner, A. Reese, K. Szymczak

    Desk in Exile. A Bauhaus Object Traversing Different…

  • McKenzie Wark

    General Intellects. Twenty-Five Thinkers for the Twenty-…

  • Noah Regenass, Markus Ritter (Hg.)

    Lucius Burckhardt. Landschaftstheoretische Aquarelle und…

  • Cosey Fanni Tutti

    Art Sex Music

  • Albena Yaneva

    Five Ways to Make Architecture Political. An Introduction…

  • Parasite 2.0

    Primitive Future Office

  • Anke Fesel, Chris Keller (Hg.)

    Berlin Heartbeats: Stories from the wild years, 1990–…

  • Drei Farben House

    Fluency Fabrics

  • Vrachliotis, Kleinmanns, Kunz, Kurz (Hg…

    Frei Otto. Denken in Modellen

  • Christopher Long

    Adolf Loos on Trial

  • Brillembourg, Kalagas, Klumpner,…

    Reactivate Athens

  • Etienne Turpin, Anna-Sophie Springer (…

    The Word for World is Still Forest

  • S. Mohebbi, R. Estevez (Hg)

    Hotel Theory Reader

  • U. Kleefisch-Jobst, P. Köddermann, K.…

    Alle wollen wohnen: Gerecht. Sozial. Bezahlbar

  • Moyra Davey

    Les Goddesses/Hemlock Forest

  • Alain Badiou

    The True Life

  • A. Stech, S. Fuls, R. Klanten (Hg)

    Inside Utopia: Visionary Interiors and Futuristic Homes

  • Hannah Black, Juliana Huxtable

    Life. A Novel

  • Robert Barry

    The Music of the Future

  • Clare Lyster

    Learning from Logistics. How Networks Change our Cities

  • Aaron Betsky

    Architecture Matters

  • Sönke Gau

    Institutionskritik als Methode. Hegemonie und Kritik im…

  • David A. Hanks, Friedrich Meschede (Hg.)

    Partners in Design: Alfred H. Barr Jr. und Philip Johnson.…

  • Alain Badiou/Pierre Bourdieu/Judith…

    Was ist ein Volk?

  • Annette Michelson

    On the Eve of the Future. Selected Writings on Film

  • James Voorhies

    Beyond Objecthood. The Exhibition as a Critical Form since…

  • Alexander Vasudevan

    The Autonomous City: A History of Urban Squatting

  • Kris Paulsen

    Here/There. Telepresence, Touch, and Art at the Interface

  • Gerd de Bruyn

    Theorie der modernen Architektur. Programmatische Texte

  • Sven Lütticken

    Cultural Revolution: Aesthetic Practice after Autonomy

  • Martin Herbert

    Tell Them I Said No

  • Deutscher Werkbund (Hg.)

    Taut baut: Geschichten zur Architektur von Max Taut

  • Maria Hlavajova, Simon Sheikh (Eds.)

    Former West: Art and the Contemporary after 1989

  • Jane Rendell

    The Architecture of Psychoanalysis. Spaces of Transition

  • Sissi Tax

    the looks, not the books (allaphbed '19)

  • Arnt Cobbers

    Breuer

  • Mercedes Bunz, Birgit M. Kaiser,…

    Symptoms of the Planetary Condition: A Critical Vocabulary

  • Sarah Burkhalter, Laurence Schmidlin (…

    Spacescapes Dance & Drawing

  • Marcus Verhagen

    Flows and Counterflows. Globalisation in Contemporary Art

  • Andreas & Ilka Ruby

    Infrastructure Space

  • Charlotte Ashby

    Modernism in Scandinavia: Art, Architecture and Design

  • Kim Feser, Matthias Pasdzierny (Hg.)

    Techno Studies. Ästhetik und Geschichte elektronischer…

  • Alessandro Biamonti

    Archiflop. Gescheiterte Visionen. Die spektakulärsten…

  • Berliner Hefte zu Geschichte und…

    Marx-Engels-Forum - Ja!

  • Yvonne P. Doderer

    Glänzende Städte. Geschlechter- und andere Verhältnisse in…

  • Europan 13

    The Adaptable City 2: Ergebnisse /Results

  • Erik Kessels

    Fast Pefrekt. Die Kunst, hemmungslos zu scheitern. Wie aus…

  • C. Perren, S. B. Lovett (Eds.)

    Expanded Architecture. Temporal Spatial Practices

  • M. Holm, K. Kjeldsen, M. Kallehauge (…

    Wang Shu. Amateur Architecture Studio

  • Irene Albers, Anselm Franke (Hg.)

    Nach dem Animismus

El Alto. Freddy Mamani Silvestre

EL ALTO zeigt die fantastische Architektur von Freddy Mamani Silvestre, die
auf 4100 Metern Höhe in Bolivien entstanden ist.
The Bolivian architect Freddy Mamani Silvestre doesn’t have an office, use a computer, or draw formal blueprints. He sketches his plans on a wall or transmits them orally to his associates. Since 2005, Mamani and his firm have completed sixty projects in El Alto, the world’s highest city, which sits at nearly fourteen thousand feet, on an austere plateau above La Paz. In the past twenty years, the economy there has burgeoned, along with an enterprising, mostly indigenous population. Mamani earned his fame building mixed-use dream houses for the city’s nouveaux riches.
Like most of his clients, and like some 1.6 million of his fellow-citizens, Mamani is an Aymara. His people have been subject to successive waves of conquest and dispossession, first by the Inca, then by the Spanish. As a young man, he worked in construction; in his early twenties, he earned a degree in civil engineering, against the advice of his family. “It’s a career for the rich,” they told him. Architecture, too, is a career for the rich. But Mamani has made an advantage of his outsider status; he designs in an Aymara vernacular of his own invention.
Each of his houses has a futuristic façade, a commercial ground floor with jazzy shop fronts, a baroque party hall on the mezzanine, a story or two of apartments, and an owner’s penthouse. This aerie is sometimes called a cholet, a pun on the words “chalet” and “cholo”—a dismissive racial epithet that cholos like Mamani have proudly embraced. Mamani’s architecture incorporates circular motifs from Aymara weaving and ceramics and the neon colors of Aymara dress, and it alludes to the staggered planes of Andean temples. But it has also been inspired by science fiction, particularly by the Transformer movies. It might be called, like the second film in the saga, “Revenge of the Fallen.”
http://www.newyorker.com/project/portfolio/high-aspirations
http://www.granser.de/news.html


Peter Granser
El Alto. Freddy Mamani Silvestre
Edition Taube, 2016, 978-3-945900-05-5