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  • Dan Byrne-Smith

    Science Fiction

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    Immanence and Immersion. On the Acoustic Condition in…

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    Spaces of Commoning: Artistic Research and the Utopia of…

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  • Architecten De Vylder Vinck Taillieu

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  • Cornelius Cardew

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    Glitterworlds. The Future Politics of a Ubiquitous Thing

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    Planet Earth: 21st Century

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    The Force of Non-Violence. An Ethico-Political Blind

  • Paul B. Preciado

    An Apartment on Uranus

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  • Siegfried Zielinski

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  • Marcus White, Nano Langenheim

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  • Clara Bouveresse

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    Digital Cash: The Unknown History of the Anarchists,…

  • Andrea Bajani

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  • Nina Canell & Robin Watkins (eds.)

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    A New Program for Graphic Design

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  • Karl Gerstner

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  • Shirin Sabahi

    Pocket Folklore

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  • Alona Rodeh, Kunstpalais

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  • Rike Felka

    Biomorphe Architekturen

  • Cooking Sections

    The Empire Remains Shop

  • Alonso, Palmarola (eds.)

    Flying Panels: How Concrete Panels Changed the World

  • Laura Sobral

    Doing it Together. Cooperation Tools for the City Co-…

  • M. Hieslmair, M. Zinganel (Hg)

    Stop and Go. Nodes of Transformation and Transition

  • Rike Frank, Beatrice von Bismarck

    Of(f) Our Times: Curatorial Anachronics

  • Sara Ahmed

    What's the Use? On the Uses of Use

  • Graham Harman

    Art and Objects

  • Benjamin Bratton

    The Terraforming

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    Stop and Go. Nodes of Transformation and Transition

  • Ana Vujanovic, Livia Piazza (Ed.)

    A Live Gathering: Performance and Politics in Contemporary…

  • edu-factory

    Alle Macht der selbstorganisierten Wissensproduktion

  • Alona Rodeh

    FIRE: Safe & Sound

  • Vision 5

    Artists Photographs

  • dérive

    dérive N° 78, Willkommen im Hotel! (Jan-Mar 2020)

  • Hilma Af Klint

    Visionary

  • Allan Kaprow

    How To Make A Happening CD

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    Polyphone Ästhetik: Eine kritische Situierung

  • Philipp Oswalt

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    Being Material

  • Tom Rice

    Films for the Colonies. Cinema and the Preservation of the…

  • Jürgen Habermas

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  • Silvio Lorusso

    ENTREPRECARIAT. everyone is an entrepreneur nobody is safe

  • Maria Lind

    Seven Years. The Rematerialisation of Art from 2011 to 2017

  • G. Raunig

    Maschinen Fabriken Industrien

  • Lukas Feireiss (Ed.)

    The Radical Cut-Up Reader: No Single Narrative

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  • Chris O'Leary

    Ashes to Ashes. The Songs of David Bowie, 1976-2016

The Empire Remains Shop

'Empire shops' were first developed in London in the 1920s to teach the British to consume foodstuffs from the colonies and overseas territories. Although none of the stores ever opened, they were intended to make previously unfamiliar produce and products – sultanas from Australia, oranges from Palestine, cloves from Zanzibar, and rum from Jamaica – available in the British Isles. The Empire Remains Shop speculates on the possibility and implications of selling the remains of the British Empire in London today. Based on a public installation that took place in London in the autumn of 2016, The Empire Remains Shop book catalogues and develops the installation's critical program of discussions, performances, dinners, installations and screenings hosted at 91–93 Baker Street. The contributions each use food to trace new geographies across the present and future of our postcolonial planet. Structured as a franchise agreement, The Empire Remains Shop lays out some of the landscapes, imaginaries, economies, and aesthetics that future iterations of the shop would need to address in order to think through political counter structures for a better distributed, hyper-globalised world.
The book includes a foreword by Elizabeth A. Povinelli and contributions from Elisabetta Brighi, Filipa César, Revital Cohen & Tuur Van Balen, Jesse Connuck, Daniel Conway, Annalee Davis, Forager Collective, FRAUD, Ros Gray, Raphaël Grisey, Nitasha Kaul, Harry Keene, Laleh Khalili, Richie Maitland, Asunción Molinos, Shela Sheikh, Shahmen Suku/Radha La Bia, Bouba Touré, and Nicole Wolf.


Cooking Sections
The Empire Remains Shop
Columbia University Press, 2018, 9781941332375