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  • Viyaleta Zhurava

    FIGUREN / SHAPES

  • Diskursiv (Hg.)

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  • dérive

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  • Viktoria Schabert

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  • Oxana Gourinovitch

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  • Lydia Kallipoliti

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  • Folke Köbberling

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  • Anja Kaiser, Rebecca Stephany

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  • Helmut Draxler

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  • Patrick McGraw, Heavy Traffic

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  • Simon O'Sullivan

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  • Lisa Luksch, Andres Lepik (ed.)

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  • Jill Johnston, Clare Croft (ed.)

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  • Anna-Sophie Springer, Raul Walch (eds.)

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  • Canadian Centre for Architecture

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  • Clothilde Morette, Victoria Aresheva (…

    Science/Fiction. A Non-History of Plants

  • Ulrich Heinke

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  • Franziska Bollerey

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  • Richard Sennett

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    Einfach Grün - Greening the City

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  • Ian Erickson, Tomi Laja

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  • Estelle Hoy, edited by Antonia Carrara

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  • Nick Mauss, Edited by Antonia Carrara…

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  • Clémence Imbert

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  • dérive

    dérive N° 97, Energie (Okt-Dez 2024).

  • Christina Landbrecht

    Künstlerische Forschung. Potenziale, Probleme, Perspektiven

  • bell hooks

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  • Raafat Majzoub (ed.)

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  • Holm-Uwe Burgemann (Hg.)

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  • Kathrin Wildner, metroZones

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  • Christian Hanussek, metroZones

    metroZine #2. Die Tapete als Parergon – und Methode

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  • Ian Trowell

    Throbbing Gristle. An Endless Discontent

  • Sandra Hofmeister

    Bauen im Bestand. Wohnen / Building in Existing Contexts.…

The First Days of Berlin. The Sound of Change

Berlin in the early 1990s, right after the fall of the Berlin Wall: this is the place to be. Berlin-Mitte, the central district of the city, with its wastelands and decaying houses, has become the centre of a new movement. Artists, musicians, squatters, club owners, DJs and ravers are reclaiming the old city centre and bringing it back to life. This interregnum between two systems - the collapse of the old East Germany, the gentrification of the new Berlin - lasts only a few years. West Berliners, East Berliners and new residents from abroad join together to create music, art and fashion, to open bars and clubs and galleries, even if only for a few weeks. In the months following the fall of the Wall, there is a feeling of new beginnings and immense possibilities: life is now, and to be in the here and now feels endless. The phrase 'temporary autonomous zone' is circulating, it describes the idea - romantic and naive but, in the circumstances, not absurd - that, at a certain moment in history, you can actually do whatever you want.
 
Ulrich Gutmair moved to West Berlin as a student in autumn 1989: two weeks later the Wall came down. He spent the next few years studying during the day in the West and exploring the squats, bars and techno clubs in the East at night. He fell in love with House and Techno and raved at Tresor, Elektro, Bunker and many other places that in the meantime have almost disappeared from collective memory. Ten years later he decided to write a book about that period in between, when one regime was brought down and a new one wasn't yet established. When utopia was actually a place to inhabit for a moment.


Ulrich Gutmair
The First Days of Berlin. The Sound of Change
Polity Press, 2021, 9781509547302