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    Was passiert? Stellungnahmen zur Lage der Universität

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    Interviews Volume 2

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    Urbane Klänge. Popmusik und Imagination der Stadt

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    An invention of Allan Kaprow for the moment

  • Rosalind E. Krauss

    Perpetual Inventory

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    Recession Recessione - A Nonexistent Exhibition

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    Studies in Organic

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    85 Zeichnungen

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    Stagings. Kabul, Film & Production of Representation

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    The Tao of Wu

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    Supercritical. Peter Eisenman & Rem Koolhaas

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    Made by the Office for Metropolitan Architecture

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    Harun Farocki. Against What? Against Whom?

  • J.-F. Lejeune, M. Sabatino

    Modern Architecture and the Mediterranean

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    Lecture Performance

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    Sonic Warfare. Sound, Affect, and the Ecology of Fear

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    Bernhard Willhelm & Jutta Kraus

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    Iaspis Forum on Design and Critical Practice

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    For the Love of Vinyl. The Album Art of Hipgnosis

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    The Rest is Noise. Das 20. Jahrhundert hören

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    I was (t)here.

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    Yes is More. An Archicomic on Architectural Evolution

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    Zone des Übergangs. Vom Ende des Postkommunismus

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    Souto de Moura 2005-2009. Theatres of the World.

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    Architecture's Desire. Reading the Late Avant-Garde

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    The Fall of the Studio. Artists at Work

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    Colour in Contemporary Architecture

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    Blue Peter. Sixth Book

Four Conversations on the Architecture of Discourse

Follow-up to "Architecture on Display: On the History of the Venice Biennale Architecture", published by the Architectural Association in 2010. This volume contains discussions with writers, architects and academics in Chicago, Venice, London and New York on theme on display.
ON ARCHITECTS AS EDITORS:
"Architecture has a fundamental and deep-rooted problem with the idea of having an audience, to the point that this conversation was rehearsed almost 100 years ago, when the founders of what we think of as modern architecture today were curators and certainly not builders. People like Mies or Corb, for example, either as editors or curators learned to invent an idea of modern architecture long before they went on to build it. The idea that architecture remains trapped in that kind of a dichotomy is a striking record of this difficulty we have with audience." (1)
ON WHO DETERMINES ARCHITECTURAL EXCELLENCE
"Now the issue is, should we continue to fund the aesthetic of Ira Glass because he's excellent, or should we as an organization try to be proliferating multiple stories, multiple forms of discourse? And we should. But if you were to constantly ask us the question of who's the most excellent, you will always end up with Ira Glass... You shouldn't be relying so much on experts to have a vision...You should be responding and responsible." (2)
ON THE ARCHITECTURE OF ACCESSIBILITY
"Exhibitions are a really important part of architectural discourse, in the sense that they are one way in which ideas about architecture might be conveyed to the public who may otherwise be ignorant of them, if they're not involved in occasions like tonight." (3)
ON THE ARCHITECTURE OF PUBLIC RELATIONS
"[There is] a back door through which a kind of censorship is re-emerging...It is not that you are going to be prosecuted; rather, that it will do damage to your public reputation. At a larger level, it represents a hideous discourse of humanism." (4)
References: 
(1) Brett Steele, quoted in Four Conversations on the Architecture of Discourse (Architectural Association, London, 2012), p. 30.
(2) Lisa Lee, quoted in Four Conversations, p. 159.
(3) Sean Griffiths, quoted in Four Conversations, p. 94-95.
(4) Mark Cousins, quoted in Four Conversations, p. 99


Aaron Levy, William Menking
Four Conversations on the Architecture of Discourse
AA Publ., 2012, 978-1-907896-19-4