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  • Silke Langenberg (Hrsg.)

    Das Marburger Bausystem. Offenheit als Prinzip

  • Langley, Pearce, Worth (Ed.)

    After Butler's Wharf. Essays on a Working Building

  • Vibeke Gieskes (Ed.)

    The Future of Architecture

  • Mark Sinclair, Tony Brook

    Type Only

  • Sven Völker (Ed.)

    Some Book. Graphic Expressions between Design and Art

  • Dan Graham

    Nuggets – New and Old Writing on Art, Architecture, and…

  • Ellen Blumenstein, Katharina Fichtner (…

    The World According to Patricia Esquivias. Fernando Garrido…

  • Ilka & Andreas Ruby, Nathalie…

    The Economy of Sustainable Construction

  • Joshua Decter

    Art Is a Problem. Selected Criticism, Essays, Interviews…

  • James Guerin

    Berlin Quarterly. European review of Culture. Issue 1

  • Blexbolex

    Ein Märchen

  • Museum of Modern Art (Ed.)

    Isa Genzken. Retrospective

  • Juergen Teller

    Common Ground. In Photographs

  • Jochen Eisenbrand

    George Nelson. Ein Designer im Kalten Krieg

  • Maik Schierloh (Hg.)

    Kosmetiksalon Bar Babette

  • Model House Research Group (Ed.)

    Transcultural Modernisms

  • Museo Berardo (Ed.)

    Pancho Guedes. Vitruvius Mozambicanus

  • Clog

    Unpublished

  • Joanne Finkelstein

    Fashioning Appetite. Restaurants and the Making of Modern…

  • Gunnar Hindrichs

    Die Autonomie des Klangs - Eine Philosophie der Musik

  • Irénée Scalbert

    A Right to Difference. The Architecture of Jean Renaudie

  • Juliane Rebentisch

    Theorien der Gegenwartskunst

  • Darran Anderson

    Serge Gainsbourg's Histoire de Melody Nelson (33 1/3)

  • Daniel Irrgang, Clemens Jahn (Hg.)

    Forum zur Genealogie des MedienDenkens 1. Siegfried…

  • Pascal Gielen (Ed.)

    Institutional Attitudes. Instituting Art in a Flat World

  • Texte zur Kunst Heft 92

    Architecture / Architektur

  • Kultur & Gespenster 14

    Radio

  • Philipp Misselwitz, Eui Young Chun,…

    Gwangju Folly II

  • Katrin Grögel

    Andrea Zittel. Institute of Investigative Living. Leben und…

  • Marcel Duchamp, Henri-Pierre Roche,…

    3 New York Dadas and the Blindman

  • Nadin Heinich, Plan A (Ed.)

    Digital Utopia. Über dynamische Architekturen, digitale…

  • Catherine Zuromskis

    Snapshot Photography. The Lives of Images

  • E. Bippus, J. Huber, R. Nigro

    Ästhetik der Existenz. Lebensformen im Widerstreit T:G/10

  • Chantal Pontbriand

    The Contemporary, the Common: Art in a Globalizing World

  • Aleksandra Mir

    The Space Age. Poster Book

  • Fabrico Próprio

    The Design of Portuguese Semi-Industrial Confectionery

  • Viola Vahrson, Susanne Märtens, Beate…

    Gehen

  • Matthias Messmer, Hsin-Mei Chuang

    China's Vanishing Worlds. Countryside, Traditions, and…

  • Pier Vittorio Aureli, Martino Tattara

    Dogma. 11 Projects

  • Laura Pavia, Mario Ferrari

    Mies Van Der Rohe. Neue Nationalgalerie in Berlin 1962-1968

  • Sergio B. Martins

    Constructing an Avant-Garde. Art in Brazil 1949-1979

  • Ali Nemerov, Emily Wei Rales (Eds.)

    Peter Fischli, David Weiss

  • Centrum Architektury (Ed.)

    For Example. New Polish House. A Book

  • Alain de Botton, John Armstrong

    Art as Therapy

  • Brian Dillon, Marina Warner

    Curiosity. Art and the Pleasures of Knowing

  • Tod Williams, Billie Tsien

    Wunderkammer

  • John Grindrod

    Concretopia. A Journey Around the Rebuilding of Postwar…

  • Angus Carlyle, Cathy Lane (Eds.)

    On Listening

  • Arindam Dutta (Ed.)

    A Second Modernism. MIT, Architecture, and the 'Techno…

  • Grzegorz Piątek

    AR/PS. The Architecture of Arseniusz Romanowicz and Piotr…

  • Daniel Lopez-Perez

    R. Buckminster Fuller. World Man

  • Michael Asgaard Andersen

    Jorn Utzon. Drawings and Buildings

  • Shaun McNiff (Ed.)

    Art as Research

  • Melissa Gordon, Marina Vishmidt (Eds.)

    Persona Issue 2

  • Jürgen Teipel

    Mehr als laut - DJs erzählen

  • Kenny Cupers (Ed.)

    Use Matters. An Alternative History of Architecture

  • Collection du Frac Centre

    Architectures Experimentales 1950-2012

  • Archilab

    Naturaliser l'architecture. Naturalizing architecture

  • metroZones 13

    Global Prayers. Contemporary Manifestations of the…

  • Beatriz Preciado

    Testo Junkie. Sex, Drugs, and Biopolitics in the…

  • Rajan V. Ritoe (Ed.)

    Future Times Square. Compression vs. Distribution

  • Elmar Kossel

    Hermann Henselmann und die Moderne

  • Rogério Duarte

    Marginália 1

  • Luis Burriel Bielza

    Le Corbusier. La passion des cartes

  • Deorte Kuhlmann, Dorte Kuhlmann

    Gender Studies in Architecture. Space, Power and Difference

  • Cerith Wyn Evans

    The What If?... Scenario (after LG)

  • Wouter Davidts, Guy Châtel, Stefaan…

    Luc Deleu. Orban Space

  • Tiqqun

    Alles ist gescheitert, es lebe der Kommunismus

  • Annie Pedret

    Team 10. An Archival History

  • Ana Jeinić, Anselm Wagner (Eds.)

    Is There (Anti-)Neoliberal Architecture?

  • Studio Manuel Raeder

    The Letter E is Everywhere. La Letra E esta por Doquier.

  • Oliver Marchart

    Das unmögliche Objekt. Eine postfundamentalistische Theorie…

  • Max Hollein, Martina Weinhart (Hg.)

    Brasiliana. Installationen 1960 bis heute. Installations…

  • Bradley L. Garrett

    Explore Everything. Place-Hacking the City

  • Sylvia Lavin, Kimberli Meyer (Eds.)

    Everything Loose Will Land. 1970s Art and Architecture in…

  • Claire Bishop

    Radical Museology or, What's Contemporary in Museums…

  • Douglas Kahn

    Earth Sound Earth Signal

  • Dietmar Offenhuber, Carlo Ratti (Hg.)

    Die Stadt entschlüsseln. Wie Echtzeitdaten den Urbanismus…

  • Robert Kronenburg

    Architecture in Motion. The History and Development of…

  • Kirsty Bell

    The Artist's House. From Workplace to Artwork

  • Charlotte Bundgaard

    Montage Revisited. Rethinking Industrialised Architecture

  • Ralph Rugoff (Ed.)

    The Alternative Guide to the Universe

  • Dietmar Dath, Swantje Karich

    Lichtmächte. Kino – Museum – Galerie – Öffentlichkeit

  • Eve Meltzer

    Systems We Have Loved. Conceptual Art, Affect, and the…

  • Nicholas Alfrey

    Uncommon Ground. Land Art in Britain 1966-1979

  • Margitta Buchert, Laura Kienbaum (Eds.)

    Einfach entwerfen. Simply Design

  • Jeffrey Kipnis

    A Question of Qualities. Essays in Architecture

  • Susanne Lehmann-Reupert

    Von New York lernen. Mit Stuhl, Tisch und Sonnenschirm

  • Petrit Halilaj

    Poisoned by men in need of some love

  • ARGE Schnittpunkt (Hg.)

    Handbuch Ausstellungstheorie und -praxis

  • Riki Kalbe, Wolfgang Kil

    Gelände. Terrain.

  • Jörn Schafaff (Hg.)

    Kunst - Begriffe der Gegenwart. Von Allegorie bis Zip

  • AV 157-158

    Herzog & De Meuron 2005-2013

  • Freek Lomme (Ed.)

    Who Told You so? The Collective Story vs. The Individual…

  • Uta Meta Bauer, Thomas D. Trummer (Eds.)

    AR - Artistic Research

  • Yvonne P. Doderer

    Räume des Politischen. Dimensionen des Städtischen

  • PIN-UP

    PIN-UP Interviews

  • Mark Ledbury (Ed.)

    Fictions of Art History

The Hacienda. How Not to Run a Club

Eine Achterbahnfahrt durch Erfolg, Geld, Verwirung und wahren Glauben - dies sind die verrückten und und spannenden Erinnerungen von Robert Hook, dem Mitbegründer der Bands Joy Division und New Order, an die Ära des Manchester Hacienda Clubs. Als junger naiver Musiker eröffneten er und seine Bandkollegen von New Order den Club - und erlebten eine Zeit, die weit trauriger, lustiger, furchterregender und seltsamer war, als man es sich vorstellen kann. Alle Protagonisten - Barney, Tony Wilson und Shaun Ryder - haben hier ihr Stelldichein, wenn Robert Hook erzählt, wie es wirklich gewesen ist.
Peter Hook, as co-founder of Joy Division and New Order, has been shaping the course of popular music for thirty years. He provided the propulsive bass guitar melodies of 'Love Will Tear Us Apart' and the bestselling 12-inch single ever, 'Blue Monday' among many other songs. As co-owner of Manchester's Hacienda club, Hook propelled the rise of acid house in the late 1980s, then suffered through its violent fall in the 1990s as gangs, drugs, greed and a hostile police force destroyed everything he and his friends had created. This is his memory of that era and 'it's far sadder, funnier, scarier and stranger' than anyone has imagined. As young and naive musicians, the members of New Order were thrilled when their record label Factory opened a club. Yet as their career escalated, they toured the world and had top ten hits, their royalties were being ploughed into the Hacienda and they were only being paid GBP20 per week. Peter Hook looked back at that exciting and hilarious time to write HACIENDA. All the main characters appear - Tony Wilson, Barney, Shaun Ryder - and Hook tells it like it was - a rollercoaster of success, money, confusion and true faith.
http://www.cerysmaticfactory.info/the_hacienda_how_not_to_run_a_club.htm...


Peter Hook
The Hacienda. How Not to Run a Club
Simon and Schuster , 2010, 978-1847391773